Loden Greatstorm
Suko
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This movie will be the 2019 equivalent to the Nutcracker.
This movie will be the 2019 equivalent to the Nutcracker.
Looks great to me! I wonder if they intend to film them back to back so the Star doesn’t age too quickly?
Been that way for a while. That swhy they set out to just acquire a bunch of other properties and companies.Has anyone ever noticed that Disney is NOT good at launching new live-action franchises and original movies?
Doctor Strange. Guardians of the Galaxy. Ant-man. Black Panther. Captain Marvel. = new live action franchisesHas anyone ever noticed that Disney is NOT good at launching new live-action franchises and original movies?
Has anyone ever noticed that Disney is NOT good at launching new live-action franchises and original movies?
Doctor Strange. Guardians of the Galaxy. Ant-man. Black Panther. Captain Marvel. = new live action franchises
Wreck It Ralph. Moana. Coco. Zootopia. Inside Out. Queen of Katwe = original
NOT bad. Unless you don't count animated films as original. You should check their catalogue.
Wrinkle in Time is an example of that - and Narnia (that was Disney, right?). Artemis Fowl will be the same way, I'm sure.
There's another one too, isn't there? I feel like I'm forgetting another dead-on-arrival Disney live-action movie based off a classic book, but I can't remember which one I'm thinking of.
Paramount didn't launch Black Panther, Captain Marvel, Gotg, and Dr. Strange with Marvel Stud10s. They might be branches of the Mcu (which didn't start wity Disney) but those films still needed an approval from Iger as Marvel Stud10s is owned by Disney. While Ant-Man was released when Disney already got Marvel. While films from Pixar and Wdas are pretty much Disney films. The films I mentioned are all under Disney, and it wasn't like Disney was merely distributing them.Those are Marvels Studio and Paramount and Feige launched the MCU. Not Disney and Iger.
And the animated films arent what's being discussed.
When we started to rehearse, she leant forward, and her shoulders stooped and her voice dropped, and then suddenly this gravelly, Churchillian, curmudgeonly figure started to emerge... I saw all of those actors suddenly, naturally go to attention when they saw Judi, who had this swagger and this cool, who had this great leather coat, who carried the authority quite so effortlessly. She walked out of the craft, looked up at the house, and said [in an Irish accent], ‘Top of the mornin’.’ It was a real sense of a memorable character walking into a movie and owning it, saying ‘I love my clothes, I love my look, I’m in charge, and I’m here to make mischief.'