Bought/Thought 4/29/09 Spoilers

Upset Spideyfan

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Nova #24


So as we all predicted the Nova's get their asses handed to them, though its not the total slaughter, with corpses piled high as the eye can see, that I expected it to be. We've already pretty much seen the entire battle via the preview pages that have been on the internet for weeks now.

The major development this issue comes when Nova directly confronts Worldmind only to realize that the Ego, the Living Planet (with mustache and all) has supplanted the Worldmind as the dominant personality.

Now there's a couple of ways this could play out.

I think its going to turn out that Ego at some point prior to his actual appearence made contact with the Worldmind (perhaps unbeknownst to the WM itself), corrupted its programming and has essentially put all of this into play for its own twisted ends.

My only qualm? Wow, they kind of lifted off of Green Lantern this issue, what with the raised Quasar insignia. Oh well, perfect issue otherwise.
 
Dark Avengers #4 - Deodato sure is fond of Moonstone's behind :o Bendis actually did a good job playing up Sentry's threat level. And here I thought he hated Bob like he hates Strange.

War Machine #5 - And with that ridiculous looking last page and the direction the book is going in; I'm dropping this title. shame too, I was all about this book before it came out.
 
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Dark X-Men coming in July

Namor
Emma Frost
Mimic
Cloak
Daggar
Daken
Weapon X ? - Michael Pointer ?
Dark Beast
 
Dark Reign: The Cabal #1

Ooh, 40 pages for 3.99; good deal (regarding price increases, I accept economic realities, but I wish they'd get a bit more consistent on these things). Anyway, there are five eight-page stories here, focussing on all of the Cabal members apart from Norman. The roster of creators is pretty good, in most cases having something to do with the character's appearances elsewhere; in the case of Doom, Hickman will be taking over Fantastic Four, so his take on the character is worthwhile. Hickman's story takes place inside Doom's head, basically showing him imagining his final victory over everybody; Hickman's take seems fairly appropriate: he's incredibly self-centred, and fantasizes about killing his male rivals and turning Emma and girl-Loki into scantily-glad adornments of his throne. The art by Adi Granov is okay, but it's kind of stolid. Fraction's Emma story is a recap of her history (illustrated by Daniel Acuna), which presents a good take on her motives in this. Namor's (by Kieron Gillen) and the Hood's (by Rick Remender) are also fairly good; Milligan's Loki story, while the most-plot-relevant in many ways, feels a bit like an unnecessary omitted scene in JMS's Thor run.

Wonder Woman #31

Wow, there's a lot going on in this story, and only two issues to go, so clearly whatever resolution happens is not going to cover everything (though just as clearly whatever the effects of this are, there will be a lot of future stories spun out of this). I'm been saying since the first part of this story that the two aspects (Cheetah's creation of Genocide and the return of the Olympian Gods) seemed to be connected only inasmuch as they were both happening at the same time, and here Simone finally provides a clear connection. The connection is that this whole thing is a bit scheme by Ares, God of War (apparently not abducted by Darkseid and co. along with the others, which makes sense, since he was in the Underworld), and he inspired both the creation of Genocide and Zeus' creation of the Olympians, who will start the big final war. And Genocide is apparently made from a future corpse of Diana, which...eh, I'm not crazy about throwing a big sci-fi plot point like that into a magic-heavy story. Also, Simone's juggling of various plots here often seems haphazard; the Olympians have been built up for a good while, Achilles most of all, but they don't really seem to be amounting to much. Achilles doesn't give Diana too much trouble. I like a lot of what's going on here (and guest art from Bernard Chang fits perfectly well into the series), but as a story it sputters at points, keeping it from really soaring.
 
I'm just going to say that this weeks issue's of Dark Avengers and Legion of 3 Worlds showed that both The Sentry and Superboy Prime are two INSANELY Over Powered characters. I mean really, how the heck do you kill these guys?
 
Yeah pretty much all you have to do is say, "Oh noes, Bob! Tis the Void!"

And he runs off screaming at the top of his lungs.
 
Idk how you kill Sentry but he's pretty easy to incapacitate.

I thought that Venus did a good job in AOA. And IM showed another way 2 slow him down. Hawk/Bulleye had the perfect closing line and Osborn's face was priceless. But I'm sure that a strategist such as Osborn has to have a plan in place to take him down.
 
Short week, but a pretty good one overall. The comic reviews won't be in alphabetical order this time, hopefully that isn't a major concern.

As always, spoilers are unleaded.

Dread's Bought/Thought for 4/29/09:

ASTOUNDING WOLF-MAN #15:
Robert Kirkman's latest ongoing series at Image is apparently selling quite well by Image's standards; sales have reportedly increased for the last few months, although it reportedly doesn't sell as well as WALKING DEAD or INVINCIBLE (which sold a little over 15.5k sales in March 2009, less than 2k below CAPTAIN BRITAIN AND MI-13) and Kirkman seems assured that the title will last at least until issue #25, which is good. Hopefully it will last longer. It works as a nice counter-series to INVINCIBLE, involved in the same universe but offering a story that is darker and more involved with the supernatural, as opposed to the science & aliens of INVINCIBLE. The issue also ties into "The Invincible War" in INVINCIBLE #60, but it isn't for more than a few obligatory pages. Nothing major if you're one of those unique people reading this and not INVINCIBLE.

Gary, a.k.a. Wolf-Man, is still in Stronghold prison, having been wrongly convicted of murdering his wife (who was slain by the vampire Zechariah). Having formed a deal with "The Face", the little boss who runs the prison who is somehow akin to nearly every single "real boss of a prison" you have ever seen in terms of personality, Gary had his inhibitor collar removed, only for him to become Wolf-Man out of his control. He tears through some guards and some of the Face's muscle. The Face himself is actually this deformed guy who has two faces merged into one, with three eyes; the third in the middle fires a powerful energy blast. Wolf-Man is eventually overcome by security and it is revealed that since Gary "missed" several full moon transformations, the "rage" had built up and had to be unleashed immediately. The Face actually accepts Gary's story and is willing to give him a third chance to help free him from prison, perhaps showing desperation. Naturally, then the Invincible War happens and the "Mohawk Invincible" from some other reality tears through the prison. Wolf-Man sacrifices an easy escape to make sure Thrill-Kill doesn't flee, although he is TKO'd by Powerplex (Invincible's newest enemy). It turns out that Gary has been serving as a "mole" for Cecil Stedman, willing to warn him about the Face's plans for a chance at a favor. Cecil is still convinced of Gary's innocence and gives him a fake collar to keep appearances. Cecil, though, has always worked in a shade of gray, willing to employ the murderous Darkwing and the Reanimen technology, after all. The issue ends with Zech seeming to grant Chloe's wish from last issue, storming the prison with his vampirized team of heroes to try to get at Gary. A showdown in issue #16 seems forthcoming.

This was a pretty good build-up issue to #16, and it didn't feel like filler at all. While I don't expect Wolf-Man to be in prison forever, Kirkman has managed to make it work well as a story element for the last two issues, even if he plays up to some cliches that will be obvious to anyone who has seen a prison movie or five minutes of OZ. Kirkman's appeal is often in his execution rather than his originality, and on that Wolf-Man continues to please.

Jason Howard's art seemed really on in this issue. He has always been great on this series, but this issue just seemed stronger. Even Mohawk Invincible looked excellent. The colors are as dynamic as ever. Just a solid put together issue, as usual. The Gary vs. Zech battle should be intense.

NOVA #24: One issue away from reaching the 25 issue threshold of the late 70's, which was the longest solo run Nova ever had on an ongoing title that wasn't a team book. This volume is sure to surpass that mark greatly and deservably so. For me, this and CAPTAIN AMERICA usually are tied in a deadlock for my favorite Marvel comic (with CB&MI-13 and probably iHerc tied for second). It is a WAR OF KINGS crossover issue but honestly it follows the main story more than the event and unlike last issue, which may have been a tad awkward without two GUARDIANS OF THE GALAXY issues, this one stands alone well. Much as the cover suggests, Gladiator and the Imperial Guard take on the fledgling Nova Corps, and it doesn't end well.

In terms of sales, NOVA sold over 26k in March 2009, which is actually up from where it was selling from Dec. 2008 to Feb. 2009. WAR OF KINGS is likely boosting it in the short term (as WAR OF KINGS #1 sold quite well, nearly 60k), which is a positive sign. NOVA has proven to be a steady book; it sold no fewer than 28k for about 12 months and while it slipped to 25k, stayed there for about three months before this latest uptick. It has a small but steady audience for this run, akin to RUNAWAYS during Vaughan's tenure in it's second volume. At this point I expect the book to last up to issue #35 at least, unless either something goes horribly wrong or Abnett & Lanning leave. Even at this issue, NOVA will last past two years without a relaunch, which has suddenly become an amazing feat. Neither ROGUE or GAMBIT or even NIGHTCRAWLER could support books that lasted past two years about 3-4 years back.

Despite the jaw dropping cliffhanger of issue #23, with Wendell Vaughan handing Richard Rider his Quantom Bands, thus turning him into Quasar to save his life from cellular brakedown (as his body was too used to having Nova Force powering it) is only the subplot of the issue. The crux of the issue focuses on the Nova Corp's first large scale battle of WAR OF KINGS, trying to repell the Shi'ar Empire from a Kree planet, Nil-Rast, rich in natural resources. The Nova Corps have determined that Vulcan violated galactis non-aggression treaties via invasions and slaughtering diplomats, and unlike the Guardians of the Galaxy, are firmly anti-Vulcan here. Much of the issue is from the POV of one of the new Nova's, Suki Yumiko, who I believe was introduced on Andrea DiVito's first or second issue on art as a receptionist in Japan. Much as with most of the new Corps, she was "drafted" along with dozens of other Earthlings en masse by Worldmind and shoved into this war. Robbie Rider, meanwhile, is frustrated about being stuck in a "technician" role alongside Qubit and Irani. There still is some sibling rivalry here, he was happiest and more aggressive when he was on missions with the other five Centurions, but now that he is tasked with a "Nova Tech Support" position, that rivalry is coming back. To contrast Robbie and Suki is another minor Centurion, Josh Atwater, who sees the battle as akin to a video game and doesn't take it entirely seriously until it is much too late.

As the battle continues, though, Robbie experiences how scared and inexperienced Suki (and through her, others) in this conflict, and no amount of downloaded data-files or endorphine releases will change that. Robbie himself had more combat experience than many of the Centurions currently out in the field, brief as it was. While Qubit theorizes that Robbie has a crush on Suki, Robbie explains that they're basically holding the hands of inexperienced soldiers thrown into a war that isn't their's. Suki reacts as a Centurian from Norway is obliterated in front of her and backs up Tarcel, the Shi'ar Nova Prime. He clearly is a loyalist of Lilandra, not Vulcan, and wants to return her to the throne. Suki watches Tarcel's flank and kills a soldier on instinct, but just when it seems the battle is over, it naturally becomes much worse. The Shi'ar troops fall back and give space for the Imperial Guard, and they mop the floor with the Centurions.

Everyone sort of poo-poo'd the idea of the Inhumans losing to the Imperial Guard in WAR OF KINGS #1, perhaps because they had been "nerfed" by the X-Men several times in the past, but they are supposed to be akin to a team powerful enough to rival DC's Legion of Superheroes. It may have taken four of them to defeat Ronan the Accuser, but they still defeated him. Gladiator may have needed an assist to flatten Black Bolt, but flatten he did. Here, Gladiator can literally fly THROUGH a standard Nova Centurion and obliterate him like nothing. Tarcel takes him on and Gladiator practically beats him with one punch and a choke-hold. The Nova Cohorts are literally forced to surrender to the Shi'ar, and Tarcel is led away as a POW. Suki and her squad are left at the mercy of Strontian (Kallark's "cousin" from KINGBREAKER, basically the Supergirl to his riff of Superman, only crazier), and she has none. Robbie practically hears her last words. It was pretty powerful.

Suki isn't quite Ko-Rel in terms of development; Ko-Rel had two issues before being axed off, but she was intended to serve her purpose as being an "average" person thrown into the situation and not being able to cope well, and being at the mercy of the situation (which proved to be merciless). Surprise surprise, Richard's fear that just empowering a bunch of Centurions and throwing them at a conflict would lead to mass slaughter proved correct, and Richard only had to experience such a thing TWICE in his tenure to come to that conclusion. Later solicts claim that Robbie goes missing, and it may be that either he gets lost amidst the conflict to come between Richard and "Worldmind", or he flies off to aid the Centurions somewhere.

Richard, or rather Quasar III, is having to adjust to the quantum energy as well as owing Wendell for his life. With Wendell replacing Worldmind as "the helpful voice in his head", albeit with more anxiety, Richard approaches Ego in Kree space, doing another mass recruit job (likely to replace the Earthling Centurions that were just slaughtered). Using the bands to create energy duplicates of himself, Richard seems to have more imagination with them than Phyla Vell did so far. Much as with last issue, the final page is a cliffhanger, and an even bigger one. Apparently Ego wasn't lobotomized by Worldmind; Ego has BECOME Worldmind, and sets about trying to end Richard's life with the cosmic being's attack of choice, an energy beam.

This does complicate things. Worldmind claimed that it has started recruiting Centurions one at a time for months in Richard's sleep several issues ago; it tapped Ego presumably in that same time-span, with him docking with Earth after the Skrull Invasion. This seems to imply that Ego has been running the show at least for the last several issues now. While it may not have chosen to become Nu Xanadar, Ego seems intent on running the show, and naturally the lives of Centurions are mere pawns to the Living Planet. I also liked that Richard acknowledged that Wendell had battled Ego before. Ego has rarely been a lightweight, being capable of challenging the Fantastic Four, Thor, and the Silver Surfer, so the next issue ahead should have quite a conflict.

Yes, the issue rips off the Green Lanterns a bit with Richard's glowing Quasar emblem, but really now, that is a moot point. The Quantum Bands are themselves a variant on DC's Green Lantern rings, and the Nova Corps themselves came a near decade after the Green Lantern Corps were established; therefore, it really shouldn't be a surprise. Marvel and DC have copied from each other for ages now. I always say, at least do it right, and that is what Marvel does. Heck, in some ways, their version of space stuff is a bit less static; the Nova Corps are not universally accepted, they started as the personal army of a single planet that grew to embrace universe peacekeeping, kind of like space NATO (or, even, the U.S. military, which often has gone into peace-keeping roles in other nations despite being a distinct U.S. entity, for good or ill). The quantum bands and the "protector of the universe" title was something else entirely. Then you even throw in the Shi'ar Imperial Guard, made up of various alien warriors who still serve the Shi'ar even if they occassionally made aid another planet. It's a bit more dynamic than a council of know-it-all blue midgets telling the universe who to respect, and most of the universe complies. So some overlap is natural.

DiVito's art is rock solid on this, as expected. DiVito drew the original ANNIHILATION after all, and rocked hard on that, too. Bruno Hang's color work is also quite well, matching the pencils well.

What more is there to say? Another great issue that leaves you anticipating another great issue to come in a month. Richard "Nova/Quasar" Rider continues to be one of Marvel's greatest characters right now, and Abnett & Lanning continue to master their execution of writing the Marvel Space Saga while almost making it look easy, which is a show of skill. While revealing Ego the Living Planet as the seeming mastermind takes some "blame" from Worldmind itself, it should lead to quite a riveting conclusion issue. Que Stan Bush's "YOU GOT THE TOUCH" because it looks like Richard Rider will be stepping up again against one of the universe's perennial trouble-makers.

Up Next: DARK REIGN: THE CABAL #1 (of one)
 
Third and last book of the week. While I have seen ads for NickToons Marvel cartoons like WOLVERINE AND THE X-MEN and the new IRON MAN cartoon, I haven't seen any for SPECTACULAR SPIDER-MAN now airing on Disney XD; for that matter I barely recall any when it was on Kid's WB/CW 4Kids. Such a shame; it's a great show. Being that it's cable, a few extra thousand viewers would count. Disney is the biggest liscencing company in America, with some $30 billion in profits last year. They can't shell out a few grand for measely comic ads?

Such is life.

DARK REIGN: THE CABAL #1: A one-shot I bought only because Bendis wasn't writing it, it is basically a sort of anthology about the various members of the Cabal. Or, more specifically, Dr. Doom, Namor, Emma Frost, the Hood, and Loki. While Norman Osborn appears in some of these tales, none are really focused on him. Considering how many books he is popping into, it isn't a huge deal. He basically swapped places with Iron Man circa 2007-2008 in terms of guest stints. The book has 40 story pages for $3.99, or basically about a dollar for every ten pages. That's not a bad deal for today's dollar. The stories inside are short and satisfying, even if none feel terribly urgent. If Marvel solicted this as being terribly important, they lied. It is basically a good issue of something akin to THE CABAL UNLIMITED, or MARVEL COMICS PRESENTS.

Johnathon Hickman, who has traded places with Brian Reed as the writer that Bendis frequently collaborates with, pens the Dr. Doom story, "And I'll Get the Land", with art by Adi Granov, finding time to do interior art opposed to covers. It takes place at the end of the first "Cabal" meeting when Doom and Namor were reforging their old alliance and anticipating Osborn's fall. The story is essentially a laid out fantasy, or plan, of Dr. Doom to kill the rest of the Cabal and take over, until he is the only one of them left. He of course would have spoils of war, such as Hood's demonic cape, and two familiar concubines (although she-Loki as a concubine...ewww. It's like kissing Ultraverse's MANTRA). Namor muses that he always wonders what goes on inside Doom's head, and of course Doom plans to eventually run him in, too (once Namor aids in killing Osborn, of course). It's a simple story that presents Doom as incapable of forming any lasting alliance unless it benefits him, and once he is in position, he will ruthlessly take all for himself. Which fits Doom fine. It is interesting to get this take on him from Hickman, since he will be taking over on FANTASTIC FOUR once Millar & Hitch are done. It's good to see that he "gets" Doom, something that some writers haven't been able to do lately; even JMS has slipped at times. I would hope that Hickman's run on Fantastic Four would offer more than a "greatest hits" sort of round robin of old adversaries, like the last two writers have seemed to do, but that is a question for the future. Granov's art takes some getting used to for some designs (his "future Osborn" armor is terribly generic, reminding me of Heavy from THE ORDER), but is overall quite solid. A littl static but very pretty to look at, at least for a short story.

Latest UNCANNY X-MEN writer Matt Fraction tackles Emma Frost (and I'll let the pun write itself) in "How I Survived Apocalyptic Fire", with Daniel Acuna on art. It essentially summarizes Emma Frost's life and times, from the tragic daughter to a wealthy family, evil dominatrix and teacher of young mutants, and even a victim of survivor's guilt several times over. The point is that it seems to justify Frost's alliance with Osborn and the rest, who aside for Namor are all clearly still villains, because "surviving" is what she does. It's not a bad short character piece, but seemed a bit forgettable. The idea is that it tries to use Frost's past, whether with the Hellfire Club, Generation X, or alone to justify that she sees the Cabal as the best course of allowing her and what few mutants are left to survive, by any means necassary. Considering that Cyclops is practically executing prisoners now, they're peas in a pod right now.

The Hood stars in "Family Trust", written by Rick Remender with art by Max Fiumara. While apparently Hood's demonic cape has become the crux of the character in other books, Remender paints a story more akin with ground level mobsters with Hood as the "new boss"; in a sense, the costumes and stuff are just details. Via flashbacks and whatnot, we find Hood at a funeral for a fallen friend with his criminal elite. He recalls the family he has tucked elsewhere, a wife and son (who disapproves of his illegal work). His driver is a common stooge who happens to learn too much, what Parker's family looks like and where they live. Fearing for their safety, he executes the stooge to protect their identity, perhaps fearing he would squeal one day. It reminds the reader of a time when the Hood stood for something besides being a standard villain, and had some shades of grey to him. He performed crimes, but originally to provide for a family. Now he's simply gotten a major promotion. Fiumara's art is fine, reminding me of stuff from a DAREDEVIL tale.

"The Judgment of Namor" follows, written by Kieron Gillon with art by Carmine Di Giandomencio. It is at this point that the tone of the one-shot goes from grim and serious to light. It stars Namor acting as a sort of family court judge, trying to determine the fate of an Atlantian youth between his two feuding parents. The boy is actually a mutant (who apparently didn't lose his powers on M-Day) and his fate has been stuck between a father who wants to turn him into an Atlantian military weapon, and a mother wanting to hide him away, forever. Namor decides that neither are fit parents and he'll instead punt the boy to the X-Men in San Francisco for training. The boy, Crosta, deformed but powerful even by Atlantian standards, doesn't like the verdict and challenges Namor, suffering a quick beat-down. Namor asserts his author-iTAH, and the tone is a lot lighter than it all sounds, with Namor being his arrogant best. The art's not bad. I sincerely doubt we will ever see Crosta in an issue of UXM, though.

The final story is from the wild and wacky mind of Peter Milligan, "Dinner With Doom", with art by Tonci Zonjic. It features Loki having an exotic dinner at Latveria with Dr. Doom, complete with poisoned food, flame-throwing paintings, incinerated butlers, and a Doombot. All of it was for Doom to "prove" that this new woman was indeed Loki, something Loki was bemused about. With that accomplished, they formulate their deal as shown by JMS in THOR; Doom allows the Asgardians to move to Latveria (without Thor, of course), and Loki will provide "something" that Doom desires. Exactly what isn't known. Naturally, Doom agrees. "Balder would need convincing, of course. But though brave and good, Balder is weak. And, sadly, not quite as intelligent as he believes himself to be," Loki says at one point, and I couldn't help but agree; it seems to clearly lay out that Loki sees Balder as little more than a useful idiot pawn, for those who need convincing. Milligan, like Hickman, finds a great voice for Doom. Better known for flights of insanity like X-STATIX, he actually has the best handle on Doom of the whole volume. Neither he or Hickman would have Doom claim that Osborn is a scary enemy, or beg demon algebra teachers for aid to be freed from prison. This was easily my favorite story of the lot, with terrific art.

Each story is about 8 pages long, but none of them are stinkers at all. The Frost one is probably the most forgettable, and some of the others may seem insignificant, but I don't regret the money. The challenge will be for Marvel to prove that this one-shot was relevant, and not just a quick cash grab. If you're looking for some Cabal action that isn't written or co-written by Bendis, though, this is an easy buy. In fact my biggest issue with the Cabal is probably Namor; he really isn't the same guy that Brubaker writes in CAPTAIN AMERICA, who would seem too noble to associate with megalomaniacs. But, that's a minor quibble, and has nothing to do with this issue. The cover is a bit stock for this sort of thing, but not bad.
 
Wow, I fully expected to log in today and see Corp having a baby over
Connor's return
!
 
I rarely post when I'm at home. Too many movies, TV shows, and video games I'm perpetually getting caught up on.

Although, that was pretty awesome. The second cliffhanger of the issue, on the other hand, left me scratching my head. I don't know much about the Time Trapper, though, so for all I know it makes perfect sense rather than being another one of Johns' random retcons that he loves so much right now.
 
Not really a retcon...since he's always been hooded, so I didn't mind it too much.
 
It's a bit weird but it's kind of cool.

Although it means Parallax killed Superboy Prime in Zero Hour and Darkseid completly owned him in the Great Darkness Saga.
 
I'm perfectly comfortable with both of those scenarios. His powers have clearly changed by the 31st century, anyhow. Maybe he got Kryptonite poisoning or some nonsense.
Seriously, what book was the return in?
Superman and the Legion of Three Worlds, of course.
 
Getting in NOW!:-)heart: Connor)

Now I have to finish Final Crisis though :(
 
It was one of those very obvious, expected things that are no less awesome for being expected. Like Bucky taking over as Cap. Now he just has to upgrade to a better costume and we're set. :)
 
Oh yeah we scouted his return months and months and months ago.

We were all just sitting around waiting for it to be drawn.
 
I have a feeling Superboy's gonna stick with the Legion. It's sort of fitting, plus it's all but certain that he's the "mysterious" star of Adventure Comics alongside the Legion in a few months now.
 
I don't know what any of that is. I've got a lot of homework to do this afternoon.
 
CONNER!

I didn't even know he was expected back. I'm so happy...I'll be getting that in trade appearantly. :heart:
 
I noticed in this weeks Marvel Previews the cover of Essential Marvel Two-In-One Vol. 3 is the issue of Marvel Two-In-One which shows the Twin Towers on fire. It just felt like the wrong cover to put on this.
 

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