Whack Arnolds said:
So any info given to you is being handed to you on a platter? It's a movie, not a search to find something. It tells a story, so you are always being 'handed something on a silver platter'. And don't act is if the Burton movies didn't beat you over the head with concepts. Because they damn sure beat us over the head with the duality aspect of the character...so much so that it became boring. They used it as a theme in the first one, and supposedly based of "german expressionism" all of the surrounding characters around Bruce in Returns deal with different sides to his personality...thus even further going into the blatantly obvious theme of 'duality'. How many times do we need to go into it? I mean they cover it in B89, and then all over Returns is virtually about duality. Add to the fact that the actual plot/story, and not the metaphors and themes, are even more boring than its predecessor. BEGINS went an adverse route, telling a story of why and how he came to be. One should expect to be 'handed the information', because that was the point of the story. And it also touches on some themes not yet touched by previous Bat-flicks.
First of all, German Expressionism has nothing to do with the script. It's a genre dedicated to the visual expression of feelings. Examples are the films Metropolis, The Cabinet Of Dr. Caligari, Nosferatu, and the paintings of Edvard Munch (at via influence). Don't use a phrase if you don't know what it means, or better yet do some research it's not that hard, what with the internet and all.
Second, narratives are defined, in part, by "hermeneutic composability" (Bruner, 1991) where there is the meaning an author is expressing and a meaning the audience is extracting, so yes movies (and all forms of narratives) are a "search to find something". To the extent that it is a search, I perfer ambiguity, as I perfer to be an active audience rather than a passive one.
Third, that there were more than two aspects to Batman's psychological makeup in Returns negates your claim that it was "virtually about duality". Rather it was, as Kevin put it in the Returns Apreciation Thread, how the aspects "all work with each other at some points, but they never all work together, and eventually they destroy each other". It's also about Bruce realizing that he's hiding behind a monster that he created because he feels helpless as himself, as evidenced by his final exchange with Penguin:
PENGUIN
I think you're jealous that I'm a
genuine freak, and you have to wear
a mask!
BATMAN
Maybe you're right.
In any case, it's about duality only to the extent that one of Bruces ongoing conflicts (externalized by Selina) is an inability to reconcile the mask with the man under it. This is not the main point of the movie.
Fourth, I already addressed that Batman '89 was about Bruce finding his purpose for being Batman by confronting the man who killed his parents. This is not simply about duality, rather it is about transformation.
Fifth, even if Burton's movies beat you over the head with their concepts (debatable as you seem to have overlooked many of them) they didn't come out and put it in a vapid line such as "everyone fears what they don't understand".
Now I have seen from many of your posts, and I know that you simply don't like Batman Begins. With comments like "someone who mops around for two hours", which is so blatantly biased and not true... there is no point in even being objective with you.
Of course I'm biased, everybody is. I have an opinion, and to the extent that express my opinion in a clear fashion (assuming others are using the lexicon of the discourse I'm engaging in) I expect others to have a different opinion and to debate my points. That said, if you want a more objective view of Begins from me, I suggest you look
here.