Well, in the classic triangle, Lois’s romantic dilemma is essentially a sham. Whether she chooses noble-but-ordinary (Clark) or the romantic ideal (Superman), she’ll ultimately be rewarded with “both.”
In SR, where the options aren’t conflated, Lois’s choice is real, has real significance and implications. And that makes it intrinsically more dramatic.
Well said, but do you think that dramatic tension is suitable for a Superman movie?