I love his style too.
In fact, watching 300 was the first time I really felt a film looked like art without employing tactics like Sin City or Scanner Darkly did and actually making it look like a painting.
I love the slow mo, I love the use of colour and the use of music in all his films. I love Snyder's energy in interviews, like an excited nerdy school kid who can't get his words out... it's that enthusiasm that gets me enthusiastic about everything he does. I love that he uses simple, beautiful, almost cliched phrases like 'There's nothing wrong with dreams' as a theme for a film, and is not ashamed to be that innocent and leave it at that, instead of trying to add in something more 'profound'.
I don't think MOS in anyone elses hands would make me as excited.
I seriously doubt that anyone in Hollywood understands Superman in the way that I do, and i've sort of accepted that. But at least with Snyder, I know I am going to get a Superman I am going to enjoy watching, regardless of whether the storyline is to my fan 'tastes' or not. Because it's going to look gorgeous, it's going to have wonderful pacing, the music is going to be perfectly timed to heighten the emotional moments, and it's going to be the best Superman fight scenes we have ever seen, and likely could have ever dreamed of
'Why do I find all of this so horrible to explore?
Sure, they are interesting questions that I don't mind seeing in an elseworlds GN. But as a theme for the film that is kicking off the tone of the whole JL, and in a film that is presenting Superman to the general audience in a way that current generations will remember him?
I just don't like it. It's dark, it's depressing and it's not how I like the tone of Superman films to be.'