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Old 07-29-2013, 01:30 AM   #426
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Default Re: Episode VII Music Composer?

He did look great. And zen.

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Old 07-29-2013, 01:56 AM   #427
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Yeah, seriously. The force is strong with that one.

I hope digging into Star Wars again keeps that vitality going for him.

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Old 04-09-2015, 10:46 AM   #428
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The official SW site mentioned a few weeks ago that John Williams will record the score for The Force Awakens in Los Angeles over a period of several months. It breaks the tradition of the past six SW films being performed by the London Symphony Orchestra, but Williams' L.A. ensemble is no slouch.

http://www.starwars.com/news/john-wi...in-los-angeles

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Old 05-22-2015, 12:30 PM   #429
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Some words from Williams about his approach for scoring episode 7. Cant wait to hear this!! http://www.vanityfair.com/hollywood/...-force-awakens

Quote:
John Williams Says His New Star Wars Score Will Include the Original Themes

An extended interview between the revered composer and the author of our Star Wars cover story, Bruce Handy.

BY BRUCE HANDY
Film composer John Williams has been nominated for an astonishing 49 Academy Awards. He’s won five. His second was for Jaws and his third was for the original Star Wars—and bingo! Right there you have arguably the two most recognizable scores in Hollywood history. Williams has since written the music for all the Star Wars sequels and prequels, along with nearly all of Steven Spielberg’s films, the first three Harry Potter pictures, and—a few more titles chosen not quite at random—Superman, The Witches of Eastwick, Home Alone, JFK, and The Book Thief.

I recently spoke to Williams about his in-progress work on his seventh Star Wars score, for the upcoming The Force Awakens—and also about a song he once co-wrote for Frank Sinatra. Click here to read the June Vanity Fair cover story on The Force Awakens and to see Annie Leibovitz’s exclusive portraits of the cast. Below are outtakes from my conversation with Williams.

Bruce Handy: Now that you’re scoring your seventh Star Wars movie, do you find that you approach the series differently in terms of your creative process compared with other films or series you’ve worked on?

John Williams: Very much so. It’s all a continuation of an initial set of ideas. It’s a bit like adding paragraphs to a letter that’s been going on for a number of years. Starting with a completely new film, a story that I don’t know, characters that I haven’t met, my whole approach to writing music is completely different—trying to find an identity, trying to find melodic identifications if that’s needed for the characters, and so on. Which I do here, but here it’s an extension of something that’s been really organic and continually growing. It’s a very, very different process. That’s really the best analogy I can come up with at the moment so I’ll repeat it: it’s like adding paragraphs to a letter rather than beginning the letter again.

That musical backstory, your previous Star Wars scores, is that something you can tap into pretty easily? Or do you, for instance, maybe sit down and re-listen to all the old scores to immerse yourself in that world before you start writing a new one?

I haven’t done that, though I might have been helped by doing that. But I know the material--I think I do. I have my take on it, so to speak; I have my feelings about it. So I haven’t had to consult the old scores. It’s really been a comfortable transition in each case. I’ve used this analogy too, a thousand times: it’s a bit like riding a bike that you haven’t been on since you were ten years old. You do remember. And I’ve had the experience before with the Raiders series and Superman, the Harry Potter series, although the music is somewhat dissimilar. I hope it’s dissimilar. I hope they’re at least, in part, unique to the projects. But going from one to another is not a difficult adjustment, at least not for me.

How has it been different working with J.J. Abrams compared to working with George Lucas?

It’s actually very similar. My meetings with George had to do with spotting the film, selecting areas in which music would be played, and pretty much we agreed on all that. He always left me free to write the music. And J.J.’s done the same thing. We’ve had a few preliminary meetings, and I’ve played him some music at the piano, which he seemed to like very much. His latest instruction to me was, “Just do your thing.” Which is giving me a good sense of freedom, a good free swing at the ball. I don’t know how much you know of him, but he is a delightful person. Enormously bright. I’ve been very impressed with him in meetings with a great variety of people. His generalship is assured and warm and inviting and inclusive. If I can say it, he’s a fabulous young man who’s future is so brilliant and so promising. I don’t know how old he is, but he’s a young man to me. [Abrams is 48; Williams is 83.] He’s enormously impressive.

In the new score, aside from the main Star Wars theme, are you going to be reviving any of the themes from the first trilogy which were associated with Luke, Leia, and Han?

There are some scenes where we do make reference to earlier thematic pieces. We haven’t done it yet, but we’re planning to do it. It’s something that I think will seem very natural and right in the moments for which we’ve chosen to do these kinds of quotes. There aren’t many of them, but there are a few that I think are important and will seem very much a part of the fabric of the piece in a positive and constructive way.

This is probably a corny question, but of your six Star Wars scores, do you have a favorite?

I really don’t. [Thinks about it for a moment anyway, then laughs] No. I’ve played so many of those pieces in concert over the year, and I think my affection for them, if I can put it that way, is pretty constant thing. If you pressed me, well, you could probably look up the concert programs over the years and say, You favored this one over that one. It’s possible, I don’t know, but I don’t think I can say I have any favorites.

This is a bit out of the blue, but a couple of weeks ago I bought an old Paul Williams LP at a flea market. [Here Comes Inspiration, released in 1974] There’s one song on the album for which a “John Williams” is credited as the co-writer and also as the arranger. Are you that John Williams?

Yes. It might have been from Cinderella Liberty, the film. Paul and I wrote two or three songs for that. We also wrote a song together that was recorded by Frank Sinatra for that album Ol’ Blue Eyes Is Back. Remember that album? [The record, a “comeback” album, was released in 1973. The Williams-Williams song on it was “Dream Away,” the one that also appears on Here Comes Inspiration.] Paul and I worked together way back in the 70s on film projects of one kind or another. He was and is a fabulous lyricist.

Are you related?

No, we’re unrelated. But I’m very, very fond of him.

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Old 05-26-2015, 09:34 AM   #430
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http://makingstarwars.net/2015/05/jo...re-next-month/

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Old 06-02-2015, 10:39 AM   #431
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American Federation of Musicians - Back Again to a Galaxy ...

http://www.afm.org/im/john-williams

The interview is in International Musician magazine June issue. Here's a snippet:

Quote:
Williams says he plans to continue the use of leitmotifs in the new film. "While the majority of the music is also new, there are necessary references to early story lines, which helps create association with the previous films," he explains. "So the music will look back in spots to the earlier films, but there are also new themes that will be applied in a similar way."


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Old 06-02-2015, 10:42 AM   #432
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http://makingstarwars.net/2015/06/jo...akens-at-sony/

Master John seems to be recording at this very moment, exciting news indeed

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Old 06-02-2015, 11:03 AM   #433
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Absolutely thrilling to hear!

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Old 06-02-2015, 11:38 AM   #434
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Originally Posted by BatLobsterRises View Post
Absolutely thrilling to hear!
I hope we get some snippets, but im sure nothing will leak until almost the release of the movie

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Old 06-03-2015, 12:46 AM   #435
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The OST will probably be released officially before the movie.

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Old 06-03-2015, 02:09 AM   #436
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As long as we don't get track names like ''Qui-Gon's Noble End'' then I think it will be okay.

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Old 06-03-2015, 02:19 AM   #437
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Originally Posted by StarLord View Post
As long as we don't get track names like ''Qui-Gon's Noble End'' then I think it will be okay.
"Han's Not so Noble Death"
"Kylo Loses a Hand"
"Lando isn't in this Movie"
"The Emperor has been resurrected and is in Kylo's Body"
"Chewie and Leia's Daughter"

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Old 06-03-2015, 02:39 AM   #438
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Originally Posted by DarthSkywalker View Post
"Han's Not so Noble Death"
"Kylo Loses a Hand"
"Lando isn't in this Movie"
"The Emperor has been resurrected and is in Kylo's Body"
"Chewie and Leia's Daughter"


Includes bonus track ''Poe dies... or maybe he doesn't?''.

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Old 06-03-2015, 03:02 AM   #439
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"Midichlorians Are The Post-Credits Villain"

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Old 06-03-2015, 11:41 AM   #440
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Originally Posted by StarLord View Post
As long as we don't get track names like ''Qui-Gon's Noble End'' then I think it will be okay.
Man, i remember the outcry with that one lol

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Old 06-03-2015, 12:36 PM   #441
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Man, i remember the outcry with that one lol
Yeah thanks for spoiling that one, its not like there was a ton of secrecy behind the movie

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Old 06-03-2015, 04:22 PM   #442
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lol well i didnt even know who Qui-Gon was, so i didnt really care about him enough to give a damn when i found out he would die before watching the film . Besides, every jedi except Yoda and Obi-Wan would die, so lol

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Old 06-03-2015, 07:00 PM   #443
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http://makingstarwars.net/2015/06/be...force-awakens/

Some behind the scene pictures of John Williams scoring TFA.

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Old 06-03-2015, 08:50 PM   #444
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Aaaah, cant wait to listen to this one. A NEW Star Wars score. Pure magic right there

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Old 06-03-2015, 09:03 PM   #445
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Old 06-03-2015, 10:14 PM   #446
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I hope the soundtrack is at par with the whole saga, in latter years some people think Williams lost his touch a bit (he is in hes 80s as well). I hope this one bring the sound we all love again

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Old 06-03-2015, 10:47 PM   #447
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It's a bit of a touchy subject because he IS in his 80's and he's still rocks...but I haven't really liked most his recent stuff. I think his most decent and modern work that I liked was Harry Potter and Episode 3, but those were YEARS ago.

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Old 06-03-2015, 10:47 PM   #448
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Which soundtracks made people think he's lost his touch?

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Old 06-03-2015, 10:53 PM   #449
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Getting ready for day 2. #starwars #JohnWilliams

https://twitter.com/JKMSlibrary/stat...06051349082112

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Old 06-03-2015, 10:57 PM   #450
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I'm sure he'll do fine actually one of his latest soundtracks was really good. Which was The Adventures of Tintin. I like what little we heard in the first trailer. I'm sure he'll rock it.

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