Thread Manager
Moderator
- Joined
- Jan 24, 2011
- Messages
- 0
- Reaction score
- 7
- Points
- 1
This is a continuation thread, the old thread is [split]511889[/split]
Continued from page 2
Stepping into this field of shared superhero worlds where Marvel and Fox are several films deep already, did you make a conscious choice to try to avoid duplicating what the other studios were doing? I mean, on the one hand the stories obviously drive the material; but to some extent as a producer working to bring a huge stable of properties to life, I imagine theres an awareness that part of success will be finding unique approaches that audiences havent seen yet, and avoiding doing what has already been done.
DS: I think it was really important. A lot of people have said, Wow, its taking a long time, and part of the reason its taken a long time is to really figure out where were going. And I think you have to start with Justice League, because Justice League is the core. Its where the characters are together. If you have these Justice League movies coming, and you have these individual movies peppered in between, we kind of need to know what the trajectory is.
So Zack and Geoff Johns sat down and outlined where they thought the stories were going to go. And it doesnt mean that once you have a writer writing them, its not going to change, but at least its a framework of, Heres what we think is going to happen from now til, say, 2020, through the second Justice League movie.
Then, at least when you bring in a director or a writer for a stand-alone movie, they know where the movies coming in the slate of movies when its releasing and where that character is in our timeline. But they also then have the flexibility to make it their own. Because I think what we dont want are the movies to feel like a committee made them, to feel like theyre all the same. Tonally, they should be so different because the characters are so different.
Image courtesy of Warner Bros![]()
David Ayers Suicide Squad has such an amazing, brash tone. Its fun and its about the villains, and its super-different than Patty Jenkins Wonder Woman, which is an origin story and tells her story. As you can imagine, when we get to the Flash movie, Ezra Miller and Ray Fisher who plays Cyborg are kind of our youngest characters, and they have a really nice comradery with each other. Ezra is super funny, so the tone of that film will be very different than the rest of them.
Quite frankly, we have a director-driven company, and it was really important to get really good talent involved in these films. For them, its all about the directors point of view and what they can bring to it, so they feel unique and different, and the stories can be unique to the characters.
In this way, it gives us some framework where were always in communication, you know, were sharing artwork with everybody, were sharing if something changes in the script with the other directors. So they also know the other characters, and I think you might see some surprises in the movies, because it is the same universe. Which I think is fun, if you have this interconnected universe with these characters then I think they would show up maybe in some of the [other] stories.
When I saw Watchmen, I thought, This is how to adapt the DC universe to live action. The themes, the tone, everything felt right to me for how I imagine the DCU looking and feeling on film. When developing Batman v Superman, did you go back to Watchmen and the approach of that film, the ideas and themes and how they fit with the DCU?
DS: You know, Watchmen is my favorite film weve worked on. I like it because it is so layered, so political, and so social. I love it.
It was surprising to me how much this movie [Batman v Superman] reminds me of Watchmen. I think a lot of it comes from the writing, from Chris Terrio, and from basing this story in the real world. Once you do that, you start asking questions, like in Watchmen. What if God existed on Earth? What would that do to religion? If there was a real god what would that do to politics? How would governments try to use this? What does it mean for society?
And I think thats great. But we didnt make a conscious effort to say, Oh, it worked there, lets bring it in here. It just kind of evolved, and it evolved because of the real world nature of these films. I think once you start putting these characters who have amazing powers into our world, it just begs the questions.Image courtesy of Warner Bros![]()
Thanks to Deborah Snyder for taking the time to speak with me again about Batman v Superman and his perspective on film, comics, and characterization!
Where did you hear this?Am I the only one who is slighty annoyed that they're combining Barry with Wally?
Am I the only one who is slighty annoyed that they're combining Barry with Wally?
At least they're making Ezra Miller cut his manbun/beard for the flash
I agree, there's more to them than that, but it's still a part of their characterization. Barry's humor shouldn't come from him being a funny *****e like Wally (which is being implied by Deborah Snyder), it should come from him being nerdy/geeky. Now it isn't a huge deal for me, but I was kinda hoping that they'd go for a more serious Flash with Allen.Giving Barry a sense of humor doesn't make him Wally, Barry Allen and Wally West are defined by so much more than just their sense of humor.
Deborah Snyder commentsWhere did you hear this?
It works for me.
The best way they can go about it imo
Really only care to see two speedsters in the DCEU
http://cdn.****************.com/wp-content/uploads/599874-professor_zoom_super.jpg
Giving Barry a sense of humor doesn't make him Wally, Barry Allen and Wally West are defined by so much more than just their sense of humor.
I agree, there's more to them than that, but it's still a part of their characterization. Barry's humor shouldn't come from him being a funny *****e like Wally (which is being implied by Deborah Snyder), it should come from him being nerdy/geeky. Now it isn't a huge deal for me, but I was kinda hoping that they'd go for a more serious Flash with Allen.
Deborah Snyder comments
I agree, there's more to them than that, but it's still a part of their characterization. Barry's humor shouldn't come from him being a funny *****e like Wally (which is being implied by Deborah Snyder), it should come from him being nerdy/geeky. Now it isn't a huge deal for me, but I was kinda hoping that they'd go for a more serious Flash with Allen.
Deborah Snyder comments
Link?
http://www.cinemablend.com/new/One-Way-Justice-League-Try-Lighten-Mood-DC-Films-120437.htmlJustice League is a little bit lighter because some of these characters, you have Flash, tend to be a little more comedic, I'd say.
http://www.cinemablend.com/new/One-Way-Justice-League-Try-Lighten-Mood-DC-Films-120437.html
Yep, sounds like a comedic Flash which/who is Wally.
I agree, there's more to them than that, but it's still a part of their characterization. Barry's humor shouldn't come from him being a funny *****e like Wally (which is being implied by Deborah Snyder), it should come from him being nerdy/geeky.
How funny is the question. Because technically, both Batman and Superman had a "funny side" in BVS.Doesn't sound like she's describing a *****ey Flash to me nor Wally, just a Barry Allen with a funny side to me.
So what y'all saying is Grant Gustin also has the Wally West merged with his Barry Allen?
How funny is the question. Because technically, both Batman and Superman had a "funny side" in BVS.