Black Widow and the Marvel Girls #1 - the second of the two tie-in-errific Black Widow miniseries, this one a bunch of teamups with other female characters (something that writer Paul Tobin is clearly a big fan of). In this issue, there's a story about her youth in the Red Room (is this in-continuity? It doesn't match with Deadly Origin at all) which is framed by her working as a Russian operative. The guest star this issue is Enchantress, who has gotten bored and decides to mess around with Natasha for fun: basically, she pretends to help her escape the Red Room, but then ****s her over at the last minute. However, her superiors are impressed by her escape attempt, so she isn't killed. Neat but throwaway, basically what I expected on buying it. Espin's art is great.
Blackest Night: Wonder Woman #1 - Greg Rucka returns to Wondy, though not, sadly, to do any of his own plots. Instead, we get a basic leadup to the final scene of Blackest Night #5, with Wonder Woman facing off with BL-Maxwell Lord. Notably, she's just about the only hero so far who doesn't get her ass kicked by the Black Lanterns right out of the gate; indeed, she defeats swarms of them with comparative ease. It's a nice little action story overall, and I like the interaction between Diana and the two soldiers guarding the Tomb of the Unknowns, who refuse to leave their posts (which has not been left unguarded since 1937) even as the entire Arlington Cemetery rises. All aided by excellent art from Nicola Scott (though she uses a ton of two-page layouts here, you'd think she was Bryan Hitch).
The Marvels Project #4 - The miniseries now hits its halfway point, and I still find this perfectly technically competent, but kind of dull. There's a lot of well-trod material being told again here, and I think the retrospective narration from the Angel is part of the problem; it has a distancing effect (particularly when Brubaker's really well-known for character monologues). We get a lot of stuff about the German plans to infiltrate Project Rebirth here, and the conclusion is known well ahead of time. The part I find most interesting so far is the return of obscure Golden Age hero John Steele, who has the advantage of me never having heard of him before. I suspect this would probably be more exciting to someone who knew less about Marvel history.
Thor #604 - JMS takes his ball to go home, and Gillen begins his six-issue stint on the title. He does a pretty admirable job of picking up JMS' plot points, and for the most part the main characters aren't acting stupid now (though Balder still earns a few stupid points for stupidly dividing what was potentially an overwhelming force and attacking Doom with just a handful of men). Donald Blake puts the pieces together fairly adeptly (one imagines this would have taken a lot longer under JMS), with a little help from Reed Richards. I quite liked this scene, between the random invasion of Reed's lab that occurs mid-conversation, and the reference to the whole Clor thing. This also further establishes the idea of Blake and Thor as separate people, as Blake doesn't really seem bothered at all by it; bringing up Clor might be a deliberate contrast, given the story "Latverian Prometheus" involves Doom turning his vivisected Asgardians into cyborg sentinels. Billy Tan's art was quite good, I thought (great colours, too).
Uncanny X-Men #518 - the series now turns to dealing with one of the major changes from "Utopia", the piece of the void now living inside Emma Frost. Cyclops goes in, with psi-support from Professor X and Psylocke, to try and...well, honestly, I'm not really sure what he's trying to accomplish. The Void would clearly have to go somewhere, but no one really seems to have given that much thought. The issue ends with the Void leaving Emma and entering Scott, which she intuits was its plan all along. In the world of 'writing for your artists', this is the third Dodson issue where Fraction has found an excuse for a massive gallery of Emma Frosts in different clothing styles. Elsewhere, Beast's disillusionment grows, and he has a nice scene with Iceman. It strikes me that Fraction's characters, when he focusses on them, are well-done; he just needs to focus.