There was just one catch. Mr. Spielberg, 72, did not attend, much less propose any rule changes. He was not even in town. His schedule had long called for him to be in New York, where rehearsals are underway for his
next film project, a remake of “West Side Story,” according to a person who works for him, who spoke on the condition of anonymity to discuss his private itinerary.
And the meeting proved to be anticlimactic, with the academy’s board of governors voting to
maintain the current eligibility rules.
The emergence of Netflix as a serious player in the Academy Awards conversation has unsettled many in Hollywood.CreditLucy Nicholson/Reuters
In fact, Mr. Spielberg’s animosity toward Netflix appears to have been acutely overstated.
Mr. Spielberg has been publicly silent through all of it. But inside his company, Amblin Entertainment, Mr. Spielberg has expressed frustration with the way his views about streaming have recently been characterized in the news media, according to two people close to him, who spoke on the condition of anonymity to maintain their relationship. Yes, he believes that theater owners, streaming services and traditional studios need to come together to figure out a way to protect what he likes to call the “motion picture theatrical art form.” If the academy were to come up with a reasonable way to ensure that only films with robust theatrical releases are eligible for Oscars, there is a strong chance he would vote for it, the people said.
But a geriatric Luddite who wants to kill Netflix?
His primary beef is not with Netflix, according to the people close to him. Rather, he is frustrated that exhibitors have been unwilling to compromise. The multiplex chains have fought off any effort to shorten the exclusive period they get to play films of any genre, which is currently about 90 days. In January, after “Roma” was nominated for the best picture Oscar, Mr. Spielberg even called AMC and Regal, the largest theater companies, and implored them to play the Netflix film even though it was already available online.
They refused.
He has a Netflix account and binge-watches the service’s original programming — some of which Amblin helps produce, including “
The Haunting of Hill House.” (Amblin also has series in the works for three other streaming services: “Cortes and Moctezuma” for Amazon,
“Amazing Stories” for Apple and a reboot of “Animaniacs” for Hulu.)
“I want people to find their entertainment in any form or fashion that suits them,” Mr. Spielberg said in an email in response to queries from The New York Times. “Big screen, small screen — what really matters to me is a great story and everyone should have access to great stories.