Sif had more character development (and screentime) on her episode of Agents of SHIELD than in both of the Thor movies.
And Idris Elba hasn't been used to satisfaction and is wasted as Heimdall when he (and AAA, who was wasted as Kurse and Djimon Hounsou who was wasted as Korath) could have all had roles in a BP film.
Heck look what they did with Union Jack... the way they went, we'll never get a Union Jack in costume.
I wouldn't call GSP a decent actor. TWS is the only movie I've ever seen him in.
Why can't we? Couldn't Rogers' heroic sacrifice in TFA inspire Falsworth to become Union Jack? We know thanks to TWS that Falsworth didn't die in the war (The Smithsonian scene). UJ could easily make a cameo in Agent Carter or something if they really wanted to.
A lot of white folk have played non-meaty roles, even people who were decent names like the above (i.e. Batroc, Heinz Kruger) . It happens. They needed actors for those roles. Heck look what they did with Union Jack... the way they went, we'll never get a Union Jack in costume.
Move on.
Who instead would you have cast for Maya Hansen, Korath, Kurse and Heimdall respectively for their talents not to have been wasted? Less talented actors? Isn't that kind of backward-ass thinking?
Yes! You do cast less talented actors! For the same reason you cast James Badge Dale for Eric Savin instead of casting Leonardo DiCaprio!
Then you cast the great actors in better roles. Djimon Hounsou took the part because he wanted to be in a superhero movie for his kids. The second Marvel talked to him they shoulda been like "Man, you are too good for this Korath role. We're gonna go with Michael Jai White or Kevin Grievioux or something. But listen, we have this Black Panther movie in the pipeline right now, and you would be perfect for T'Chaka."
I mean, like, is it not totally obvious that the only reason Marvel is able to get actors of that caliber for such nothing roles is that systemic inequalities make it harder for those actors to get real work?
It's BLEEPing frustrating that there aren't more meaty roles for non-white characters in CBMs. That's the problem right there. There are a lot more talented actors of color out there than there are suitable CBM roles for said talented actors of color. I'm 100% with you on that. With you on the fact that it's a problem. And with you on how vexing it is!Yes! You do cast less talented actors! For the same reason you cast James Badge Dale for Eric Savin instead of casting Leonardo DiCaprio!
Then you cast the great actors in better roles. Djimon Hounsou took the part because he wanted to be in a superhero movie for his kids. The second Marvel talked to him they shoulda been like "Man, you are too good for this Korath role. We're gonna go with Michael Jai White or Kevin Grievioux or something. But listen, we have this Black Panther movie in the pipeline right now, and you would be perfect for T'Chaka."
I mean, like, is it not totally obvious that the only reason Marvel is able to get actors of that caliber for such nothing roles is that systemic inequalities make it harder for those actors to get real work?

But it does need to be Americanized to be popular amongst Americans, which is kinda the point of American comics like Black Panther. What Hudlin did was make BP accessible. He even brought something as academic and historically divisive as African Colonialism and made it not just understandable, but valuableto people who still haven't quite figured out Africa is not a country. No amount of Doom being a racist or quotes from Diddy Dirty Money will take us back to the 2004 where BP wasn't even appearing in comics anymore, beyond guest spots in Disassembled, with no plans to revive him. What we have now: cartoons, being constantly in print, long term editorial angles, people of all ethnicities asking Feige about a BP film, all that flows from Hudlin inviting everyone into the BP experience. I think Priest's run was better, but because it wasn't as accessible, it wasn't as popular, so when Wesley Snipes tried to make a film of it, no one wanted to back it and assume the American audiences would leave things catered to them and go for things that are more catered to African audiences. Hudlin made great calls in framing the story. That should be commended, even if we have to condemn some of his other decisions as well, I don't know why we have to pretend like that didn't happen.
Its so crazy to me when people think that just because the GA understands something that they give a crap. The GA understands the dictionary. They're not going to spend 2 hours and $12 reading it though, even if the illustrations are nice. Do they give a crap about what's happening? Is it important to them, them being people largely unfamiliar with African history beyond it being a large desert/rural area where slaves came from?
You don't have to try and make BP relatable to American culture specifically black american culture. It just isn't the same. We all know what American culture is and BP has been around for decades. The guide line should be followed on how Wakanda was introduced and not change it. It does;t need to be Americanized to be understandable.
Hadn't seen you around in a while. Howdy.
Sounds to me like you've been keeping up with things in New Avengers. I am giving Hickman the benefit of the doubt that there's a nice endgame, but having Wakanda destroyed like that does not make me happy. This after having the other Panthers desert him makes me hate seeing them tear down T'Challa and Wakanda yet again. Hickman at least gets T'Challa's voice though, so I'm still along for the ride.
There's no issue with writing for an American audience. The issue is with writing someone like two guys who act very different from the way T'Challa has acted. P. Diddy and Spike Lee are outspoken guys, and in the case of Diddy he's flashy as all hell. Panther has either been written as an eloquent guy that's low key about his emotions, or someone who is possibly too humble to a fault. That's nothing like the two that Hudlin had in mind, and it shows. Had T'Challa been a new character it might not have been so bad, but T'Challa has been an established character since 1966. Winnick's Batwing was a brand new guy that could be built around any personality, and even then Winnick is just a much better writer than Hudlin is. Batwing was my favorite new 52 book up until the changed from David to Luke as Batwing, and a lot of that had to do with Winnick's writing. Hudlin's writing just isn't very good to cover up his mistakes. Liss' run was hamstrung by editorial, but he at least wrote a very nice story the best way that he could. I hated T'Challa stepping in for Daredevil, but the plot progression and villains were still pretty good. Hudlin on the other hand had all that he needed. He could take the Panther pretty much wherever he wanted, but he just isn't a good writer in this medium. He doesn't define his characters well enough for my liking, and there's other stupid stuff like having Black Panther walk around with the cursed Ebony Blade like it was nothing.
This is the most TIRED and absolutely frustratingly nonsensical opinion that you keep pushing. They weren't WASTED. They played awesome parts in the MCU. That's it.
We have NOT had a lot of world-class white actors play non-meaty roles. Idris Elba is four-time Emmy nominee and Djimon Hounsou is a two-time Oscar nominee.
Additionally, the OVERWHELMING majority of strong roles in the MCU are played by white people. White dudes have every single leading role in every single Marvel movie so far.
Like, are actually going to try and argue that white actors and black actors are getting equal shrift here? There isn't even a single woman-of-color character with a name in any of the MCU films!
Who instead would you have cast for Maya Hansen, Korath, Kurse and Heimdall respectively for their talents not to have been wasted? Less talented actors? Isn't that kind of backward-ass thinking?
I wouldn't call GSP a decent actor. TWS is the only movie I've ever seen him in.
Yes! You do cast less talented actors! For the same reason you cast James Badge Dale for Eric Savin instead of casting Leonardo DiCaprio!
Then you cast the great actors in better roles. Djimon Hounsou took the part because he wanted to be in a superhero movie for his kids. The second Marvel talked to him they shoulda been like "Man, you are too good for this Korath role. We're gonna go with Michael Jai White or Kevin Grievioux or something. But listen, we have this Black Panther movie in the pipeline right now, and you would be perfect for T'Chaka."
I mean, like, is it not totally obvious that the only reason Marvel is able to get actors of that caliber for such nothing roles is that systemic inequalities make it harder for those actors to get real work?
Thanks. I agree that Hudlin attempted and arguably succeeded in making Panther more accessible. Panther certainly made more strides toward the mainstream under Hudlin than any other writer before or since. Under Hudlin we got the "Wedding of the Century" with a dress designed by a person from Guiding Light, he got a bestselling writer do do the Storm-Panther backstory (as controversial as that might be for some), and we got a Panther cartoon.
I would argue that Hudlin sought to grow the audience, to make Panther a character that could appeal to nonwhites, particularly blacks, who might not have been that much into the character previously or into comics in general. He didn't try to appease white fanboys, like an industry veteran like Priest did with using a white POV character, at least initially, during his run.
He created a black power fantasy to some extent and for that some fanboys will never forgive him. Was Hudlin the greatest writer? No. Was he the greatest creator? No. I definitely think he could've upped T'Challa's enemies, though he did a very good job with "Who is the Panther?", which played like a movie. And if we got that as a Panther film I would be pleased.
Compared to what came after Hudlin (Maberry, Liss, and now Hickman) I rate Hudlin even higher than I had before.
Priest series is considered the defining run by most fans, but before him Don McGregor did much of the world building of Wakanda. He wrote BP's first solo series Jungle Action where T'Challa comes back to Wakanda to find that Erik Killmonger has been destroying many villages in Wakanda in a coup attempt. That largely defined a lot of the Black Panther world. Gil Kane and Billy Graham were the primary artists on that title. McGregor comes back in 1991 to do a 4 issue miniseries called Panther's Prey.
Then there's Jack Kirby's Black Panther. The King did both writing and art on it, and that lasted 15 issues with him doing art and writing on 12.
Outside of that you have Priest's series lasting 62 issues, and Hudlin's lasting 41 issues before being rebooted for another 12.
t:Steven Weintraub @colliderfrosty
can't say why because I won't spoil it, but I'm now a lot more excited for tomorrow's Marvel event. Think it's going to be a fun morning.
It means either T'Challa or Carol. Hell, maybe both, which is what I am hoping for.