Kevin Roegele
Do you mind if I don't?
- Joined
- May 2, 2000
- Messages
- 23,882
- Reaction score
- 76
- Points
- 73
Maybe Spider-Man 3's message of forgiveness has overwhelmed me, but I don't mind Batman & Robin anymore. In 1997 it was a nightmare, because I had to see dark and brooding Batman....but we have that again with Nolan and Bale, so B&R can be seen as the overblown superhero extravaganza it was always intended to be.
Here's something I've discovered recently; it's actually darker - or atleast more serious - than I thought. Schumacher tells the story with visuals; he doesn't care as much about the dialogue. So whilst a scene may feature endless puns and seem silly to the viewer, Schumacher sees two characters standing in the darkness, and the dialogue is just throwaway. If you watch the film on mute, most of it takes place in the shadows, despite the neon lighting (which is in the background).
There are a lot of gay overtones, but you'd be surprised how many movies have gay overtones - although few as obvious as B&R, admittedly. It's balanced anyway - Poison Ivy is so over-sexualized, and Alicia Silverstone wears mainly a Batgirl costume and a school uniform.
I know a lot of fans watch it and think, "Blasphemy! That's not like the Batman of the comics,".....but B&R is far less silly (I won't use the word camp as it's nearly always mis-used on these boards) than most of the Batman comics of the 40s and 50s.
So if we short-circuit that issue, the question becomes (as it always should be) is it a good movie? It has some wonderful cinematography. There are plenty of shots that are simply awesome. Pacing and editing is far superior to Burton's films. Finally, B&R has plenty of plot (Bruce and Dick falling out, Freeze, Ivy, Bane, Alfred dying, Barbara becomes Batgirl), whereas we all know Burton doesn't like plot. And it all builds to a satisfying climax.
For all it's faults, B&R does tell a story about loss, trust, and protecting our families.
It's not a good film, but it's a decent one.
Here's something I've discovered recently; it's actually darker - or atleast more serious - than I thought. Schumacher tells the story with visuals; he doesn't care as much about the dialogue. So whilst a scene may feature endless puns and seem silly to the viewer, Schumacher sees two characters standing in the darkness, and the dialogue is just throwaway. If you watch the film on mute, most of it takes place in the shadows, despite the neon lighting (which is in the background).
There are a lot of gay overtones, but you'd be surprised how many movies have gay overtones - although few as obvious as B&R, admittedly. It's balanced anyway - Poison Ivy is so over-sexualized, and Alicia Silverstone wears mainly a Batgirl costume and a school uniform.
I know a lot of fans watch it and think, "Blasphemy! That's not like the Batman of the comics,".....but B&R is far less silly (I won't use the word camp as it's nearly always mis-used on these boards) than most of the Batman comics of the 40s and 50s.
So if we short-circuit that issue, the question becomes (as it always should be) is it a good movie? It has some wonderful cinematography. There are plenty of shots that are simply awesome. Pacing and editing is far superior to Burton's films. Finally, B&R has plenty of plot (Bruce and Dick falling out, Freeze, Ivy, Bane, Alfred dying, Barbara becomes Batgirl), whereas we all know Burton doesn't like plot. And it all builds to a satisfying climax.
For all it's faults, B&R does tell a story about loss, trust, and protecting our families.
It's not a good film, but it's a decent one.