Blade is definitely a superhero movie. It goes regardless if you judge it by if it has a super powered hero, or if it is based on superhero comics. Just like how GotG is a space opera doesn't change the fact that it's also a superhero movie.
Blade is definitely a superhero movie. It goes regardless if you judge it by if it has a super powered hero, or if it is based on superhero comics. Just like how GotG is a space opera doesn't change the fact that it's also a superhero movie.
It's not only a super hero movie, it's the genesis of the modern comic book genre. What it accomplished is amazing and overlooked, and we might not have the golden age of CBMs without it.
Just because a movie is based on a comic, or even a Marvel comic, doesn't make it a superhero movie.
Blade isn't based on superhero comics, it's based on the character from The Tomb of Dracula, which are horror comics. The movie is a hybrid of martial arts and horror. Blade has superpowers, but he isn't a superhero, he's a vampire slayer. He's not interested in great responsibility or the greater good; his drive is the complete extermination of all vampires.
Guardians of the Galaxy, again, isn't a superhero movie. There are no superheroes in it. It's much closer in line to Star Wars or even Red Dwarf. If you call Quill a superhero, you'd have to call Han Solo a superhero as well.
It really isn't. Blade had absolutely no effect on anything that came out afterwards except it's own sequels. It was a minor hit, but it had no effect on movies like X-Men and Spider-Man which were both in the pipeline log before Blade anyway.
.
Read more: http://www.notablebiographies.com/news/A-Ca/Arad-Avi.html#ixzz5B6nrbuNJIn 1998 he co-produced Blade, the story of an immortal warrior who battles an underworld of vampires bent on destroying the human race. Released by New Line Cinema, the movie earned three times more than it cost to make. Comic book fans praised Arad for remaining true to the Marvel character, and reviewers considered it to be a high-quality action film. As Arad told Filmforce , "After that, people were listening very carefully. Very carefully."
Some of my favorites have already been poster on here. But, here's one...
[YT]yF0ICUUX9-k[/YT]
You have to check the hyperbole and use context for these outrageously grandiose statements.[Blade] is the genesis of the modern comic book genre. What it accomplished is amazing and overlooked, and we might not have the golden age of CBMs without it.
Avi Arad credits Blade's success for changing the CBM landscape:
Blade was also partially responsible for landing David Goyer the Batman Begins, and eventually Man of Steel, writing gigs. Thus, it's responsible for altering the fates of both Marvel and DC on film.
And yes Blade is a Superhero.
So, just because Vampires exist in other fiction doesn't mean he is separate, Vampires exist in the Marvel U.Blade has superpowers, but he isn't a superhero, he's a vampire slayer.
So what, Sons of the Tiger and White Tiger debuted in Deadly Hands of Kung Fu, a Martial Arts magazine, yet are superheroes appearing along side Spider-Man etc.it's based on the character from The Tomb of Dracula, which are horror comics.
You have to check the hyperbole and use context for these outrageously grandiose statements.
Blade didn't invent or invigorate or bring anything new to the genre, visually technically, thematically that wasn't already there, or in production in the industry. It didn't make anyone in the industry suddenly notice Superheroes or comics, most didn't even know or consider him a Superhero. It was a minor success over all. X-Men, Spider-Man blow it out of the universe as significantly putting Superheroes on the map again. (hyperbole now context)
What it was is a big success for Marvel
And that's where it's important.
What it did was help realize Marvel's working model.
Whose bread and butter was farming out and licensing their actual important characters and franchisees to big studious. X-Men, Spider-Man. etc.
What Blade did was allow Marvel to say - oh we can take this lesser franchise (or any) nobody is asking for and develop it ourselves, and not depend on a big studio.
This brought us to the end of Iron-Man and what nobody in the studio system saw coming, Nick Fury going welcome.... to a bigger world.
That hadn't been done for Superheroes.
Suddenly the entire Marvel universe anything from any lesser obscure character was on the table, to exist as part of an ongoing, and growing shared universe.
And it's what the fans wanted.
Marvel could take anything they had, no mater how insignificant, and make it a part of it's growing movie universe, and they have, and it's been going strong sense.
That was the game changer., Blade wasn't even a part of that.
LOL!
Meanwhile the clueless execs at DC/WB were still only looking at Batman & Superman and only things derivative of those two characters as having value, worthy of their attention and efforts.
While Marvel's enormous shared Universe was already exploding on screen.
Their whole library had opened up and had so much value Disney took notice, swept in and bought it all, and it's still going strong!
And yes Blade is a Superhero.
Marvel Comics leaps into movie-making: The comic-book king is tired of taking a safe but small cut from licensing its characters for blockbuster films - so now it's going to make the movies itself.
by Susanna Hamner, Business 2.0 Magazine writer-reporter
June 1, 2006: 3:15 PM EDT
[excerpt of an excellent article on the start of Marvel Studios and the attendant doubt it would work]
His [Arad] early efforts confirmed that he was onto something - and also underscored Marvel's dilemma. The company had been able to license many of its characters to studios, but the sense in Hollywood was that, unlike rival DC Comics's Batman and Superman, Marvel heroes were too complex, conflicted, and fantastical for mass appeal.
A crack in the resistance opened when Arad, after years of trying, finally helped coax New Line Studios into making a low-budget film based on an obscure Marvel line. Blade, released in 1998 and starring Wesley Snipes as a vampire hunting for fellow bloodsuckers, raked in $133 million worldwide at the box office. "Blade was the least likely to succeed," Arad says. "That was the first time it seemed clear to Hollywood that the Marvel franchise was something special."
Yet Arad says Marvel made only $25,000 from the first Blade movie, thanks to lousy licensing terms negotiated years earlier by Perelman lawyers. But the movie's success gave Arad leverage with reluctant studios. Fox, for instance, nearly balked at making the first X-Men film. "They almost didn't buy it as a movie," Arad recalls. "But we told them that if another studio buys it, they're going to look like dorks." Fox bit - and X-Men grossed nearly $300 million globally following its 2000 release. Hollywood jumped on the Marvel bandwagon, pumping out two Men in Black films (total worldwide gross: $1 billion), the Spider-Man megahits, and profitable films based on lesser Marvel characters like Daredevil and the Punisher.
As the hits kept coming, Arad was able to renegotiate some old licensing deals and extract sweeter terms on new ones, but he and Marvel still chafed under the lopsided financial arrangements. It was bad enough that Arad was able to bump licensing fees up to a maximum of only about 10 percent of box office receipts. But studios really cleaned up on ever-increasing sales of DVDs, which now account for more than half of the total profit on a film.
Marvel's share of DVD sales was minuscule - less than a percentage point in most cases. "That was the real impetus" for figuring out a way to dramatically increase the company's take from its characters, says former Marvel Entertainment CEO Allen Lipson. "We were getting such a small share of the DVD revenues. How do you get more?"
After months of furious brainstorming, a Marvel team led by David Maisel, the former top strategic planner at Disney who had been hired as COO of Marvel Studios specifically to guide the process, came up with a handful of options. Last on the list, because it was considered the riskiest, was to create a slate of self-made films.
Blade wasn't ground breaking as a piece of film but it's financial success as earlier stated was a lynch pin for the making of other Marvel movies according to Arad. The creation of Marvel Studios was because they were being stiffed financially as well as wanting more creative control.
http://money.cnn.com/magazines/business2/business2_archive/2006/05/01/8375925/
Am a big fan of the film too, but this was beautiful when it landed....
[YT]OsKjfJ1sUIk[/YT]