Man, it's tough to judge a score out of context from picture--especially when an hour of it is missing (union fees). I personally love it--I guess I must be deaf then or something, or maybe I'm just a really ****ty musician, because I just don't hear what all you guys are hearing that make you say "its nowhere near the original--it's nowhere near Williams.' Theres too much choral." Of course it's not Williams. Williams' didn't score it. It's a film and a score separated by almost 30 years from when Williams scored the first one. Ottman uses choral accompaniment in most of his scores. It's the way he writes. And I respect it, cause--dare I say it--it's a how he orchestrates his scores, and its actually different from how Williams scored the original. For me, its still within the classic feel.
I hated the Superman II score--which was essentially Ken Thorne rearranging every John Williams theme. To me, that sounds worse than a new take on a classic theme. I guess thats just me though.