Originally Posted by Brain Damage
It was just kind of silly. Batman says: "A hero can be anyone, even a man doing something as simple and reassuring as putting a coat around a young boy’s shoulders to let him know the world hadn’t ended."
First off, it spells the major theme of the movie right out for everyone.
Second, Gordon was a cop in Gotham City. I'm willing to bet he's probably put his coat around a lot of young boy's shoulders to let them know the world hadn't ended. The fact that he's able to instantly recall doing so to Bruce Wayne seemed forced to me. Now, you might say that Batman reveals his identity in a similar way to Rachel towards the end of Begins, but consider the difference. In Begins, he utters a specific phrase that Rachel had told him before at most a few weeks (if not days) prior. In TDKR, he recalls a moment that occurred thirty years ago, vaguely, I might add.
Third, in the moment when seconds are counting down till the bomb blows off, Batman chooses to become the Riddler (as Kevin Smith very funnily pointed out) and leave his only real friend standing in confusion trying to figure out what he just told him. Eh.
Now, I'll say these, none of these things completely ruin the moment for me. It's still very powerful and emotional scene. But it's the most superficial kind of emotional scene. There's no subtlety involved. It's a moment in which the story is quite clearly dictated by the fact that it's a story meant for an audience, if that makes sense. Rather than having a natural build up to the reveal it's thrown in there at the last second simply because, well, it's gotta happen sometime and Bats and Gordon aren't gonna get a chance to speak to each other again.
Wow. Do you have anything good to say about the film? or was it all ham-handed?
I don't mean to berate but I look at this board and with the exception of a few posters all I see is negativity. Apparently the writers who infused Batman with influences like existentialist Dostoevsky, Kierkegaard, Neitzche, and Charles Dickens, completely fumbled the ball on this film. And not just in a couple of scenes but the entire film. According to some of you EVERY SCENE has something wrong with it.
And don't think that I think the film is perfect, I don't. But overall the film is like all of Nolan's films, dealing with extreme intelligent themes not seen in the great majority of the superhero genre. And I don't think that you need to like the film, or any single scene for that matter. You don't have to like the influences and you don't have to think that the film is intelligent. But you come off completely inconsistent.
The writers who made Inception and the Dark Knight are all of a sudden complete buffoons. This is the Characterization of the Knight, not the what would you change thread. Say something positive about the ideas of the film to make me think that your criticisms actually hold weight. Don't say the scene was powerful but superficially powerful. That's an oxymoron.
If you can fill the unforgiving minute with sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it, and—which is more—you’ll be a Man, my son!