Bought/Thought June 24th 2009, SPOILERS contained within

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No boughts or thoughts yet? Allrighty then.

Picked up Wolverine: Weapon X #3 today, I'm liking it still. Logan is hunting Roxxon's Strikeforce X team guerilla style in the jungles of Cambodia. Realizing he can't beat them with beserker rage, he takes 'em out one by one. Story's moving along nicely, Congress is about to grant Roxxon a huge military contract, which means Strikeforce X will be the go to operatives. No one wants this. A reporter is trying to crack open the story, and Maverick protects her from a would be assassin. The Strikeforce gives Logan the slip and he's back to square one. Lots of little details I won't spoil, but a good read. Looking forward to next issue. :up:
 
Thor #602 may have been the first issue of this book that I didn't like at all. The fact that JMS wrapped up two major plot points without ever really spending all that much time on them in the first place makes me think that he is preparing to leave the book sooner rather than later.
 
Myth Tripleheader:

Incredible Herc #130 - Never change, title, never change. These writers just get the gods, who they are and how they work. It's really that simple. Also, the Uncle Ben cameo was lovely. I've thought for a while that Athena's big plan must involve putting Herc on the throne, and Zeus' comments toward the end would certainly seem to support that.

Thor #602 - Sorry, JMS, no matter how many speeches you give Balder about how he's cautiously playing his hand, he's still a chump and a fool; just like, no matter how many speeches you gave Thor and Balder about how they were watching Loki, they were still morons. Elsewhere, the scenes with Dr. Strange were good (Thor's power-down was probably inevitable, or else he'd just keep getting depicted in ways that would make fans complain about the Odinpower; there's a reason Odin never had a comic series), it's nice to finally have Sif back (this series has been a sausage-fest for the most part; where are Amora and Karnilla, seriously?), and Bill/Kelda continue to be a lot of fun.

Wonder Woman #33 - ...

Wow, that was pretty bad. I'm really disappointed.
 
Heftier week than expected to close out June, but that is only because two unofficial "bi-month" titles, DYNAMO 5 from Image and THOR from Marvel decided to ship; both are $3.50 or over in price. Still, eight books isn't a massive week, just a larger than average week (my average is about 5-7 books a week). A few DARK REIGN mini's launched, but I didn't touch them. We also have one book about to swap from ongoing to "haitus mini" to charge an extra buck.

As always, rants and spoilers fly faster than clay in a THREE STOOGES short 'round here.

Dread's Bought/Thought for 6/24/09:

DYNAMO 5 #22:
This and THOR have found themselves on the same schedule; both having last shipped issues in April and having become notorious for running months behind. I probably have more sympathy for D5 here, though. It only sells 13k or less a month when it ships, for one. Furthermore, it finds a middle-ground in price between $2.99 and $3.99, sporting a $3.50 price for 20 out of the last 22 issues. The book was $2.99 for two issues after the first arc, and issue 0 was 99 cents. Of course, most issues are about 20 pages, with ads in the back. With NOBLE CAUSES having ended after issue fifty and the GEMINI mini having fallen WAY off schedule, this is Jay Faerber's only title at the moment. Part of me wonders if he is pondering a return to Marvel; he did make his rep there, writing NEW WARRIORS years ago (among other work). His co-creator on D5 and regular artist Asrar has been getting sporadic work at Marvel's space division; in fact that is why Cinar has had to come in for the last two issues and contribute heavily to pencils (he draws 6 pages this issue). Despite that, the two artists' work gell, and don't feel jarring. It's not like, say, Ramos and Hitch drawing an issue.

This issue continues more of what Faerber has usually done well with this franchise. DYNAMO 5 isn't a work that reinvents the wheel of team superhero comics; it merely accepts what it is, and does it quite well. It doesn't shy away from obligatory fight sequences yet always has enough character development among the five half-siblings that one rarely feels cheated. This issue continues from a subplot last issue of Maddie investigating the disappearances of an old associate's husband. It turns out they all worked for the same lab, and five scientists are missing. Maddie stumbles upon a hulking creature with five brains, dubbed Brain Trust. It's a cheesy name, but it works. He's a massive guy powered with the psychic powers of five brains and apparently has a huge body to match. One of them, Frank, is the weakest link of the group, being most eager to return to his body and not be violent; the other four are far less merciful. Maddie summons the D5 and the battle takes up most of the issue.

Another of Capt. Dynamo's children, Synergy, who has all of his combined powers, is working with the malicious Father Gideon and planning some attack on the Five, having just stolen a "Dynamo Gun" to even the odds.

The questionable subplot is one similar to Heinberg's on his run on YOUNG AVENGERS (what feels like ten years ago), is having the obligatory black guy on the team be a drug user, specifically steroids. It is a bit of a cliche that even the TEEN TITANS cartoon got into with a Cyborg episode. Granted, Spencer/Myraid is a bit more complicated, being half White Male Metahuman, and Half Alien, who chooses the form of a black man as his base look; but the effect is still the same. The story isn't a deal-breaker, but is a bit of a tired cliche of a subplot that is playing out exactly as you would imagine it would (Myraid is relying on the drug, called Flex, more and more in battle to boost his physique, but of course he OD's and turns into a monster, in this case Whiplash, the Lizard cipher), and it is a bit tired. I suppose it would have been an equal cliche to have Gage/Scatterbrain be the user since he's the jock, but can't there be another way? Women never use steroids? Faerber usually has a way of living up to genre expectations and cliches while putting his own tweak on them, but this subplot is strictly by the numbers. I wouldn't have minded a tweak on it, or someone other than exactly the member of the team you would expect to be using.

The issue also introduced Sgt. Flagstone, who is apparently a Captain America type figure, crossed with a bit of Sgt. Rock and the Thing. It's only two pages but he looked cool. Unlike Marvel, Image isn't afriad of smokers; the guy sports a stogie even while fighting Nazi's in newsreels.

Aside for the subplot, a fine issue. The action is well paced, some amusing lines, the team's defined and Brain Trust is a decent new villain. While this is a hard title to recommend, I will say that some readers miffed at Kirkman's forways into darkness in INVINCIBLE might be worth giving the trades a try. It's a team superhero book executed well without trying to be more than it is, and really should sell better than it does. No way is it worse than ULTIMATUM.

AVENGERS: THE INITIATIVE #25: The end of Christos Gage's first arc as solo-writer as well as Humbert Ramos' run as artist concludes without a hitch. While this title wasn't Slott's best work, I often defended it from detractors and enjoyed it, and while I mean the man no offense, but Gage has seemed to really run with it since Slott's left, executing stories and characters he created or helped build up but in ways that flow better. That isn't to say this book written and co-written by Slott wasn't awesome, it was. This is just slightly more awesome.

Decompression detractors rejoice, Gage maintains the memo of having a lot happen in most of his issues, and a lot happens here. It is basically a summary of the last 4-5 issues, an epilogue of sorts but also builds towards where the book is going now that Dark Reign is here. It still has a lot of life yet even without the Initiative being canceled, at least in Iron Man's eyes. Osborn is running the show and remodeling the program from the ground up, choosing Taskmaster as his man to run "Camp HAMMER" as well as train his army of crooks to "pretend" to be heroes for the public.

The New Warriors return the original MVP's body to his mourning father, who not only is saddened by the loss of his son, but how the government exploited and cloned him, then lied about it. He agrees to allow the clone "most" like his son remain with him, which can't be the best mental health option for him (just look at how "well" Pym is getting over Janet with Jocasta), but still human, although it leaves the last "Scarlet Spider" (or Patrick; his brothers Michael and Van being killed) alone and without a home. The New Warriors agree to let him stay, but have to go underground as Osborn has spun them as the cause of Camp Hammond's destruction by Ragnarok/Clor.

Taskmaster suggests needing "legit" heroes along for their ride to better convince the public, and the first order of business is rehabilitating Penance, a.k.a. "Emoball" or "The Hero Formerly Known as Speedball", who is a psycho mockery of himself. Metaphorically, he is probably Osborn's version of Mutant Zero (Typhoid Mary, then working for Stark's Shadow Initiative). Paul Jenkins left nothing to do with the whack-job he created, so I commend Gage for at least trying to go through the work of rehabbing Baldwin. Diamondback and Prodigy agree to remain on hand for Osborn's camp, the latter because Osborn's treated him better than Stark did. Trauma is blackmailed by Hood into remaining as therapist for Osborn's platoon of freaks, as Hood knows about his father being Nightmare, and his mother being insane. Gravity has been demoted as leader of Nevada's Heavy Hitters and assigned to his home state of Wisconsin, where he is greeted by the Great Lakes Champions (Ramos mangles Squirrel Girl a little, but otherwise it is hilarious; Gravity is actually a competent hero). This of course leaves Tigra and Gauntlet to decide their fate; stay or go?

Both quickly find themselves with their backs against the wall by Osborn. Tigra is gung ho until Osborn not only reveals his order that Tigra have an abortion of her "Skrull fetus" so it can be experimented on, but that The Hood is working with him and is in overall command of the new Camp. Gauntlet, meanwhile, is left without options when Osborn displays his wish to sever him from his Gauntlet, even at the price of Green's life. While Tigra's reaction was expected, it is interesting to see Gauntlet the military man actually working against his command for once, even for a greater good (or at least survival). He was a horrible jerk in past issues but since Gage has taken over Green has become a lot more rootable. He regrets his mistakes and just doesn't want to abandon his mates. I loved how Tigra managed to escape from Moonstone/Ms. Marvel and the tower. Gage is doing awesome by her as well; Tigra doesn't need a mini, just to be handled efficiently over a period of time. Gage has been doing that. Playing off her experiences as Avenger, solo heroine and even cop, Tigra vows to make Hood pay for his crimes. The duo make allies of each other as they flee from Osborn's flunkies (Griffen, Living Laser, Scorcher, and Razor-Fist) in the sewers, and quickly find themselves saved by the New Warriors. Tigra quickly realizes that she is among fellow C-List Avengers Justice and Rage, proclaiming them as "Avengers Resistance". Gauntlet, of course, notes the irony of how he used to use the words "New Warriors" as a slur to encourage rookie heroes to do better, and now he's running with them. Granted, I would expect the long-ago revealed subplot of Slapstick having once beaten Green into a coma for doing so to come up.

Yeah, lot of stuff happened. Other figures revealed as with Osborn on the final page besides the aforementioned figures are the U-Foes, the Brothers Grimm, Komodo, and Cutthroat.

Gage does well not to pigeon-hole himself into too much of a political agenda. While it is hard not to assume this is more Bush/Cheney commentary when Osborn says things like, "you'd be surprised the leeway I get in the interests of national security", then Osborn drops his "abortion by order" bit, and a storyline where a date-rape victim (which is almost what Tigra was, having slept with Pym's Skrull impostor for months) decides against all odds to actually keep her child is very clearly not something George Soros would approve of. Gage thus works better at making the story not seem one-sided than other writers. A subplot like Tigra's is intense without calling too much attention to itself yet, but it's worked in LAW AND ORDER: SVU after all.

Ramos' pencils are what they are. The more inhuman the character, the better they usually look under him. Honestly considering I didn't care for his RUNAWAYS art, his run on this book hasn't been so bad. His art mostly worked.

In fact my only reservation has nothing to do with this book, but it's place in Marvel as a whole. We have all these figures going after Osborn in various ways, from Spider-Man to Moon Knight to the Agents of Atlas and now the New Warriors, but obviously not a one of them can succeed in any meaningful way unless it happens under Bendis' pen in either NEW WARRIORS or whatever mini is inevitable to wrap the story. If the Hood is going to be taken out, it won't be in a 40k seller like this, it'll be in NEW AVENGERS, and that sense of real-world-ism is a distraction to Gage's convincing narrative of Tigra wanting her groove back, much as the only downside to AGENTS OF ATLAS is that in no way will they take Osborn down, either. On the other hand, if Marvel really wanted to propel some of these lower selling B and C list titles, they would hype up something important happening in them, and then actually allow it. Instead Marvel usually allows writers to go about their merry ways and while they may write fine stories, they may not matter as much to the cohesive event subplot. Invest 2-4 months of heavy hype into Hood getting his "for real" comeuppance in AVENGERS: THE INITIATIVE and it might see a sales spike. Lord knows Tigra could use the boost.

In conclusion, much like INVINCIBLE IRON MAN, this is a book that has gotten better with DARK REIGN, although it was an above average book to begin with. Gage is hitting a stride with all of these characters and while, yes, the premise of Osborn's rise to power and his media domination is ridiculous, but the aftermath is having a better foil than Iron Man. We wanted genuine bad guys to fight our heroes, and regardless of a whale of a premsie, that's what we have. I've never enjoyed the title more than I am now; in the last quarter it has quickly become one of my favorites. You get a lot of bang and characters for your three bucks, and some damn fine writing too!

GUARDIANS OF THE GALAXY #15: Abnett & Lanning continue their WAR OF KINGS tie in as well as launch on this series, with Brad Walker seemingly being the regular artist lately. Which is fine, his stuff is good and works for the series. The best word to describe the situation the GOTG find themselves in is cluster****. The team's attempt to reason with both parties of the war have gone wrong, and has led to Warlock being on the run from the Imperial Guard for his fight against Vulcan, while Phyla has found herself taking Crystal hostage to try to force the Inhumans to cease their role in the war. This all leads to a massive battle on Knowhere between the GOTG, the Inhumans and the second stringers of the Imperial Guard (fellows like Mentor, Hussar and Fang).

The result are many pages of splendid battle drawn by Walker and a lot of memorable moments from Abnett & Lanning. Cosmo meeting Lockjaw! Jack Flag fighting for Cleveland! Mantis taking out Karnak before she would have lost to him! Phyla calling Crystal a "hottie"! And of course, Warlock showing off his inner Magus. Yeah, I am starting to really wonder if this is Adam at all. Magus could simply be his dark side, akin to a Hulk if you will for Banner, or the real Adam Warlock is still in his coccoon, with the Universal Church of Truth.

At any rate, Starkhawk takes the opportunity to teleport half the team elsewhere, just as the squad from the Starjammer mission return and school the rest of the Guard, forcing a retreat. Rocket SO gave Mentor space-rabies. Drax is awesome, and "I AM GROOT!" is still getting old, even if Major Victory tries to make it work. It appears the Abnett & Lanning solution to making a team with some fourteen active members work is to constantly split them up into two or three squads either as tactics or circumstance. I suppose that's the best way to do it, so everyone isn't short changed.

And the Celestial head that is Knowhere has just come to life.

This here is some fine space comic, grade A prime rib quality. I personally like NOVA just a bit more on average, but both are great books with terrific characters and sequences. It seems the universal threat that the Guardians are trying to prevent is rearing it's ugly head no matter what, and I am thrilled to see where things go from here. Not much else to type beyond another good effort. Further proof that it's all in the execution, that anything can be readable. Assuming whatever is executed is your taste.

Still to come: IMMORTAL IRON FIST #27, INCREDIBLE HERCULES #130, NOVA #26, TERROR, INC: APOCALYPSE SOON #3 & THOR #602.
 
Dread's Bought/Thought for 6/24/09:

IMMORTAL IRON FIST #27:
The final issue of the ongoing, even if Marvel had to edit a solicit or two to hide that, which sprouts an extra dollar in price for that honor. To be fair, you are getting more story material; a 27 page lead story (albeit with flash-backs) and a 9 page preview of the first issue of the mini that takes place after this, IMMORTAL WEAPONS, that first stars Fat Cobra. While a preview can always be had online, 5 extra story pages is usually enough to bump the price at least $3.25 or so in fairness. Marvel just has no price middle-ground. Only Image has figured out the realm of a "$3.50" comic.

The title had a small but very loyal following of some 27-37k when Fraction and Brubaker were on the book, and they fled steadily from Swierczynski came aboard; proof positive of comics being led at least partly by the hype of a creative team. Which is a shame, because Swierczynski and his editorial team managed to keep things running smoothly after the loss of the launch team, and the work overall seems seamless. Shouldn't that be the ideal of a new writer coming onto a solid title? Alas, it wasn't rewarded with reader loyalty, which is a shame. IIF's sales weren't as dire as, say, for CAPTAIN BRITAIN AND MI-13, but as of May 2009 had fallen to 21k with little sign of ending. Marvel, especially not during a period of almost no ad revenue, seems to lose patience for titles not run by "pet" creators that fall below about 23k or so. MS. MARVEL has been on that brink for ages here and there, but Brian Reed is Bendis' bud, so he's safe. BLACK PANTHER has Hudlin and BET pushing it. Most other ongoings that fall below that 23k marker with little end in sight usually are axed or relaunched.

Essentially, the 8th city of heaven arc ended last month; this is simply an epilogue story to wrap things up for Danny Rand and put some things in perspective. In many ways it is essential; while technically the star of the book, often times Danny Rand has had to share the stage with his supporting cast of Immortal Weapons, such as Orson during the launch run, and at times Fat Cobra afterward. Much like CAPTAIN AMERICA, the title drew strength from a great supporting cast, like good books should. At any rate, after the roughest battle of his life, it was time for Rand to recover a bit. His family corporation is crumbling due to the bad post-Skrull economy (nice timely touch while making it work in continuity, BTW; finding out half the planet had been Skrulls would sock the stocks a bit) and Rand's absences for adventures, as well as corporate schemes from foes, and an alcoholic biz partner. Unfortunately, this doesn't matter to HYDRA, eager to avenge the death of Xao from issue #14 or so by killing Rand, Misty Knight, and blowing up the corporate tower itself. Naturally they fail (mostly); Iron Fist saves Misty and the two of them pummel a share of HYDRA before having to dive from the explosion. In between these battles, drawn by Travel Foreman, there are flashbacks from Tim Green II (from ANNIHILATION CONQUEST: STAR-LORD I believe) of Dan as a kid with his father, who was always going through his own foibles building the company, distracted by his quest for K'un L'un to tend to the business and his family; a pattern Daniel finds himself repeating.

Rand, Inc. is toast, but Daniel "downsizes", investing whatever is left in his dojo and moving into a smaller place with Misty. She finally reveals that she is pregnant with his child, as he officially proposes to her. The final scene of the book, presumably drawn by David Lapham, has Danny and Luke Cage meeting in a bar to discuss things, and it reads very much like two old superhero friends talking about the past, present, family, and future in an amusing, human way without reading like Bendis-speak. I underestimated Swierczynski because he also writes, of all things, CABLE, but he pulls off a bit here. Cage gives Dan some perspective on married life with a kid, and puts his faith in Rand being a solid father. Unfortunately, Danny still sees that same path his own father took, and died taking, right in front of him.

If there is any flaw, it is that HYDRA have been rather done to death. While Danny has had quite a few specific opponents over the last 27 issues, especially during the last year's worth, HYDRA themselves are just nameless fodder, and despite the "gritty" art it is hard to build suspense around them for long. A shame some random D-Lister wasn't trotted out for the issue, some rent-a-goon from Rand's past. There has to be one or two of 'em left. Personally I would have loved to see a rematch against Sabretooth, now that both Creed and Rand are more than they were in the 70's, but that ship has sailed. Granted, this is a minor quibble.

This reads very much like a "final" issue. The IMMORTAL WEAPONS mini focuses on each warrior, including Danny, but I am not sure if it will have an overall arc or subplot or just stand to flesh a few of them out. The first issue is about Fat Cobra's origins, which are vastly different from how the overconfident sumo dynamo recalls. The initial nine pages are quote bemusing. The $4 price sucks, but I will likely buy it. As for whether IRON FIST as a volume will be relaunched, who knows. MOON KNIGHT is, although his title lasted a little longer. Two and a half years seems about average for a relaunched title to either be axed or relaunched again these days.

Still, across these last 27 issues (and a few annuals/one shots), the Iron Fist legacy, as it now is, is vastly improved upon from where it was in 2006-2007 when this title was starting. The franchise has been rebuilt and refreshed from the ground up, and many relaunch titles barely make it past issue #16, much less past the two year mark. Regardless of what the future holds for the Fist, he's better now than he's ever been. That's the mark of success.

INCREDIBLE HERCULES #130: Marvel's best mythical superhero book (that's right, better than THOR, damn it) continues with it's usual style and fancy, complete with the funniest recap pages ever. Pak & Van Lente continue with the adventure into Hades with Pluto's underworld trial of Zeus. In the usual manner, this title manages to have ups and downs in their stories, moments of incredible comedy and also with genuine feeling and compassion among the star characters. Hercules has never been better. Ryan Stegman pencils the trial parts while Cho & Aegis' separate adventure is drawn by Rodney Buchemi, who has a noticeably different style, but still a good one.

Hercules, Cho, and Aegis have come to free Zeus, because Athena wishes to use him against Hera to check her power, exploiting Pluto being preoccupied with Earth. However, Pluto has apparently returned right on schedule. After failing to take down Pluto's brute squad, Pluto ceases the battle by trucking out Herc's "mortal" father, who bids him to save Zeus. However, when Pluto offers to allow Cho the chance to meet his dead family in the afterlife, Hercules shows he cares for the boy by bidding him to seek them out, for his own sake. The trial commences when even Zeus smacks Herc into allowing the "farce" to continue. Pluto uses the Athenian style of court, using as his 500 jurors various victims of Zeus' acts and religion. Using various myths as ore as usual, Pluto lays out the case against his brother. Zeus, however, is indignant to the end, daring the jury to convict him so that they'll have no one to blame for their miserable, unfair lives without a "god" to blame (which is actually a fair point). Hercules tries noting the idea that because Zeus is unable to change, he deserves pity, a point he brought up about Ares, about how a strength of mortals is that they can change, while gods often remain stagnant forever. Zeus does nothing but show contempt for his "son", virtually calling him an accident in front of him (As Pluto would say, "Awkward.").

Cho and Aegis end up crossing the river Lethe to get to paradise, and are greeted by Ben Parker (yes, THAT Ben Parker) who is one of few Marvel figures allowed to stay there long. Aegis quickly sees why Hercules bid Cho on the quest, since Cho cannot face his family with the burden of guilt for leading to their deaths, even though it is something he has to face for closure. Buchemi draws Aegis' mask a bit differently than Stegman but at least it looks more like a mask there, rather than some eyeshadow. Stegman's art is solid for the rest (most) of the issue; the fighting between Herc and the bad guys is over quickly, but it still all looks great.

The issue ends with a damn good cliffhanger; Hercules refusing to back down to Pluto, noting he doesn't need his father's love to fight for his cause. However, it seems the mortal "shade" of Hercules that fell to death after the centaur Nessus led to it didn't go way. It's been festering for centuries and is ready to lay a smack-down. It's Hercules Unchained, and it sure ain't Lou Ferrigno.

The next issue hints at the split of the Herc/Cho team. Say it ain't so! At any rate, another terrific issue in the books, and I am sure another to come. Easily one of Marvel's Top 4-5 titles in quality, every month. Damn shame it doesn't even sell in the Top 50. After seeming solid at 30k for four months, it slipped to 28k in May. Hang in there, iHerc.

Next: NOVA #26, TERROR, INC: APOCALYPSE SOON #3 & THOR #602.
 
Thor was unsatisfying. Loki's back to being a man with no explanation (we can guess at some, but that's not really storytelling), Thor gets yet another excuse for writers to treat him like a ***** whenever he fights someone who should ostensibly be in his weight class, Sif comes back with no emotional payoff whatsoever, and the a**hole-ness of the Asgardians from previous Ragnaroks depicted in the various one-shots we've had is starting to crop up in their present-day incarnations. It's irritating.

Balder proved he's a decent leader, but I think his explanation still rings hollow simply because we haven't been shown the other Asgardians' discontent enough. One instance of Asgardians going a little stir-crazy and killing their own in a sparring match gone wrong is not necessarily justification for claiming all the Asgardians are like that. It could've just as easily been read as an isolated incident, followed by Loki's advocation of the move to Latveria and Balder's weak cave-in to Loki's pressure, which plenty of people (i.e. Dread and CaptainCanada) are reading it as.

That's part of a problem I'm having with JMS' Thor series lately: too much talking, not enough action. And I don't just mean smashing and lightning bolts. His Thor series' pacing is absolutely leaden, even without taking into account the obnoxious delays. Also, the fact that he spends so much time pushing humans is becoming annoying. Yes, we get that there's a connection between god and man, but did we really need so many pages of Tom nosing around in Asgardian affairs? Did we really have to sacrifice Thor and Sif's emotional payoff for Don Blake talking to the spirit of the woman Sif was inhabiting? At the rate these issues are coming out, is loading half an issue with filler really worthwhile? Tom and Kelda are fine and all, but no one's gonna remember them in a few years. Van Lente and Pak get it in iHerc: you can illustrate the connection between god and man by simply showing us the humanity in the gods themselves. Focus on the characters that matter, for crying out loud.

Maybe this one unsatisfying issue is magnifying some smaller problems I've had with his earlier issues, but I'm kind of hoping for a fresh start to get Thor back on track when JMS leaves.

Wonder Woman was another comic that left me unsatisfied. There's good stuff in here, but there's also a whole lot of stupid crap. I'm not sure if there's some mandate to separate Diana from Themyscira, but this is, what, the third plot twist to make that happen in as many years? The Amazons disappear during Infinite Crisis, return to kill a bunch of people for no apparent reason in Amazons Attack(!), which naturally alienates Diana from them, and then they vanish again, and now they're brought back by Zeus without their immortality to be placed under the care of Achilles and his Olympians, which makes Diana denounce Zeus and leave. It's another case of the right hand not knowing what the left is doing at DC, it seems, and it's f***ing annoying. The story itself isn't too bad, except that the whole Genocide and Olympians plotlines feel too disjointed, so this issue feels less like a sensible epilogue to the Genocide story and more like a new story that just came out of left field. Anyway, the art is good. Hopefully, whatever Diana's new status quo is, it'll stabilize the book for a while so that it doesn't feel like it's being batted from one direction to the next so carelessly.

Ah, Nova. Finally, a comic I genuinely enjoyed this week. Nova's back in command of the Nova Corps, the Worldmind is both back to its old, good self and a fun new addition to the cast, the art is gorgeous, the story is kicking ass at a breakneck pace, and Robbie Rider may just be a more badass Centurion than his brother ever was. :D I'm glad Rich was open to keeping Tre and Lindy on, since they wanted to be Centurions and he could definitely still use them. Maybe that's a sign that the Corps will stick around after WoK, which I'm hoping for. It'd be nice to give Rich a stable supporting cast.

Guardians of the Galaxy was also wonderful. Marvel's cosmic series are reliably fun reads. Lots of stuff in this issue. The Inhumans are cold b****es (including Triton's indscriminate attack on Rich, Irani, and Morrow in Nova's comic), although Phyla did help them out by kidnapping Crystal (who, to her credit, tried to get her *****ebag leaders to listen to the Guardians). The Imperial Guard is like the Nazi party of the cosmic comics--they're so cartoonishly evil at this point that watching them get not only beaten but utterly humiliated is hilarious every single time it happens. Strange things continue to happen with Warlock as he goes all Magus on some Shi'ar asses. Starhawk does something mysterious again, taking some of the Guardians' funniest along for the ride (seriously, why was Bug not a Guardian from the get-go?). There's a ton of stuff going on in this book, but I have no problem following it all so I'm more than happy to see it roll along at such a fast pace. DnA are doing a great job of weaving plot threads into each other.

Incredible Hercules offered an interesting perspective on godhood. Herc's case for Zeus was great. Cho's apprehension at meeting his family again was handled well. Ben Parker appearing was kind of random, but I didn't mind it. Aegis seemed more like Aegis this issue than he did before. The art was good. The whole trial was done pretty well, although I'm anxious to see where the series goes after all of this Hades stuff.
 
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Holy crap, what an expensive week for me!!! I ended up spending (after my 20% discount) $265.00 for a week's worth of comics.

Now, there was the Essential Dr. Strange in that list, which Marvel has raised the price of from $16.99 to $19.99. (I'm not too upset about that. The Essentials they have been putting out are much larger in size; unlike DC's Showcase, which have gone from 500+ pages to less than 400.) Also, I had a good number of Variant covers. My comic shop does a great job of getting me the variants, maybe because I buy every cover of the comic. Not only do I get those expensive variants at cover price, but they also then get more sales...kind of a "you scratch my back, I scratch yours."
 
Ah, Nova. Finally, a comic I genuinely enjoyed this week. Nova's back in command of the Nova Corps, the Worldmind is both back to its old, good self and a fun new addition to the cast, the art is gorgeous, the story is kicking ass at a breakneck pace, and Robbie Rider may just be a more badass Centurion than his brother ever was. :D I'm glad Rich was open to keeping Tre and Lindy on, since they wanted to be Centurions and he could definitely still use them. Maybe that's a sign that the Corps will stick around after WoK, which I'm hoping for. It'd be nice to give Rich a stable supporting cast.

Guardians of the Galaxy was also wonderful. Marvel's cosmic series are reliably fun reads. Lots of stuff in this issue. The Inhumans are cold b****es (including Triton's indscriminate attack on Rich, Irani, and Morrow in Nova's comic), although Phyla did help them out by kidnapping Crystal (who, to her credit, tried to get her *****ebag leaders to listen to the Guardians). The Imperial Guard is like the Nazi party of the cosmic comics--they're so cartoonishly evil at this point that watching them get not only beaten but utterly humiliated is hilarious every single time it happens. Strange things continue to happen with Warlock as he goes all Magus on some Shi'ar asses. Starhawk does something mysterious again, taking some of the Guardians' funniest along for the ride (seriously, why was Bug not a Guardian from the get-go?). There's a ton of stuff going on in this book, but I have no problem following it all so I'm more than happy to see it roll along at such a fast pace. DnA are doing a great job of weaving plot threads into each other.

Ko-Rel is still the new worldmind....right?

I agree, I really hope the new Corps stays put, as Richard really needs a regular supporting cast, and I like some of the new Novas. Qu'bit is awesome. :D

One of my favorite ongoing jokes in Guardians right now is Bug wondering why he wasn't in the first line-up. Then when he ticked off Medusa, and Gamora said "This is exactly why you weren't asked."
I laughed so hard.


Oh, and Loki's a guy again? So much for hot Loki on Doom action. :p
 
I like Bug too.

Everybody cries about ROM but I miss the Micronaughts too....I'd like to see that whole crew again....
 
I like Bug too.

Everybody cries about ROM but I miss the Micronaughts too....I'd like to see that whole crew again....

The original Bill Mantlo Micronauts run, at least the first 12 and/or 28 issues, were arguably some of the BEST comics I've ever read in my life.

:yay:
 
Dread's Bought/Thought for 6/24/09: Part Three

NOVA #26:
Officially surpassing the 70's record of a 25 issue run for a Nova solo series, Abnett & Lanning keep the tension cracked up and their titular hero as awesome as ever. Everyone gushes about Captain America or Iron Man on Earth, but everywhere else, man, little alien kids probably want to be like Richard Rider when they grow up. He's got outdated shoulder-pads, and it doesn't matter, because he's too busy stomping ass. He's sure come a long way from a guy who needed Spidey's help to beat Rhino in MARVEL TEAM UP some years ago. After a one issue break. Andrea DiVito returns to pencils, and as always he is excellent.

Considering that Abnett & Lanning have written about 96.5% of all of the books involved in WAR OF KINGS, from the core mini itself to side mini's and whatnot, each installment or crossover could simply work as one storyline where you have to buy EVERYTHING to make sense of stuff. Bendis working on SECRET INVASION, MIGHTY AVENGERS and NEW AVENGERS all at once comes in mind. Abnett & Lanning don't fall into that trap. Each ongoing that ties in is involved in various degrees, but still maintains it's own feeling and it's own subplots. GUARDIANS OF THE GALAXY likely feels more outright connected, but it should; they're trying to protect the universe, and they would quickly find themselves in the middle of the war if they tried to stop it. NOVA, by and large, has been furthering it's own storyline with detail elements of WAR OF KINGS as a setting. Nova's not fighting Vulcan nor is he even interested in stopping the war, just cleaning up after the Worldmind/Ego debacle of deputizing hundreds or thousands of Corps-people and throwing them into combat. It works out quite well. I'd argue NOVA was more involved in ANNIHILATION CONQUEST than he's been in WAR OF KINGS. That point is all but referenced this issue.

Nova's entrance this issue was in the 5 page preview and it's awesome. Corps rookies are pinned down by Shi'ar, one of the Imperial Guard members (Warstar, who used to give Wolverine a hard time in the 70's), and in quick fashion Nova shows up and stomps ass. Aside for one word balloon error on page 6 (in which lines clearly meant from Richard are coming from another Centurion), everything is gravy. Nova is out to extract as many surviving Centurions as he can and ship them home; he claims a figure of "almost eighty-percent" having been found, which I guess means that maybe 2 out of every 10 that Ego recruited are likely fragged. Two of them who were named before this issue, Tre and Lindy, are eager to remain on the Corps and Richard allows them "for now". This is the way to do it. Having Richard run a squad of hundreds of nameless grunts would get old and likely be uncomfortable for him, but a handful of Centurions like the five we already met like Tarcel and Irani are fine. The new Corps weren't gathered under the best of circumstances, and against Richard's will, but it'd be a shame to dump all of them, after all. He has needed a supporting cast for a while.

Ko-Rel is still the Worldmind's core personality now, and makes no bones about reminding him of when and where she died. Having been unable to find his brother, Richard flies to Nil-Rast with Irani and Morrow to take a more direct approach. When they land they are immediately attacked by Triton's squad of Inhuman Elite warriors, at least until Ra-Venn, a minor Kree character who hasn't done much since the end of WRAITH's mini (nor has Wraith done much, has he) who recognizes Nova from their battle against Ultron and calls a halt to the fight. From there Nova finds a mangled Qubit and hundreds of Centurion helmets from the atrocity carried out by the Imperial Guard in general, and by Gladiator's psycho cousin Strontian. She may have been a creation of Chris Yost from KINGBREAKER, but Abnett & Lanning have run wild with her. She has all of Gladiator's power but none of his restraint. She lives only for slaughter; no wonder Vulcan likes her. She enters the issue pummeling Ravenous, who was bemused by Vulcan's insane battle plan turning him into an enemy when Ravenous would have gladly allied with Vulcan. Still sporting his "I got spanked by Ronan the Accuser" cybernetic half-face from the Kano collection, Ravenous is little more than a punching bag for Strontian until Nova shows up planning to arrest the mad woman for her war crimes (such as personally executing Suki, at least).

DiVito manages to get a touching scene out of the mangled Qubit on art considering he's a robot who can't change facial expressions; panel close ups on his mangled "face" help in this regard. Yes, he is SO a rip off of Booster Gold's Skeets, but it's taken Marvel a while to rip off Skeets. Besides, well, nearly everyone in superhero comics is a rip on someone. Whether other heroes or gods or 30's pulp novels, and so on. Yeah, executing Centurions who surrendered is bad enough, but mangling cute little robots? B**** is goin' DOWN, as they say on the streets.

Next issue promises to be quite the smack-down. I am curious if Ravenous would genuinely aid Richard in such a battle, flee, or try to pick off whoever wins. The fate of Robbie Rider is still unknown, which I imagine may be fodder for another issue or so and probably even an arc, the Search for Robbie. I wonder if the guy survived if he will stay a Centurion or if he may even become the next Quasar. At any rate I look forward to the outcome.

Including past ongoing attempts and his ANNIHILATION mini, Nova's been in about 70 issues of solo comics. I am only keeping check because unless they fathom a dumb reason to include NEW WARRIORS issues he was in, Nova is about another 2.5 years away from Marvel renumbering the issue to #100 to jack up the price $3.99. Hey, those of us with beloved comics that always deliver become cynical and expect SOMETHING to happen at some point. Aside for that, the future for the title looks excellent, so long as Abnett & Lanning stick around. NOVA has been their best and most consistent Marvel work. Damn shame only 26,000 readers a month agree, but I'm proud to be one of 'em.

TERROR, INC: APOCALYPSE SOON #3: A MAX series no one but me enjoys, this issue sadly becomes evidence that rushing to deadline with fill-in art can sometimes pooch up the effect.

As with all MAX titles, this sells very poorly. The first issue debuted at a measly 10k and the second issue fell to over 9k, back in May. To put that in perspective, that means Marvel maybe earned about $15,300 on the first issue's sales. That may barely cover the cost of the talent involved. There's cash from ads but MAX books usually have few, and ad revenue has dried. I only note this because many insiders have questioned for years now how in the world the MAX line makes a profit and whether it is worth keeping for Marvel. "Lines" of comics rarely create money anymore; a line is not the same as a franchise. MAX has delusions of VERTIGO, but most, if not all, of it's comics would be MARVEL KNIGHTS at another time and really are not much different in terms of characters or stories from mainstream Marvel, they just have more un-bleeped cursing and gore. That might have been edgy a decade ago, but in an era when mainstream superhero comics often involve intensely violent scenes of combat and rape, and where curses may be bleeped with symbols or stars, anyone over 9 years old who doesn't live with the Amish can figure out what swear is being cut, it isn't enough. MAX books were also the first to all be $4 a pop. VERTIGO comics are hardly DC's cash cow, but they've had a few critical and/or sales hits; HELLBLAZER has been going strong for over a decade. MAX, though, is under the radar in nearly every way. With a few minor, detail tweaks, the TERROR, INC. comics could have simply been yet another Marvel mainstream mini about an obscure character no one knows, that isn't promoted. Maybe at $2.99 an issue it might have a better time outselling Handbooks. It is possible the MAX line exists as Marvel's stab at being creative, but none of their titles there have even touched stuff like TRANSMETROPOLITAN or ANIMAL MAN or so on.

Koi Turnbull continues on his art run for most of the issue, as Terror and Mrs. Primo continue on their way through the Middle East, trying to stop a "typhoid mary" type boy from spreading this virus he has, or falling into the wrong hands. Terror's act of mercy while stopping a terror cell for Isreal in issue one unleashed the virus upon the world. Reminded of the Black Plague by the new bug, Terror is in search of where he hid an old enemy from that era, Zahhak, who claimed to have a cure for the Plague. Along the way the pair find themselves aided by "freedom fighters", and complaining about Terror's decomposing smell (he's a walking corpse who always needs fresh body parts to replace rotting ones). Turns out the boy, Aban, is a demon himself, unable to die and always spreading his virus. Terror finds Zahhak and releases him, and that is when things seem to go wrong, as usual.

The last few pages are drawn by someone named "Xurxo G. Penalta" and his art style clashes badly with Turnbull's. Now, Turnbull is hardly a John Romita; this issue especially has some odd figures and bares some sign of rush. But Penalta's is another story. It's very scratchy and saved a lot by the colors. This is one case of me not minding if the comic skipped a month so it could look better. As it was, it shipped twice last month.

This is David Lapham's second TERROR, INC. mini for MAX and while I was liking his first one more, this one isn't bad. Concludes next issue. The cover art is always awesome.

THOR #602: Is it that time of the year already? Yes, the unofficial bi-monthly (at times quarterly) THOR decides to ship this month, with Djurdjevic returning on pencils. He drew two issues a while back and while he needs some time, is seemingly faster than Coipel. Granted, so is Haley's Comet. While it may be issue #602 of Thor in general (which included JOURNEY INTO MYSTERY issues he wasn't in), this is issue fifteen of JMS' relaunch run on the title. The average launch team on many books lasts 16-18 issues, give or take, and with word of JMS leaving the title in September, that means we have about one or two issues left. This issue very much looks like someone quickly trying to wrap up about a year's worth of subplots in 2-3 issues. In this issue's case, the "Sif body crisis" which first popped up in THOR #5, which for the record, shipped Dec. 28th, 2007.

My mother read Thor for years in subscriptions when I was a kid, but that was the one title of hers I never bothered with. The JMS run was the first run where I hopped onto THOR monthly, and while it started with lofty ideas and some quality issues, JMS' back-breakingly slow pace coupled with annoying issue delays have pushed this near ASTONISHING X-MEN levels of annoyance. Next to INCREDIBLE HERCULES, this title is woefully serious, plodding, and is more about soap than action. Call it ALL MY ASGARDIANS, or DAYS OF OUR THOR.

The Asgardians have moved whole hog to Latveria, under Loki's master plan to exile Thor and rule Asgard, which he is under the puppet Balder. Included in this trip is Kelda's human lover, William, the burger-flipper from Oklahoma. And it very quickly seems that William is smarter than every Asgardian there, including Balder. He notes how insane it is to live next to Dr. Doom, or to trust him. He probably would have raised a fuss about trusting "the prince of lies" earlier. Balder tries to defend his actions/position with a story about how if this move fails, the Asgardians will be united against a common foe (Doom), and if the move succeeds, well, jolly for them. To be fair, it isn't a terribly stupid position for Balder to have. The problem is that it reads precisely as someone who has been clearly snookered, schooled, bamboozled and tricked coming up with an excuse to himself justifying it and going along with it, telling himself that he wasn't tricked, it was all part of his own plan, of course. I imagine Bernie Madoff victims did similar stuff before the spit hit the fan. It comes across as someone too spineless to admit error, or even to stand up for himself while he is being fooled and led around. He's been Loki's puppet all along, and when someone outside even hints at that, he boxes up. Maybe there was a reason his destiny was always to die on a bridge (or outside a gate, or whatever).

However, Thor hasn't been any smarter. He was the one who let Loki back into Asgard, and gave him free reign, and forgave him for all past crimes, including the LAST Ragnarok that only killed them all. For the sake of possibly offending his subjects in some far off time by treating Loki harshly, he directly and all but deliberately placed them in IMMEDIATE peril. When you have to choose between a rock and a hard place, you have to at least choose whatever keeps danger in the distance longer. Shame William wasn't around earlier.

I could have done without the bit where he's picked on by Asgardian bullies, which is rather cliche and predictable. It's not like they haven't met Thor's mortal chums before. Granted, maybe JMS doesn't write Asgardians so well after all; a few issues back (or a year ago real time), Bill was trying to teach them basketball and they all acted like the idea of a game was alien, that all they did was drink and stab stuff. The scene exists to mention the idea of the immortal Kelda perhaps seeing William as a "mortal pet" in her own way, but it could have been executed better. Granted, isn't that what everyone says about Bendis comics? "Good idea, crappy execution?"

Back to Thor. His hammer is still broken after his fight with Bor, which Loki suckered him into. Just when Thor/Donald Blake are pondering their actions, Loki decides to pop into their room and go, "Oh, yeah, Sif is dying, go save her, ******". While ****** is wondering how on Earth to find Sif, the old woman in NY starts to die and conveniently mumble Norse stuff to Jane Foster, the ONE doctor in the universe who would know and happened to be on call, who calls Blake to give him the word. Perhaps the strongest bit of the issue is Thor desperately trying to fly on his broken hammer, and then turning to Dr. Strange for aid. Dr. Strange is a character JMS is obviously fond of, as he popped up quite a lot during his 8 years on ASM. He got the chance to write STRANGE, though, and it was atrocious rubbish. Apparently Stephen is no longer in the Village, but in New Jersey; talk about a demotion after losing his sorceror title to Brother Voodoo. Dr. Strange is the only one who can possibly fix the hammer fast enough to save Sif, and the exchanges between he and Thor are good. In the end, it is an exercise to depower Thor back to his "pre Odinpower" levels since he needs to sacrifice that power to mend Mjolnir. This fixes the hammer, but further bonds the hammer itself to Thor's body and soul, i.e. you break it, you bought it, literally.

On the one hand, one could moan and groan about Thor being depowered considering that JMS really didn't make good use of his power levels and that a hero with high power levels isn't a burden to someone who writes him properly. On the other hand, Thor wasn't fought anything in his main title that wasn't Norse related since Iron Man, and other writers in other books like FCBD NEW AVENGERS and so on usually fail to appreciate Thor's new power level. It makes tactical sense to just revert Thor to his old power level, hedging bets properly that other writers can't and won't handle it well. It is thus ironic that Dr. Strange sets it up, since he is another figure who editors and writers who simply aren't good enough or unique enough to handle him blame all of his story woes on his power level. To me, creators who make excuses rather than be creative are not as creative as they think they are. If that makes sense.

Thor shows up in the nick of time and is finally reunited with Sif. I got the impression that Jane was left a little cold with Thor's inability to save the old woman who had to die in the process, but Donald Blake manages to bid farewell to her spirit, which was a scene I didn't mind too much.

Loki is also back in his male body. I am curious how long it will take before this trickles down into other books. Bendis usually takes 4-8 months to reflect little things like a Spidey costume change or Ms. Marvel being MIA in NEW AVENGERS, and Loki being a woman was actually kind of a subplot in MIGHTY AVENGERS (although to be fair, an illusion spell can work no matter the gender of the user). Since he was wearing a twisted version of Sif's body, I suppose it makes sense that he would lose it once Sif was about to either manifest or die, but it was very quick. I was looking at the page and shocked by Loki being male again, and no one around him caring or seeming surprised. I thought I missed something.

The contrast between INCREDIBLE HERCULES and THOR is stark. Hercules actually goes out and does stuff, vibrant, godly stuff. Thor does very little. Even THOR's covers are usually boring, just Thor standing or swinging. Hercules is directly involved in the mortal world, he fights villains from all walks of life. We are TOLD Thor "goes off and does his works" in Midguard, but we never see that. Or haven't since about issue #6 or so. Oklahoma had no villains, not even a crime cartel? THOR is a good book in theory, and has plenty of good moments, but it is a slow book, and JMS has pigeon-holed it quite a bit. INCREDIBLE HERCULES is much better able to mix comedy gold and dramatic, poignant character moments; THOR too often takes itself absurdly seriously. JMS has a decent voice for Thor, but he hasn't had him do much in a while but bump along Loki's crumbs of antics.

JMS is one of few writers who still has massive buzz in sales; no doubt THOR's massive sales success post relaunch has to be at least partly credited to him. Yet it seems he always leaves books in two ways; hanging, like THE TWELVE, or in shambles, like AMAZING SPIDER-MAN. The question in another issue or two is where THOR is left. Since I have purged my list of titles that usually leave me cold more often than not, THOR has become more of a weight. If the next writer doesn't get the hammer striking quickly, I may decide to call it a run. Which is a shame, this book had so much promise and quite a few high moments. The pace's killed it, along with JMS' rigid ideas. Given how quickly Sif's subplot has been resolved, I wonder if Loki's inevitable comeuppance will be worth the wait, if he gets one at all.
 
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Just thought I'd jump on to say something that annoys me (as it seems all I can do is complain about Marvel these days).

Immortal Iron Fist is my 2nd favorite title. I hate that it's ending, but so be it. I hate that it's $4 and that Marvel's just sapping that extra dollar out of their fans' pockets, but I was willing to buy it because I've bought the rest of the series and I'm not missing the final issue (which is why, I'm assuming, Marvel aimed for that extra buck to make some extra cash where they can).

However, I find that I am very very disappointed with the issue and feel that it was barely worth a $3 price tag, let alone a $4 one. First off, there were flashbacks that I felt were barely necessary. They were boring and the story could have done just great without them. They should have been left out. I don't care about the 'preview' as it's been out for a while now already as is. So what are we left with? 19 pages of HORRIBLY drawn story... that's it. Now granted, those 19 pages weren't bad plot-wise. I liked the talk between Danny and Luke at the end. I like that he fought Hydra out for revenge about Xao (which kinda takes the book full circle), and while I'm not a huge Misty fan, I like that it wraps up their relationship by taking it to the next level and past all their problems that they've had since the series began.

So for those 19 pages, I liked it, and it felt like a final issue, but the art really took me out of the story and all the other crap just thrown in there upped the price to a point where it wasn't even worth the buy really. In hindsight, I should have waited and found it online for cheep in a few months. It really wasn't worth it.
 
Oh... and on a good note... LOVED Nova! And Guardians of the Galaxy litterally had me laugh out loud twice. I can't even remmeber the last time that happened.

Cosmo asking Lockjaw if he was God was priceless. And Jack Flag fighting for Cleveland... oh my God that was awsome. I don't know which Cleveland he hails from, but as an Ohio guy I loved it!
 
I got Dark Wolverine and I have to admit, I'm intrigued by Daken now as opposed to his earlier appearances.
 
It looked pretty good for what I skimmed, but again with my whining... if not for Marvel's price hikes, I may have been able to try it out, but with all the other $4 comics I had to buy it sucked those extra bucks I would have layed down for it right out of my pocket.
 
I liked IMMORTAL IRON FIST #27. The flashbacks slowed the pace a little but I thought they helped illustrate Danny's dilemma about fatherhood. The art was scratchy. Granted, when Lenil Yu does that on NEW AVENGERS, no one complained.

I will admit that $4 books suck, and I hate that Marvel uses any excuse for them. I might have tried WOLVERINE: WEAPON X if not for it being $4 an issue. I honestly believe Joe Q's tenure as EIC has produced the most cynically greedy Marvel we have ever had, and Jim Shooter was the guy who virtually created modern mini-series events and "Marvel Time". It seems every other week Joe Q's Marvel has some new strategy or formula that seeks only to suck more money out of their fans, punish them for being suckers. I never got the idea of punishing your most loyal customers and daring them to abandon you, especially since comics are one of the few industries where it is "normal" for your best products to lose some 2-5% of it's customers a month.
 
I'm dropping Nova. I have no idea what you guys are praising, the writing is so heavy-handed and unnatural, DnA are starting to remind me of Claremont in terms of exposition.

I'll keep Guardians, though, if only for Raccoon and Cosmo.
 
I'm dropping Nova. I have no idea what you guys are praising, the writing is so heavy-handed and unnatural, DnA are starting to remind me of Claremont in terms of exposition. And I ****ing hate that kind of writing.

I'll keep Guardians, though, if only for Raccoon and Cosmo.

Yes, and you continue to have bad opinions on well...everything.
 
W-W-What!? :eek:

To each their own I guess, but...seriously, Claremont? The writer who has NEVER just allowed an artist to show a scene, he has to narrate every damn action like a radio play? Really?
 
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I might have tried WOLVERINE: WEAPON X if not for it being $4 an issue.

You're not missing much. Personally, I liked "Get Mystique" more.

W-W-What!? :eek

To each their own I guess, but...seriously, Claremont? The writer who has NEVER just allowed an artist to show a scene, he has to narrate every damn action like a radio play? Really?

Not as bad as Claremont, but it certainly reminds me of him. Characters constantly reiterating what they're thinking and feeling, a lot of unnatural sounding dialogue, etc.

To quote the robot devil: "You can't just have your characters announce how they feel. That makes me feel angry!"
 
W-W-What!? :eek:

To each their own I guess, but...seriously, Claremont? The writer who has NEVER just allowed an artist to show a scene, he has to narrate every damn action like a radio play? Really?

Don't mind him, it's just Blader.:o
 
You're not missing much. Personally, I liked "Get Mystique" more.

Not as bad as Claremont, but it certainly reminds me of him. Characters constantly reiterating what they're thinking and feeling, a lot of unnatural sounding dialogue, etc.

To quote the robot devil: "You can't just have your characters announce how they feel. That makes me feel angry!"

Yeah, my heart wasn't breaking about reading less Wolverine. I just know Aaron is a solid writer and Garney does goot art. But for $4 an issue? No. It has to be epic to get me to make that leap on a title I am not already getting, like THOR (which I am losing patience on, but with JMS leaving I'll finish his run at least).

I just don't get that vibe from NOVA. To be fair, many of the characters are aliens, so they do talk differently. If Nova is talking to someone else I don't mind if he talks about some feelings. I'm satisfied with the book, though. It's among my favorites. Nova kicks ass.

Don't mind him, it's just Blader.:o

I try not to automatically dismiss people. Albeit that does get hard with some topics.
 
I'm dropping Nova. I have no idea what you guys are praising, the writing is so heavy-handed and unnatural, DnA are starting to remind me of Claremont in terms of exposition.

I'll keep Guardians, though, if only for Raccoon and Cosmo.


Your lack of taste saddens me. :(
 

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