Some of the most anti war people I know are people who have gone to war.
I think you will see in the future a Superman that will do everything in his power not to be put in that position again.
Eugh... stop, now I'm thinking about all these kinds of mistakes in the movie.
I really hope it holds up well with a second viewing.
I have a thought on the film, I'm not sure it is a problem, just a thought (so calm down fanboys, its not really a criticism, just me thinking aloud). I feel like Snyder did this with the film:
In other words, how do you escalate? The reason that the Transformers movies got progressively worse is because Bay showed everything that there is to show in the first movie. There was no way to escalate and a sequel must escalate to feel fresh and exciting and to make the audience feel like it was worth coming back to. I'm not sure how MOS2 can escalate. Metropolis was more or less destroyed. The action and carnage was way over the top. Snyder held nothing back. That could be problematic. However, a smaller story (like Metallo and Luthor) would feel thoroughly underwhelming after Zod. I almost feel like Snyder made a huge mistake in using Zod as the origin villain, who basically ravaged the world, because there is no way to really up the ante at this point.
I'm thinking that scene was a few months or a year or two later...enough time for Clark to get a degree in journalism. The one guy was trying to get Lois to go to a sports game I don't think it would be business as usual the next day especially with sports playing.
I'm thinking that scene was a few months or a year or two later...enough time for Clark to get a degree in journalism. The one guy was trying to get Lois to go to a sports game I don't think it would be business as usual the next day especially with sports playing.
Was Clark there to be a reporter? I thought he was there more as an intern or temp or something.I'm thinking that scene was a few months or a year or two later...enough time for Clark to get a degree in journalism. The one guy was trying to get Lois to go to a sports game I don't think it would be business as usual the next day especially with sports playing.
I have a thought on the film, I'm not sure it is a problem, just a thought (so calm down fanboys, its not really a criticism, just me thinking aloud). I feel like Snyder did this with the film:
In other words, how do you escalate? The reason that the Transformers movies got progressively worse is because Bay showed everything that there is to show in the first movie. There was no way to escalate and a sequel must escalate to feel fresh and exciting and to make the audience feel like it was worth coming back to. I'm not sure how MOS2 can escalate. Metropolis was more or less destroyed. The action and carnage was way over the top. Snyder held nothing back. That could be problematic. However, a smaller story (like Metallo and Luthor) would feel thoroughly underwhelming after Zod. I almost feel like Snyder made a huge mistake in using Zod as the origin villain, who basically ravaged the world, because there is no way to really up the ante at this point.
Some of the most anti war people I know are people who have gone to war.
I think you will see in the future a Superman that will do everything in his power not to be put in that position again.
Pretty sure he wasn't a killer before the fact. And yes, take a life and it changes you, this is well documented(in cinema)
doesn't have to, but it is impactful.
according to TOT, God destroyed the world by flood and then made a covenant not to do "that" again...
I don't know if was specifically in journalism or whatever, but I'm pretty sure Clark had already been to college. At the very least he's wearing a Kansas University shirt during the tornado scene.
Does anyone know if Goyer planned a story if this story was to ever expand from MoS? Or if he only done the story for MoS and never planned to take it further.
I would imagine that in this day and age, writers try to keep things open to expand for possible sequels. Hence why we never saw Lex in this, but his presence was still acknowledged. Same thing with Amazing Spider-Man and Norman Osborn. Superhero movies, especially those belonging to the top names, are kept open so that there's a base to build on. It may not all be mapped out on day 1, but they usually don't show all their cards right away.Does anyone know if Goyer planned a story if this story was to ever expand from MoS? Or if he only done the story for MoS and never planned to take it further.
But, this is Superman we're talking about though. There's no real need to explain why he doesn't like killing. But, I guess since Nolan's involved there would be a need, which was surprisingly missing.
And for how much they used Birthright (where it was shown how he actually views life) and All-Star (where we had the awesome scene when Lex finally understood Superman's point of view) in this film, I'm surprised they didn't use their explanations or some version of it. But, then maybe Goyer didn't understand those comics or didn't want to use their ideas outside of a superficial level.
It's only at the last moment that we learn killing or even the death of anyone is really an issue for this Superman when that could've been explained during the childhood scenes.
Since war was brought up, I loved how in DC: New Frontier, Hal never wanted to kill anyone until he finally realized what would get him to do it and was shocked that he was chosen to be a GL whenever everyone else thought he was coward, but Abin Sur tells him that it's good that all life is precious to him.
Yep.
They made it a point to say that they were going forward "as if no other Superman materiel was out there" Maybe they took that idea too far for some.
Is it any better if you don't take Superman lore into account?
Maybe a Kiss from Superman would help forget!
That's how I felt to. Like some stuff was just rushed because if you knew who Superman was, you would get it.Well, I think they failed because I felt some of the film counted on the fact that the audience had some idea of who Superman is.
Does anyone know if Goyer planned a story if this story was to ever expand from MoS? Or if he only done the story for MoS and never planned to take it further.
Well, I think they failed because I felt some of the film counted on the fact that the audience had some idea of who Superman is.
But, this is Superman we're talking about though. There's no real need to explain why he doesn't like killing. But, I guess since Nolan's involved there would be a need, which was surprisingly missing.
And for how much they used Birthright (where it was shown how he actually views life) and All-Star (where we had the awesome scene when Lex finally understood Superman's point of view) in this film, I'm surprised they didn't use their explanations or some version of it. But, then maybe Goyer didn't understand those comics or didn't want to use their ideas outside of a superficial level.
It's only at the last moment that we learn killing or even the death of anyone is really an issue for this Superman when that could've been explained during the childhood scenes.
Since war was brought up, I loved how in DC: New Frontier, Hal never wanted to kill anyone until he finally realized what would get him to do it and was shocked that he was chosen to be a GL whenever everyone else thought he was coward, but Abin Sur tells him that it's good that all life is precious to him.
Your feelings are sort of similar to mine. Some emotional moments didn't hit (namely Pa Kent's death and Kal's anguish after Zod's death) however the flashback with the red cape did.
I did however think that it was a great cinematic experience with enough awesome to be quite high on my CBM list. By far better than IM3 IMO though.
But, this is Superman we're talking about though. There's no real need to explain why he doesn't like killing. But, I guess since Nolan's involved there would be a need, which was surprisingly missing.
And for how much they used Birthright (where it was shown how he actually views life) and All-Star (where we had the awesome scene when Lex finally understood Superman's point of view) in this film, I'm surprised they didn't use their explanations or some version of it. But, then maybe Goyer didn't understand those comics or didn't want to use their ideas outside of a superficial level.
It's only at the last moment that we learn killing or even the death of anyone is really an issue for this Superman when that could've been explained during the childhood scenes.