Is it Good?

Also i like light toned Batman better then dark toned Batman. Its cool Batman in the light tone stage acts sort of like Superman. Does things for humanity safety not to get payback at thugs for his parents death. Also light toned Batman enjoys life more he more adventureous and stuff like that. Dark toned always in Gotham City.

Also light toned Batman Gotham City is sort of light. Still alot of crimes be going on but not totally dark like dark tone Batman Gotham is. I just like stuff liek that makes Batman job as protector of Gotham even greater. Thats why i liked TDK Gotham it was light showed Batman actually cleaned out crime.
 
OK, I'm probably a lot older then many of you posting here... but, I grew up as the greatest Batman fan ever. I watched the old sixties show with my brothers when I was 4. I collected the comics from the 70's and on. I bought the Hardcover Edition of "Batman from the 30's to the 70's" along with the Superman Edition in 1979. I loved the original return to darkness in the 80's. I lined up to see Tim Burton's vision of Batman in 1989. I love what has happened to Batman in Nolan's hands. Batman the Animated Series is genuis. "The Batman" series was Ok, but I didn't like the design so much, it seems like they were trying to create something new, yet there was so much to draw from. I must say that "Batman: the Brave and the Bold" has exceeded my expectations unbelievably! It mixes old school comic book fun with character development, flair, and humor. Batman is the baddest man on the planet, and he holds up whether in space, underwater, or stopping a petty criminal. The series is a Blast and my older geek friends and I look forward to every episode. Oh and by the way, we wait for the next episode of the "Dark Batman" from Nolan and company, along with another season of the Brave and the Bold. Cheers, Dilby
 
Glad to hear another old schooler (tho you indeed might be one of the older folks here =p) is enjoyning the awesomeness! Welcome to the hype! :)
 
I like the approach and the aesthetic of "Brave & Bold" but there's one thing I'm not that fond of.

In the years pre-BTAS, a lot of action shows and what have you (including those based on super heroes) were based either on the hero merely defeating the villain just on the grounds of superior physicality (i.e. just beat them up real good) or on the villain giving overtly juvenile clues and hints to their crimes (1977's "The New Adventures of Batman" is a good example of this).

With "Batman: The Animated Series" (really the original 80+ episodes for FOX) I just LOVE the fact that Timm and Radomski were incredibly adamant about making the show as cinematic and, yes, mature as possible.

Some people have said that BTAS wasn't as mature as it would seem...but that's not true.

Case in point, look at the episode "See no Evil"...an episode that not only DIDN'T feature a prominent Batman rogue ("The Batman" could've learned something from that), but revolved around an ex-con using an invisible plastic to kidnap his daughter from his ex-wife...I mean look at that...a cartoon character with an ex-wife!

Look at "Vendetta" in which Batman actually takes the time to silently bust into the Gotham Police Department records to help in his investigation of Bullock, and whether or not he may or may not be the culprit in an attempted bombing and abduction...Instead of throwing punches and one liners, Batman's trudging through a dank records room pulling files!

And in the animated movie "Sub Zero" ... How many animated characters, like Gregory Belson, have their own stockbroker!

My point is that that show paid sooo much attention to detail, to thematic and dramactic storytelling...all in an attempt to ground it and make it as real to life as possible.

Now look at "The Batman" or "Brave and the Bold"...in which, despite the fact that both shows were birthed out of the initial success of BTAS, the hero is once again a combination of a one note crimefighter solving his problems with an endless array of fists...or the problems are solved by clues that are juvenile and childish.

It's like pre-TAS action-based cartoons were in a slump...then TAS raised the bar and showed what could be done...and everything afterwards didn't measure up.

Despite this one flaw, I as a fan still enjoy "The Batman" and "Batman: The Brave and the Bold" for what they are.
 
^^^
Actually, The Batman had a similar villain from "See No Evil" in an episode called "Seconds". The guy wasn't a traditional costumed villain, was an ex-con, and had a broken family, like the invisible guy. The episode did have a happier ending, but it was still good.
 
With "Batman: The Animated Series" (really the original 80+ episodes for FOX) I just LOVE the fact that Timm and Radomski were incredibly adamant about making the show as cinematic and, yes, mature as possible.

Some people have said that BTAS wasn't as mature as it would seem...but that's not true.

Case in point, look at the episode "See no Evil"...an episode that not only DIDN'T feature a prominent Batman rogue ("The Batman" could've learned something from that), but revolved around an ex-con using an invisible plastic to kidnap his daughter from his ex-wife...I mean look at that...a cartoon character with an ex-wife!

Look at "Vendetta" in which Batman actually takes the time to silently bust into the Gotham Police Department records to help in his investigation of Bullock, and whether or not he may or may not be the culprit in an attempted bombing and abduction...Instead of throwing punches and one liners, Batman's trudging through a dank records room pulling files!

And in the animated movie "Sub Zero" ... How many animated characters, like Gregory Belson, have their own stockbroker!

My point is that that show paid sooo much attention to detail, to thematic and dramactic storytelling...all in an attempt to ground it and make it as real to life as possible.

Now look at "The Batman" or "Brave and the Bold"...in which, despite the fact that both shows were birthed out of the initial success of BTAS, the hero is once again a combination of a one note crimefighter solving his problems with an endless array of fists...or the problems are solved by clues that are juvenile and childish.

It's like pre-TAS action-based cartoons were in a slump...then TAS raised the bar and showed what could be done...and everything afterwards didn't measure up.

Despite this one flaw, I as a fan still enjoy "The Batman" and "Batman: The Brave and the Bold" for what they are.
Sorry, but a lot of your particular gripes with Batman: The Brave and the Bold are totally inapplicable. Batman TAS may have been very mature with the way it was made, but you cannot state as if fact that it IS as mature as it seems, because it is a matter of opinion. In my opinion it isn't as much as it seems (and this is discoutning the rabid fans that think every episode deserves 5 stars and that BTAS explored themes better than every other cartoon) sometimes, because amidst deep episodes like Two Face or Appointment in Crime Alley there'd be a Dreams in Darkness occasionally, an episode praised simply because it has a nightmarish parent death sequence, discounting that the rest of the episode really isn't deep at all, even corn ball, and is really quite iffy.

As for The Batman not having original villains, I think you need to watch it again. The guy from Seconds, Gearhead, Rumor, Tony Zucco, Everywhere Man, Spell Binder and I'm sure I'm missing another. This is not really applicable to Batman: The Brave and the Bold either, since the concept is a teamup show, so two superheroes going after a divorced guy doesn't really work. The show still has invented villains though such as Fun Haus, Slug, Jarvis Kord (my second favourite), Baby Face, K'rull and Equinox (my favourite)

And again, Batman going through police documents is not really applicable to Brave and the Bold either, since this show captures the Silver Age style, this Batman wouldn't do that. Yet if your looking for details just look at all the references and comic details that are so abundant it'd take me a couple of pages worth just to write what I remember.

And again again, criticising Brave and the Bold for not being grounded and real-to-life as possible is a flawed argument, since it isn't about a grounded Batman but one that exists alongside other heroes in the wide DC universe. It'd be like criticising Lord of the Rings for being too fantastic.

I must admit you pegged down one flaw in Brave and the Bold; that the problems are often just solved through fighting, even though a fair share of BTAS eps did this too. Still, some eps have still used better methods of defeating the villain, like Rise of the Blue Beetle in which Jaime uses Kanjar Ro's own weapon against him, Deep Cover for Batman's code communication with Red Hood to release the heroes, Game Over for Owlman's use of the Phase Oscillator (not random technology because it was part of the plot), Batman's use of psychology to sway Batmite in Legend of the Dark Mite and of course the very BTAS way he defeats Equinox...which I won't spoil.

And I never got this saying "I as a fan still enjoy *insert here* for what they are." What do you imply by this?
^^^
Actually, The Batman had a similar villain from "See No Evil" in an episode called "Seconds". The guy wasn't a traditional costumed villain, was an ex-con, and had a broken family, like the invisible guy. The episode did have a happier ending, but it was still good.
That was a better episode than See No Evil too, because the family sub plot was key at the end while See No Evil just didn't do anything with it at the end.
 
As for The Batman not having original villains, I think you need to watch it again. The guy from Seconds, Gearhead, Rumor, Tony Zucco, Everywhere Man, Spell Binder and I'm sure I'm missing another.
Tony Zucco? Isn't that the dude who killed Dick's parents? Dick's own personal Joe Chill, if you will.
 
Tony Zucco? Isn't that the dude who killed Dick's parents? Dick's own personal Joe Chill, if you will.

Yeah, in the 2 part "Robins Reckoning" from TAS. Also, Gearhead and Spellbinder arent really original, they are comic characters, and Spellbinder was used in Batman Beyond first.
 
Seconds, Everywhereman and Rumor are the only villains The Batman made up.
 
Don't forget Temblor, Cosmo Krank, and D.A.V.E. (who deserves the "kryptonite treatment" by now). Those were also made up for the series.

Also, Jarvis Kord was not made up. He's actually a very obscure, comics villain. His role in the comics was, more or less, the same as in the series.
 
Forgot about D.A.V.E. He was great.
 
I'm also an "older" Batfan, who gravitated more towards the animated product simply because I don't like a Batman that's scarier than the villians he faces.

Not to say that all the animated product was good. The New Adventures of Batman and Robin was so cheaply and poorly executed when it was done that watching it again now I can only shake my head and wonder why I waited patiently every Saturday morning to watch it on CBS when it first appeared.

Batman: The Animated Series had what I thought was for me the perfect mixture of dark and light, never taking the Batman character too far down the darker paths that the comic books had travelled by then, but still willing to tackle subjects and stories that were very serious in nature.

The Batman: I honestly tried to like the show but between the characters designs, inspid dialogue and voice casting that left me cold, I fled the series like it was on fire and retreated to B:TAS

Then I stumbled onto Batman: The Brave and the Bold and after one episode I was hooked. Sure there are episodes that I don't like, but the look & feel of the show enthrall me in a way that reminds me of the live action series (which I also love and will buy whenever the rights issues get settled out, heck I bought the 1966 movie three seperate times, VHS/DVD/BluRay)

B:tBatB also is willing to take risks.... "The Menace of the Music Meister" for example could have turned out very badly, but the inspired casting and lyrics to the songs made my jaw drop, in a good way...

Just my two cents...

NefCanuck
 
i'm really questioning whether or not i should give this a chance. BTAS is probably my favorite cartoon ever, and i KNOW it's nothing like it, so....
 
If you're one of those people who takes Batman too seriously and sees him as a purely humorless character in a noir world of organized crime and murderers, then don't watch this show. This is a swashbuckling Batman who teams up with a new hero in every episode for a fun adventure.

You're right that it's nothing like BTAS, but on the plus side it's nowhere near as goofy and dumbed down as Krypto: The Superdog.
 
i'm really questioning whether or not i should give this a chance. BTAS is probably my favorite cartoon ever, and i KNOW it's nothing like it, so....

Give it a go, I HATED the idea of this show so didnt give it the time of day. Usually I will check out any superhero cartoon but I had no desire to watch this.

But its been airing on Spanish tv in the afternoons here when there isnt anything else on so I caught it. And I must say...Its a FANTASTIC series.

No the tone of it isnt as dark as BTAS but Bats is pretty much a serious guy in it. The animation is nice, the action is cool and the some of the art work they use where they freeze frame a punch gives a very nostalgic feel which I love. Also some of the humor is a bit more mature than I was expecting i.e sexual tension between the male and female characters :cwink:

All in all this is now one of my favourite cartoons in a while!
 
Batman's incredibly serious demeanor contrasted with the pure wackiness of the DCU has me in stitches on this show. I caught the episode where Batman and Black Canary fight Music Meister recently. It's a musical episode where everyone is singing catchy numbers except Batman. I nearly died when Canary finished a song and Batman just looked at her and said "Was the singing really necessary?"
 
I nearly died when Canary finished a song and Batman just looked at her and said "Was the singing really necessary?"

HA! Every musical movie needs a character doing that after every single song.
 
i have a soft spot for this show and find it consistently enjoyable. i think it accomplishes its goals quite well. it has its own identity and is comfortable in its own skin. i also like that it has very rich homages to batman's history across all mediums.

sure, it's a lighter take - but it's no less valid. it's still true and respectful to the character's roots. and just because it may not be your ideal version of the character, that doesn't make it a bad show. everything batman doesn't have to be in your face gritty, that's part of the appeal the character has. children need an entry point into the world of batman as well.
 
I watched a couple of episodes of this and as someone who's a big fan of the dark and gritty batman, i gotta say this isnt bad. I'm not completely won over yet, but the show is interesting to say the least. My only complaint is the total exclusion of robin, i think he would've been an awesome addition to this show since they're paying homage to the "Adam West" era batman.
 
I watched a couple of episodes of this and as someone who's a big fan of the dark and gritty batman, i gotta say this isnt bad. I'm not completely won over yet, but the show is interesting to say the least. My only complaint is the total exclusion of robin, i think he would've been an awesome addition to this show since they're paying homage to the "Adam West" era batman.
Robin appeared in one episode. He was some sort of pre-Nightwing borderline version of Robin. He was an adult, resented Batman a little for treating him like he couldn't take care of himself, and was no longer Batman's partner.
 

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