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This is a continuation thread, the old thread is [split]473709[/split]
No sites list without credits.I like the idea of using Batroc as an opening villain before the story really starts. The way they're using Batroc is basically how they're going to use Strucker in AOU I'm guessing.
Well without credits it probably is 2hr 8min.
Originally Posted by Chewy
People can talk all they want about editing or whatever else for Thor 2, but the problems all trickle down from a weaksauce script. Everything to do with the dark elves is very very stupid, keeping one or two of the deleted scenes that people liked doesn't fix that. If anything it slows the movie down, which gives people time to think about how ridiculous the elf stuff is. It's no wonder Marvel wanted the movie to just breeze by
What Thor 3 needs isn't a longer runtime or less humor or Thor moving differently or whatever other little complaint people want addressed. What it needs is a filmmaker with a vision for the film, who oversees the production from the word go. (Or filmmakers, as the case may be. ) Thor 2's problem wasn't its runtime, it was the four directors and half-dozen screenwriters who passed through before they finally settled.
If the right person makes an 80 minute film it'll be great. If the wrong person makes a 130 minute film it'll be terrible. Runtime is indicative of basically nothing.
And for what it's worth I'm not one of those people who hates Thor 2, it's an okay film. But it definitely has its problems
You're not the only one I loved it as well. For me, in terms of the MCU, it's currently my second favorite behind only Avengers.Sometimes I feel like I'm the only one who loves TDW
Anyway,great running time.
Just grabbed this from the last thread to say that this is pretty much a perfect assessment of T:TDW. And I say that is a lover of the movie and the character, but one who can step back and see the flaws while still loving it.
Well said on all of this, Chewy.
Yep! Chewy won the last thread. I knew this topic would come up once we got the Cap runtime in. TDW's problem was the writing coupled with a director who was more of a hired gun than a champion of the character. Runtime had nothing to do with it.
Yep! Chewy won the last thread. I knew this topic would come up once we got the Cap runtime in. TDW's problem was the writing coupled with a director who was more of a hired gun than a champion of the character. Runtime had nothing to do with it.
They caused the problems with both IM2 and TDW. I don't think there is much dispute about that. They wanted to make these films even when they were clearly half-baked.Hands on/hands off isn't really the problem. You only ever hear about them being "hands on" when there are already problems with the production. That's not a coincidence, they're trying to salvage what they can. As far as the recent movies, guys like Whedon, Black, the Russos, and Gunn have gone on and on about how much freedom Marvel gave them to make their movies.
They caused the problems with both IM2 and TDW. I don't think there is much dispute about that. They wanted to make these films even when they were clearly half-baked.
I'm not disputing that, but that's not the same thing as a "hands on" studio issue. It's not like they're suffocating each of their filmmakers.They caused the problems with both IM2 and TDW. I don't think there is much dispute about that. They wanted to make these films even when they were clearly half-baked.
They caused the problems with both IM2 and TDW. I don't think there is much dispute about that. They wanted to make these films even when they were clearly half-baked.
Not really, if your movie isn't working, fluffing it out around the edges doesn't help. I'd rather take a breezy misfire than a slog like IM2The run time didnt help though, the amount of important things the movie just skipped over was bordering on criminal.
That Taylor had disputes over what was and wasn't cut, the comedy and composer, I'd say they were hands on. That is the very definition of hands-on.I'm not disputing that, but that's not the same thing as a "hands on" studio issue. It's not like they're suffocating each of their filmmakers.
IM2 was rushed because they were at a point where they needed product, and with Thor 2 Marvel didn't end up finding the right guy to make the movie but pushed it through anyway. Both situations led to half-baked scripts and flawed movies. Clearly Marvel made mistakes. But it's not an issue of hands on/hands off.
Yep. I wouldn't say borderline, thoughTDW is miles better than IM2 though imo. IM2 borderline sucked.
Not really, if your movie isn't working, fluffing it out around the edges doesn't help. I'd rather take a breezy misfire than a slog like IM2
That Taylor had disputes over what was and wasn't cut, the comedy and composer, I'd say they were hands on. That is the very definition of hands-on.
With TDW it isn't that they didn't find the right guy to direct. It is that we will never know, because Marvel wouldn't stop touching. The script situation is the biggest red flag you can have. It was the "Marvel" vision, not Taylor's.
Now I am not saying they don't have the right to do that, and in some cases such things help a production. But that isn't hands off.
Emotional and dramatic scenes in the movie had no weight to them though because they would be followed by jokes 30 seconds later, THOSE scenes needed to breath IMO and the movie would have had more impact.
Yep. I wouldn't say borderline, though
That's an exaggeration.
That Taylor had disputes over what was and wasn't cut, the comedy and composer, I'd say they were hands on. That is the very definition of hands-on.
I didn't say that they're never hands on. Please read what I'm posting. They're hands on when things aren't working. When things are going smoothly they let the filmmakers do their thing.Hands on/hands off isn't really the problem. You only ever hear about them being "hands on" when there are already problems with the production. That's not a coincidence, they're trying to salvage what they can. As far as the recent movies, guys like Whedon, Black, the Russos, and Gunn have gone on and on about how much freedom Marvel gave them to make their movies.