Anita18
DANCE FOR ME, FUNNY MAN!
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That said, Inception was secretive, but nobody knew exactly why. Nolan wasn't going on like "The last shot is a doozy!" Whereas Abrams markets his films as being alluringly mysterious. The mystery is part of the marketing.
Nolan doesn't quite go that far. For TDK, Inception, TDKR, the marketing presented us with the gist of the conflict and action as any good marketing does, but said nothing about any potential mystery. That was extra when we saw the movies for ourselves. And that was because the mystery is tied so closely to the plots. "What does Batman do when Joker gives him no good options?" Well, you'll have to see the whole movie to understand it. "Is Cobb in a dream world or real world?" Means nothing with no context. "Who the heck is Miranda Tate, really?" Again, nobody cares if you haven't seen the movie. There's nothing they can do to use Nolan's secretiveness for the marketing, but Abram's secretiveness is the plot itself, pretty much. "What is attacking New York City?" "What's in the train?" "Who is this terrorist guy the Star Trek crew are going after?" All that can get butts in seats.
If you were the general public and didn't keep up with movie news, you wouldn't even know that Nolan was renowned for being so mysterious about his projects. We do, because we read about it. But what the general audience sees are the trailers and TV spots, and they have no reason to believe that there's this intriguing mysterious thing in anything he ever does.
Nolan doesn't quite go that far. For TDK, Inception, TDKR, the marketing presented us with the gist of the conflict and action as any good marketing does, but said nothing about any potential mystery. That was extra when we saw the movies for ourselves. And that was because the mystery is tied so closely to the plots. "What does Batman do when Joker gives him no good options?" Well, you'll have to see the whole movie to understand it. "Is Cobb in a dream world or real world?" Means nothing with no context. "Who the heck is Miranda Tate, really?" Again, nobody cares if you haven't seen the movie. There's nothing they can do to use Nolan's secretiveness for the marketing, but Abram's secretiveness is the plot itself, pretty much. "What is attacking New York City?" "What's in the train?" "Who is this terrorist guy the Star Trek crew are going after?" All that can get butts in seats.
If you were the general public and didn't keep up with movie news, you wouldn't even know that Nolan was renowned for being so mysterious about his projects. We do, because we read about it. But what the general audience sees are the trailers and TV spots, and they have no reason to believe that there's this intriguing mysterious thing in anything he ever does.
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