^^^It really makes him come off as a "hypocrite", but then again this is the man that called Elfman's batman theme "jolly". He should've kept his word and let another composer take a shot a scoring MOS.
Please create something that's instantly recognisable like your work on Pirates of the Caribbean and on Sherlock Holmes, Hans. Don't give us something that feels interchangeable.
I'm 100% with you. Bates score for Watchmen was great.people still bashing bates lol
his watchmen score is so damn underrated he was able to nail the tone and atmosphere of the 1970 - 1980's that watchmen represented had a very blade runner esque sound
especially this track
I actually would have liked a more modern score by Bates on Superman...like some of what he did on 300....rather than a more traditional orchestral one or Zimmer's death-by-reverb.
Whether or not you remember how a film score goes does not indicate intelligence level.
It indicates how catchy the tune is, and how often a person has heard it/cares about it.
JW theme has been around for decades, and is very distinctive and catchy. It's been used in various pop culture references and is generally just well known.
The Dark Knight's score has been around a few years. It's no where near as distinctive or memorable. It's heard in the background of the film, and that's it.
And I'll I'm saying, is that if the same is true of MOS. If MOS has the same kind of score as TDK has, it will be absolutely fine.
Because a good superhero film doesn't NEED a score like the JW one anymore. In fact, it's just not really the trend, is it?
That's like asking a candy company to come out with something sweet but not too sugary.
For the win.I dont see how he could be hypocrite. His previous statement was 1 and a half years ago and, lets face it, he was right. Very difficult to fill John Williams shoes for a Superman movie score.
Zack Snyder had a similar opinion about direct a Superman movie before he was hired.
The thing is: this situations changes, and ideas are created. He probably found a way to make a musically interpretation of this new Superman, specially if he read the script, saw some footage and talked to Snyder and Nolan about what this new franchise is about.
something bates did on watchmen? hum.
Not following you. It's not like I'm saying I want something recognisable but not too recognisable. The Pirates of the Caribbean and Sherlock Holmes, scores wouldn't fit in the majority of other action films, hence they are not interchangeable.
^^^It really makes him come off as a "hypocrite", but then again this is the man that called Elfman's batman theme "jolly". He should've kept his word and let another composer take a shot a scoring MOS.
I actually would have liked a more modern score by Bates on Superman...like some of what he did on 300....rather than a more traditional orchestral one or Zimmer's death-by-reverb.
All the good parts from 300 were plagiarized from Elliot Goldenthal's Titus score. "Remember Us" and "Returns a King" for example -- all from Goldenthal's hand, not Bates.
Hopefully Zimmer doesn't make it as dull, boring and unmemorable as his work in the Batman movies; especially considering he's capable of better.
I'd put more faith into Snyder than Nolan regarding the music.I strongly agree, but with Nolan and Snyder involved we'll be lucky to get something decent (musicwise).