Manic
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- Joined
- May 3, 2005
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Davies was better at characters, but Moffat is better at stories. Davies' plots usually fell apart pretty easily, but he could write a mean character arc (see: the 9th Doctor's journey, the 10th Doctor's unchecked ego being a recurring problem, Martha coming to terms with her feelings for the Doctor and learning to move on). Davies' original monsters were also pretty weak.
Moffat tends to wander out of the world of sci-fi and into pure fantasy sometimes, but his stories usually make more sense given the rules established within them. His characters take a lot more work to analyze, and there's a recurring complaint about most of his female characters being the same. However, his original monsters tend to be pretty cool, and he's very good at exploiting mundane childhood fears (Vashta Nerada and fear of the dark, Weeping Angels and the fear that statues are watching you, the gas mask zombies and a fear of getting lost).
Davies also used his soap box a lot more, to an annoying degree. Davies is anti-military, and that resulted in UNIT (classic allies of the Doctor) being portrayed as incompetent, needlessly brutal, and just plain cruel. Moffat's soap box moments tend to come in the form of how he views families and relationships, and it's a little more subtle.
Moffat tends to wander out of the world of sci-fi and into pure fantasy sometimes, but his stories usually make more sense given the rules established within them. His characters take a lot more work to analyze, and there's a recurring complaint about most of his female characters being the same. However, his original monsters tend to be pretty cool, and he's very good at exploiting mundane childhood fears (Vashta Nerada and fear of the dark, Weeping Angels and the fear that statues are watching you, the gas mask zombies and a fear of getting lost).
Davies also used his soap box a lot more, to an annoying degree. Davies is anti-military, and that resulted in UNIT (classic allies of the Doctor) being portrayed as incompetent, needlessly brutal, and just plain cruel. Moffat's soap box moments tend to come in the form of how he views families and relationships, and it's a little more subtle.