Spider-man 3: When Gwen Stacey's Dad doesn't seem to care that his daughter is about to die.
The Punisher: The scene where Travolta(poorly miscast) asks his wife what she wants in order to appease her for the death of her son.
Batman Forever: "We can't kill him. He won't learn nothin'."
Dishonorable mention for "Caffeine with kill ya!"
. . . ha ha, he, ho, ah, ha, hee, ho-haa, and I thought
my jokes were bad.
Hancock: The moment when he finally learns about his past. (the film decides to kill itself with a clarity that the viewer shouldn't have been curious to unravel - It was funnier when he was a disgruntled drunk.)
Return of the Jedi: Because Lucas tried to sell us on the idea<when Leia reveals that Luke is her brother so he doesn't start sobbing a corner out of sadness> that a guy like Han Solo would ever be intimidated by Fluke, concerning Leia.
Green Street Hooligans: Awesome film. Elijah Wood going primal in the first soccer mob fight was a little unbelievable.
The Da Vinci Code: When Langdon actually figures out who the real villain was, having him react like he had a pulse would've been nice. The character wasn't
that reserved at every moment in his life.
Dead Man's Chest: The ending scene where that crazy witch lady tells our heroes that Jack Sparrow is alive; at this point in the 2 1/2hr trailer that I'd just watched, I wanted his death.
Batman Begins: I love this film, but the part where Rachel gives her little 'Gotham is rotting' informative speech is funny to me. Holmes voice doesn't come across as authoritative or enlightening. Just pesky and dogmatic in a 'girly girly' palm, palm sort of way.
Ugh. However, the last scene in the cold did make up for that.
Ultraviolet: The beginning William Shatner-esque "I'm from. . a. . .world. . . that. . . you . . . may not. . . unde. . . r. . . stand." Fichter's part was pretty good in it, and the film has great cinematography, but it's even better when it's muted.
