Originally Posted by JP
It laid a foundation, one that Ottman expanded on beautifully, and Powell disregarded completely. I like Powell's Jean/Phoenix stuff, but everything else, eh.
See, I felt that each score was self-containing and exclusive from the others. I felt no harmony between Ottman's stuff and Kamen's, or Ottman's to Powell's. Each film had it's own "feel" and the scores were tailored to that.