It makes them really take a look at their creative and really take a serious look at truly diversifying. The comic book industry is STILL 95% white and 95% male.
You know why? Because the vast majority of modern day comic book writers were comic book fans when they were kids and the vast majority of comic book fans are white, heterosexual males.
Maybe once Warner takes a serious look at the MESS DC is, they'll hire some of the women and minorities DC editorial ignored for the past two decades at the comicons. Maybe we get a LGBT writer on Batwoman so we can dig deeper into the LGBT culture. Maybe a Hispanic writer on Blue Beetle who digs deeper into hispanic and aztec culture. Another woman on Wonder Woman or Birds of Prey with a unique perspective.
I have to completely disagree with you there because we had a straight writer do Batwoman in Detective Comics who not only performed the miracle of using homosexuality to enhance the character in a positive way, as opposed to the crutch that it usually is, but also created one of the greatest comic book runs of all time.
Keith Giffen, John Rogers, and Matthew Sturges did fantastic jobs on using Blue Beetle's Hispanic heritage to benefit Jaime Reyes' character. There was even an issue published entirely in Spanish.
And we've had women write Wonder Woman before. Jodi Picoult wrote Wonder Woman as a ****** who couldn't even pump gas. Gail Simone's run on Wonder Woman was underwhelming at best. Meanwhile some of the best Wonder Woman comics have come from men (George Perez, Greg Rucka)
You see, gender, race, and sexuality of a writer have nothing to do how well a character is written. We've had white males do fantastic jobs in portraying minority characters. Greg Rucka and Gail Simone are probably the best writers in regards to writing homosexual characters and they're both heterosexual. And we've also had minority writers do horrific jobs on minority characters (like Felicia Henderson writing Static, Aquagirl, and Blue Beetle on Teen Titans, Reginald Hudlin on Black Panther).
What is needed first and foremost for minority characters are good writers. We need more Greg Ruckas and Gail Simones. We need writers who actually take the time to develop these characters as opposed to treating diversity for the sake of diversity.
A brotha on Mr. Terrific who explores race and culture and how the third smartest man in the world deals with that pressure. Maybe this new fresh perspective from a more diverse creative team finally gives us some characters new readers can identify and relate to.
I think that completely defeats the purpose of Mr. Terrific. I would rather see a writer actually competently write about atheism than about race relations. So far Mr. Terrific's atheism isn't atheism, it's "I'm angry at god." We've had well written homosexuals and characters of other races, but we haven't gotten a good atheist yet.
And maybe we get some new bad guys. DC's biggest weakness has always been the crap rogues gallery they have. Outside of Batman and Flash, DC has the lamest bad guys. Marvel blows DC out of the water when it comes to bad guys. People who are built up and can be a credible threat to the DC heroes.
Lex Luthor, Darkseid, Sinestro, Black Manta, Ocean Master, Brainiac, Deathstroke, Vandal Savage, Hector Hammond, Metallo, General Zod....
I'm all for this relaunch failing. Because it'll make everyone WAKE UP. Because it will make everyone STOP DENYING the problems and focus on real solutions instead of half-assed gimmicks like reboots and relaunches. And because maybe we'll finally see some real change in the comic book industry.
Except they are providing real solutions. Let's take a look at the core problems of the industry.
First and foremost is the comic book shop. They're really uninviting places where socially awkward nerds hang out. And they smell funny. Regular people just don't want to go in there. So how do they fix the solution? By going beyond the comic book shop, by offering digital copies day and date, by selling comics at other retailers such as Hastings and Barnes & Noble. And guess what, DC is doing that.
The second problem is that comics are hard to get into due to decades worth of convoluted continuity. They aren't new reader friendly at all. Asides from Batman, Aquaman, and Green Lantern, the rest of DC is essentially getting a clean slate in regards to continuity. New readers don't have to feel obligated to check out comics that are decades old and written in an out of date style that only hardcore geeks like. All these new #1's makes new readers feel easier to check them out as opposed to Action Comics #905.
What DC is doing is actually taking a look at the problems of the industry: the comic book shop, falling readership, being complicated for new and lapsed readers, limited distribution, etc. and is actually attempting to fix these problems and provide solutions. These are the actual problems in comics, not there aren't enough black or gay characters.