Another week of new comics is upon us, but it's a very short list for me, and it seems like the first time in weeks that I've brought home less than 8 comics. Only four this week:
Amazing Spider-Man #549 My thoughts on this BND crap are well documented, and quite brilliant, if I may toast myself for a moment. With the amount of venom and complete and utter disgust that I have for what has been done to Spider-Man's world, I find myself making the most uncomfortable and confusing declaration.
THIS WAS THE MOST FUN SPIDEY COMIC I'VE READ IN YEARS!!!!
Seriously, it had so many great Spidey moments, and the humor was note perfect! I was surprised that Slott didn't nail the humor, and I'm equally surprised that Guggenheim did! ("Yeah. My nemesis. A member of my rogues' gallery.") ((LOL)) This series isn't ashamed of being a comic book, and that's a beautiful thing. Thought balloons!!! Reading it gives one that youthful feeling.
I'm liking the idea of jacking up Spidey's own gallery, and I've liked both Mr. Negative and this mysterious Menace. Morlun could have been a great major villian, so I hope these guys are handled better than he was after his initial story.
The MJ/Jackpot thing wasn't as bad as I expected, but I'm still iffy about that. It was pretty much the only thing about this issue that I didn't love. (besides the entire BND platform, that is.)
Salvador Larroca did his usual "his art is great, but I can think of a number of great artists that I like better" routine. He works well on anything, and his Spider-Man is fine.
I liked this much better than the Slott/McNiven stuff, surprisingly.
9/10 (LOVED the inhouse Thor ad!)
Uncanny X-Men #495 Michael Choi kicks much ass on the visuals, and Ed Brubaker provides a decent opening, but his X work is clearly his weakest stuff. I like how Brubaker is making this more like an old school comic, and he's even usuing thought bubbles now, after once mocking them.
Brubaker's X-Men has picked up since he's been allowed to use the interesting characters, and it was about time that Iron-Man confronted the mutants.
Really nothing more to say about this one.
7.1/10
The Twelve #2 - The first issue was even better than I expected it to be, and the second issue picks up right where it left off, maintaining the high quality. This series reminds me of how I felt when reading the early issues of Supreme Power. Well written stuff with great art.
This really reads like an old school flavored comic. I've been a big fan of most of what JMS has written for Marvel, and I think he definitely excels at the multi character stuff that editorial keeps it's nose out of. There is plenty going on in these issues. No quick 10 minute reads here. This is shaping up to be a modern day classic.
The art by Chris Weston is some of the best art on the stands today, and I feel he's every bit the equal of JMS's Supreme Power partner, Gary Frank. Actually, they have styles that aren't that far removed from eachother.
Can't wait for this to unfold!
8.8/10
ClanDestine #1 - I'm a major fan of Alan Davis. When he did the first 3 issues of Fantastic Four in the late 90's, he jumped to the top, and hasn't slipped a bit. I didn't read his original ClanDestine, but do plan on getting the HC next week. When I first heard that he was doing this, I was a bit disappointed, as Davis has a style that screams "I'm a Marvel Comic!", so getting him on a nice run on one of the iconic hero's comics would have been prefered. I Imagined Davis in a Steve Epting type of position on the Fantastic Four series. His The End mini series was jaw dropping stuff. He could have done Avengers, Iron-Man, Thor, Wolverine, or Hulk, but instead, he's given an obscure ongoing series, that gets changed to a series of mini series, and then gets changed again to just a mini series.
I think the issue was solid. Nothing groundbreaking, but it has a bit of an X-Men vibe. It's definitely strong artistically, as Alan Davis knocks it out of the park. I do wish guys like Davis and Byrne would embrace dimensional computer coloring a bit more, though, because their styles are modern old school, and when the colorist uses the modern techniques and get involved in mood setting, it's better. The incredible art would look even more incredible if colored by somebody with more tones and shades. Small complaint.
I look forward to the rest of this. If it's a series of mini series, I'm fine with that, and if it's just the one, and then Davis moves onto iconic stuff at Marvel, I'll be even happier!
7.5/10