Which I seem to recall an entire ComicCon audience cheering wildly for.
I watched it last night (with one eye on the World Series and the other semi-watching the movie on my laptop)...my biggest problem with it is that it had absolutely no depth.
I agree it had no depth. Major problem. No themes, no developed ideas, just a story of Logan's past. Since we got strong hints of that past in X2, then the prequel needed to have a lot more purpose to it.
Two themes should have been developed.
1) Man vs animal. We saw this externally as Wolverine v Sabretooth, but not internally in Wolverine. He never was the animal. A friend of mine asked why he was even called Wolverine and, aside from the story Kayla told, there was no reason.
2) War and its effects. This could have been a relevant way to link to modern conflicts (Afghanistan) where war is seen by many as fruitless loss of life. Wolverine could question the nature of war - the wars he fought in, and the war Stryker was fighting against mutants.
Sadly, neither was developed. So the critics savaged it, because it offered nothing thought-provoking. Even the much-reviled X3 offered interesting ideas about changing what you are, difference, acceptance, etc.
Great start - loved the brothers thing, loved the Team X scenes, loved the scenes with the Hudsons...but the minute it looked like it was settling into a decent story they were on to the next thing. They didn't even properly explain why he was called Logan.
Conversely, i found the beginning to be 'bitty'. I wasn't convinced by the kid playing young Logan, and i found it all hurried along into the wars sequence. I'd rather have seen Logan and Victor living as feral children in the forest, and seen Logan as an animal, maybe even encountering an actual wolverine.
The Team X scenes sadly did not show Wolverine doing anything useful at all.
I also liked the Hudsons. They were the moral compass of the story and although it could be seen as a shoehorned way to get Wolverine his bike and jacket, it worked from a human perspective.
In everything I've read about Gavin Hood, Hugh wanted him after seeing his work in Tsotsi, which was an amazing character-driven film. I've loved some of the things he's said about the character, he seemed excited to do it, and I wish they'd just trusted him with the movie more.
I think Hood was perhaps a little out of his depth on a movie of this scale with big action stuff but i don't think he got chance to stamp his mark on it. You only have to watch the Blu-ray extras to work out that he was just one of many people who were 'directing' this film! Second-unit directors shot quite a bit of it, Richard Donner 'godfathered' the production, and Hood was sometimes 'brought in' (the actual words used) to add 'emotional beats' to the story.
I thought the film worked best when Wolverine got to the island. We then saw emotion and drama. Kayla's tears over her betrayal and her pleas over her imprisoned sister, the battle atop the tower (very well done, i thought, loved the rotating eye-beams that sliced through the structure), Kayla's tragic death especially Wolverine not knowing who she was. I felt that was good stuff that flowed well, as opposed to the darting about earlier in the film.