[Excelsior.]

She has one shot in the montage which is dominated by her in the foreground of the frame while Jen and a few others are celebrating with champagne behind her. She looked somber to what was happening as opposed to everybody else in the frame, but it ultimately passes by way too quickly and dominated by the rest of the montage and the implications of it in a wider context for me to truly invest in her change.

That is a big problem of Nolan for me. He likes to tell huge chunks of his story in montages which often serve to truncate important elements of character and story. As in, I would like to see some scenes that he devotes a single shot to become full blown scenes, specially ones that involve character. I think one elaborate scene with Selina and the rich couldn't have heart.