So just as a general question to Godzilla fans with a lot more exposure, one of the criticisms I've seen some people voice is that Godzilla 2014 isn't a "real" Godzilla movie, what exactly would somebody mean by that?
I have mulled over this post for thirty minutes, but after finding concise statements that can capture what I wish to convey, I have decided to heavily truncate my post. So here are the important elements.
EX 1) "But the beast evolved: During the US-Soviet space race in the '60s, a star-gazing Godzilla mixed it up with King Ghidra, a three-headed space dragon. He even took the Japanese side occasionally, fighting off giant lobsters or arachnids that could harm civilians. By the '70s, as Tokyo was industrializing and confronting dense pollution, Godzilla got the better of Hedora, The Smog Monster – a shape-shifting blob of mercury and cadmium."
http://www.csmonitor.com/World/Asia...illa-fuses-American-and-Japanese-beasts-video
EX 2) "Over time, Godzilla's symbolic role began to change, representing different perspectives of Japan's relationship with the US. Increased acceptance of the US as Japan's friend and ally, coupled with an increasing identification of Godzilla as a Japanese symbol would ultimately lead to a role reversal for the kaiju. In Ghidrah, the Three-Headed Monster (Sandai Kaiju: Chikyu Saidai No Kess 1964) a new threat arises: China, which had recently exploded its first atomic bomb, thus entering the ranks of the superpowers. The view of Japan depicted in Ghidrah is that of a tiny nation surrounded by large, dangerous ones.
Again, Mothra represents the resources of the Pacific used in Japan's defense. Mothra will help Japan immediately upon request although such help is no longer sufficient by itself. Japan's infant military status vis a vis the nuclear powers is emphasized by the depiction of Mothra throughout the film in the larval stage. Godzilla continues to represent the US, while Rodan assumes the role of the USSR. Japan's image of these two are a bleak one. Godzilla and Rodan are interested only in fighting each other, unconcerned about any collateral damage suffered by Japan; after all, they say they have "had trouble" with Japan in the past.
Even the threat of a resurgent Ghidrah/China does not rouse them to action. Only when they are shamed/inspired by Mothra's hopeless, kamikaze-style attack against Ghidorah do Godzilla and Rodan stop fighting each other to help fight Ghidorah. Ghidorah's large size and power represents the Japanese fear of the size and proximity of a nuclear-armed China, a threat more deadly than that of the US."
http://www.historyvortex.org/GodzillaSymbolism.html
EX 3) Let's take a look at 1991's Godzilla vs. King Ghidorah.
In that film, time travelers (The Futurians) from Europe/America travel to the past to convince the Japanese to help them get rid of Godzilla by removing him from Lagos Island, where he is created, before he is imbued by radiation from an atomic bomb. The Futurians claim that unless Godzilla is stopped, he will create a terrible future in which the entire world is on the brink of destruction.
This turns out to be a ploy on the part of the Futurians, as the reality is that Japan turns into the sole super power of their time. Japan becomes so wealthy and technologically advanced, that they are unmatched by any other country or region. In a sense, Japan economically rules the future. The Futurians, being non-Japanese, wish to prevent this from ever happening.
The Futurians wish to get rid of Godzilla so that they may unleash a monster (King Ghidorah) that is under their control. The plan partially backfires thanks to some subterfuge from one of their own team mates (a Japanese woman, and the only non-White Futurian) who eventually felt guilty about the plot she was helping them carry out. She assists the current day Japanese people with recreating Godzilla by dropping an atomic bomb on the time displaced Godzillasauraus that the Futurians brought to the present day.
The newly recreated Godzilla kills King Ghidorah, but Japan is no more safe. Godzilla goes on his own rampage and the Japanese still have to stop Godzilla and prevent the Futurians' plot from succeeding. In the end, the Japanese woman from the future turns the corpse of King Ghidorah into a mecha, which she pilots to thwart Godzilla's rampage.
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Godzilla isn't a hero character. Gareth Edwards wanted to make Godzilla the anti-hero, and even that type of characterization fails to depict the character accurately. Godzilla is neither hero or anti-hero. Godzilla is thematically tied to Japan's zeitgeist. Godzilla can't just be a huge monster out to destroy things, or a "force of nature" seeking to "bring balance". Godzilla is an expression of very specific, Japanese fears. And as those fears shift over time, so doe the things that Godzilla represents. Reducing Godzilla to the role of "bringer of balance" just proves how Gareth Edwards fails to understand even a modicum of the characterization of Godzilla.