|View Poll Results: How do you feel about Goyer writing the script for the first Superman Batman film|
|His work on MOS was VERY GOOD. He'll do GREAT.||27||20.45%|
|His work on MOS was OKAY. I am Skecptical.||30||22.73%|
|His work on MOS was POOR. I feel dread.||32||24.24%|
|He NEEDS Affleck's help and guidance to deliver a great script||43||32.58%|
|Voters: 132. You may not vote on this poll|
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|09-29-2013, 08:43 PM||#11|
Join Date: Jun 2003
Re: David S. Goyer IS the Script Writer! - Part 1
My thoughts are as they always are when the superior power falls to the inferior one in any scripted conflict. From die hard, to sports films to rocky movies to mythology and so on... Anything is possible with the right foresight/execution and of course heart is what I walk away with.
My second thought was even simpler, I guess they weren't all that superior to begin with.
Seems like a no brainer.
People aren't robots. Sometimes as in MoS, a keen minded warrior get's the jump on his opponents. Whether he simply draws fire first, has his robots blind them with a flare or simply overcomes another fighter versed in his same fighting style.
The day will come when superman will have to face off with Doomsday and if doomsday is anything like the source material, he will be "Superior" to superman on print.
When superman isn't defeated and possibly wins, I will come up with the same explanation: There is more to physical sentient confrontation than power bars. I loved the under sides of upper deck superhero cards as much as the next kid, but...you know.
Let me pull you on something of my own: If the audience enters the cabin of a old retired farmer. The camera racks around the volume and you are made privy to a few of the mans possessions. On the wall you see old boxing gloves and a few prize fighting trophies. This old farmer is then confronted but mafia debt collectors and he overcomes them with formidable head movement, footwork and striking. STORYTELLING being what it is, the boxing trophies communicate to the audience what they need to know to understand this plot development.
Whatever you and your audience what to believe JorEl and his contemporaries are, the minute you are made privy to his armor and training you are shown a higher order of characterization than that of being told "People on Krypton are born to fill roles in society" and "Your father was our foremost scientist". You are being told what the character in question in fact is, it's this revelation that you need to measure against his task.
JorEl isn't simply a pencil pusher and Zod isn't a god of confrontation. Clearly.
Stephen Lang for Cable, the most obvious casting in cbm history.