Edmond

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http://www.comingsoon.net/films.php?id=8746

Director:
Stuart Gordon
Screenwriter:
David Mamet
Starring: William H. Macy, Julia Stiles, Denise Richards, Mena Suvari, Dylan Walsh, Joe Mantegna, Rebecca Pidgeon, Dule Hill, Bai Ling, Bokeem Woodbine, Debi Mazar, George Wendt, Lonnie Smith

Plot Summary: From acclaimed playwright David Mamet, "You are not where you belong," says the fortuneteller, and Edmond (William H. Macy) begins his descent into a darkly funny yet horrifying modern urban hell in this compelling film, written by David Mamet and directed by Stuart Gordon.

The encounter with the fortuneteller has caused bland businessman Edmond to confront the emptiness of his life and marriage. His wife (Rebecca Pidgeon) complains that the maid broke a lamp, and this seems to be the last straw, prompting him to flee the safe boredom of his home for the vortex of the dark streets of the city.

The strangely liberating act of leaving his wife tilts Edmond into a free-fall that he mistakes for freedom, although he certainly now feels alive. Stumbling into a local bar, Edmond meets a man (Joe Mantegna) who convinces him that sex is what he needs to solve his problems and points him in the right direction.

To Edmond's surprise, hookers are expensive, the pimp (Lionel Mark Smith) he encounters is violent, and the guy running a three-card monte game on the street is a cheat. Still, he wanders the streets, encountering big-city night crawlers, until finally he is robbed and beaten and left bewildered. "We live in a fog, we live in a dream," he declares. Screeching racial hatred, Edmond finds a kind of peace in living in that moment.

Feeling freed, he goes home with a waitress, Glenna (Julia Stiles), but their riotous sex play leads to some very deep conversation. The two engage in a discussion about the meaning of race, death, life, and honesty. When the honesty topic is explored, Glenna refuses to engage, causing Edmond intense turmoil. He asks her, begs her, to rely on honesty, but instead pandemonium ensues.

As Edmond spirals on towards personal disintegration, his racism and homophobia emerges – and he freely expresses it. "Every fear hides a wish," he discovers.

edmondonesheethp1.jpg


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Bump:(

I thought this looked really good with an intense looking Oscar baiting lead performance form Macy:up:
 
wow...that's actually pretty intense and Ive always found Mamet to be a great writer.

but Denise Richards?
just kidding btw...
 
looks sweet..even though i came in this thread hoping for a movie about edmund kemper.....


.... (had a horrible temper)
 
I saw the preview and am now really looking forward to see this movie
 
THIS MOVIE IS ****ING CRAZY. You have no idea.

This dude becomes a monster. A complete monster. Full of contradictions, full of anger. He doesn't know how to channel it well, and this is the point because by film's end, he becomes everything he conditioned himself to despise.

I love how the non-sensical anger in the film comes to a satisfying, if strange, conclusion in the end. It really makes you think about the concept of anger.

Its so strange to see William H. Macy lash out like this. But it takes a few viewings to get used to. And the performances are very hard to grasp, its complicated the way they embrace Mamet's dialogue, which, by the way, is ****ing hard to perform.

I did a scene from the play Oleanna by Mamet and the dialogue, the interplay between characters is unbelievable. He writes poetry, not dialogue. The pauses and wordplay, the interruptions, its truly amazing to get down pat. You feel so vulnerable performing his work, something within you does it. And when you can get others to feel that vulnerability beneath your character's skin, you've done it.

Macy does it in this film. Just watch it a lot and it'll make sense because at first he'll feel stunted, as if something is always bothering and if you think hard about it by the end of the movie, you'll see it was all like that for a reason. Just watch the scene with the priest.

Amazing film. A truly brutal, small, beautiful film.
 
Wow. Well, I guess we can't always rely on Rotten Tomatoes.

I thought I could. This film takes time and it isn't for everyone, or mostly anyone. I'm just an artsy-fartsy dude, thats all. But yeah, check it out.
 

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