Les Miserables: One Thread More!

Steven Spielberg already has an Oscar as director of Schindler's List.

Tom Hooper surprisingly has not been nominated for Les Miserables.

And Tom Hooper....also won an Oscar for The King's Speech. So has Ang Lee for Brokeback Mountain.

In fact, all the heavies this year have won. Well not Russell. But we all know how that will turn out.
 
So? Are you saying Hooper should win more because he only has one Oscar, even if his work on Les Mis is inferior? I think not.
 
danyose said:
I watched Jaws on blu-ray this weekend, and the extra features showed a video of Spielberg watching the nominations being announced - he was expected to be nominated for Best Director - but he was left out (the movie was nominated for Best Picture). He looked so disappointed! At least the Academy figured it out eventually.

That was a glaring omission. But he did get three nominations in the next seven years (for Close Encounters of the Third Kind, Raiders of the Lost Ark, and ET: The Extra-Terrestrial) so it didn't take them very long to recognize him, even if he didn't win until Schindler's List. He had two Oscars a decade before Scorcese even got one.
 
And Tom Hooper....also won an Oscar for The King's Speech. So has Ang Lee for Brokeback Mountain.

In fact, all the heavies this year have won. Well not Russell. But we all know how that will turn out.

We do? I think Spielberg is the favorite, but Russell would be his biggest challenger.
 
So? Are you saying Hooper should win more because he only has one Oscar, even if his work on Les Mis is inferior? I think not.

I don't think anyone is saying that. :huh:
 
Oscar edition of EW - I'm sure Anne is in there also:

http://hugh-fan.com/photos/albums/scans/2013/0125-entertainmentweekly/MSEW20130125-001.jpg


MSEW20130125-001.jpg
http://hugh-fan.com/photos/albums/scans/2013/0125-entertainmentweekly/MSEW20130125-001.jpg
 
Nice pic of Hugh.

Yeah. She better be!

She is. There's a whole story on the history of "I Dreamed a Dream" too.

There's also a hilarious editorial by Libby Gelman-Waxner (who's really Paul Rudnick) about the movie, which takes some pretty awesome shots at critics and theater snobs:

"I love Les Miz because it's upset so many people, from the serious critics who can't wrap their knotted little brains around warbling French convicts, to the squealing folks in the Broadway chat rooms, who can't understand why Bernadette Peters wasn't cast as Jean Valjean. I love Les Mis because it's about how, when you're faced with the colossal injustice of the entire universe, all you can do is wipe the sewage off your face, unleash a power ballad, and hope for at least a Golden Globe. I love Les Mis because it expresses the passage of time entirely through wigs, and because it teaches us the most important Hollywood lesson of all, which is that it's always entertaining to watch attractive people suffer, if you ask me.

:funny:
 
An interview with the actress who cut Anne's hair (I seem to recall a post somewhere - was it this board? - that mentioned filming had to be stopped because someone had a *breakdown* (or something like that) and many assumed it was Crowe (because of his reputation, fair or not). I think it was this.

Revealed: Shocking details of Anne Hathaway’s Les Miserables hair hacking

Anne Hathaway is already being showered with praise for her show-stopping turn as dying prostitute Fantine in box office smash Les Miserables.

The 31-year-old’s role in the musical required the actress to starve herself so that she looked severely underweight and also have her beautiful long brown hair hacked off on camera.

It’s certainly a heart-breaking scene, especially in light of new details that have emerged about Anne's distress at dramatically losing her locks.

To give the film as much authenticity as possible, an actress was entrusted by director Tom Hooper to chop off Anne’s hair with a knife and a razor blade.

West End star Nicola Sloane revealed that while giving Anne her extreme new style, she became distressed and asked to halt filming.

Nicola told the MailOnline: “I cut Anne Hathaway's hair for real with a razor blade.

“She was up for it right up to the very end. On the day we were going to do it she got all nervous and I'd not even had a practice.

“It was just before she got married there's no wonder she bawled her eyes out - she had been growing her hair for three years.

“Then I hacked it all off and made her look terrible.”

It’s an essential scene in the film, as Anne’s character Fantine becomes destitute and is forced to sell her hair to raise money to support her daughter Cosette.

Nicola continued: “People were asking me if I'd got hairdressing skills and I said ‘no’. I just said it'll be all right, it'll just be a big pair of scissors - that's what they used in those days.”

But Tom insisted that the ‘hair crone’ use a knife as it would have a more dramatic effect.

She recalled: “The director said, 'No, I want it to look really vicious - we need you to be hacking at it with a knife’.

“We blu-tacked a razor blade against a knife blade and I held the two together and you have to saw away at it, as that's the only way to get it off."

Everything was going exactly as they had planned, until Anne quietly asked Nicola to stop.

The actress remembers: “She was all right and I had cut all the front and this little voice went 'cut'.

“I thought 'oh she's had enough' so I moved my hands away and then she burst into tears when she felt how short it was at the front.

“Then we finished off the back and she said: 'I don't know why I was so upset'.

Nicola added: “I gave it back to her and there's this thing called 'Locks of love' in America where they auction off celebrity's hair.

“She did that to raise money for charity so a lot of good came out of it.”
http://www.sofeminine.co.uk/celebri...ay-s-les-miserables-hair-hacking-n215379.html
 
I can't say I blame her for crying over it - especially since it was before her wedding!

The short hair looks great on her now, though.
 
I have a few criticisms of the film. When Hugh sings Bring Him Home he's belting it out of the park and nobody wakes up. He should of sang it quietly like they do in the stage play. He was able to sing the same melody quietly in the convent at the end of the film. When Anne sung I dreamed a Dream she missed the line "stand" in "you stand wasted". Here's a minor criticism in the song Master of the House the line "liver of a cat" he cuts a cats tail off instead of throwing in a cats liver that could be laying down on the table somewhere.
 
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When Anne sung I dreamed a Dream she missed the line "stand" in "you stand wasted".

Never heard of that line

Edit: Oh, you mean "dreams were used and wasted" :funny:

But she didn't miss that line!
 
Ok here's the correction.

"And dreams were made and used and wasted"

She did say these lines, she just said "and used" really quietly I stand corrected!
 
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Oscars:

The Oscars show is planning a salute to movie musicals that could include some of the biggest names in the business.

Academy Award executives are hoping to persuade the likes of Meryl Streep, John Travolta, Catherine Zeta-Jones, Hugh Jackman and Anne Hathaway to participate in the celebration.

As I revealed last week, Samantha Barks is also expected to take part. Ms Barks — an extraordinary talent — plays Eponine in Tom Hooper’s Oscar and Bafta-nominated film Les Miserables.

She’s playing Nancy in the musical Oliver! in Bristol and the hope is that she will be allowed to leave the production early, so she can rehearse and take part in the tribute during the Oscars show.

Carol Reed’s 1968 movie of Lionel Bart’s Oliver! won the Oscar for best picture, so it’s possible a number from it could be performed — and who better to sing it than Ms Barks?

I gather that Mamma Mia! and Les Miserables will be included, which would mean the involvement of Streep (what a coup it would be to get her singing Abba), as well as Jackman, Hathaway, Barks and possibly Eddie Redmayne and Amanda Seyfried (who was also in Mamma Mia!).

Oscar producers Craig Zadan and Neil Meron, who are steeped in the world of musicals, are working with the show’s choreographer Rob Ashford on identifying what songs, films and artists to include.
http://www.dailymail.co.uk/tvshowbi...-Jennifer-Lawrence-sick-me.html#ixzz2IwM98WZp
 
I can't say I blame her for crying over it - especially since it was before her wedding!

The short hair looks great on her now, though.
Indeed. Her anxiety is completely understandable. Getting your hair cut off, which has been growing for a good while, is going to be traumatic. Especially with these implements. It's for a movie but goes beyond the movie, because you’ve got to live with it well after. It's a big decision. I think the short hair look has become an iconic image for her.
 
Indeed, I only became interested in her as an actress after she cut her hair. I'm more used to seeing her with short hair, and I like her more this way, gives her more mature look.
 
If SLP wins the Best Ensemble at the SAG it would be an absolute travesty. Oscar ****e #1 Harvey Weinstein is so desperate, he's actually having his SLP actors host focus groups to pretend they care about fellow struggling SAG members. What a joke.

I really hope Les Miserables takes home the bring prize. They deserve to.
 
If SLP wins the Best Ensemble at the SAG it would be an absolute travesty. Oscar ****e #1 Harvey Weinstein is so desperate, he's actually having his SLP actors host focus groups to pretend they care about fellow struggling SAG members. What a joke.

Wow, really? On the other hand I'm not really surprised, I knew he'd find a way around the no campaigning rule.

I'd love to see LM get Best Ensemble but it'll probably go to Lincoln.
 
The Les Mis book "From Stage to Screen" - this says it comes out on Feb. 28, but the link leads to a UK site only. Last I read it was out in April but maybe that's U.S.

Les Misérables: From Stage to Screen

This week, editor Vanessa tells us about putting together our fabulous Les Misérables book, which takes you behind the scenes of the stage and screen versions, and includes removeable facsimile memorabilia. Plus she reveals yet another reason for loving Hugh Jackman…

‘At last, after months of waiting, it’s out – yes, the film of Les Misérables for which its many fans all over the world have been waiting. And where there’s a brilliant film, there’s also an opportunity for a great book (well, we think it is!). The idea was to produce a book that celebrated the global success of the stage version and gave a behind-the-scenes look at the making of the film, which revved up in pre-production early last year. With the thumbs-up from Cameron Mackintosh, Working Title and Universal Pictures, we were off.

From Stage to Screen
Les Mis may now be the recipient of a whole host of major awards and nominations (as I write, it’s already got three Golden Globes awards and nine BAFTA and eight Oscar nominations under its belt), but having seen first-hand a tiny bit of what went into it, everyone involved deserves a medal of some sort. While our authors began writing and Cameron’s extremely able archivist, Rosy, together with her colleagues, delved through their archives, and our designers, production staff and I toiled away at the book, filming completed at Pinewood and the director Tom Hooper, Cameron, and a host of musicians and sound and film editors began the intense process of piecing together the film.

It Could Be You
One of the best parts of working on the book was being invited on a set visit. At the end of May last year, I found myself sitting in the middle of a courtyard at Boughton House, in Northamptonshire, on a boiling hot day while crew scurried around, adjusting lights and sound equipment in order to film the crucial wedding and garret scenes.

In among a series of calls of “Quiet on set” and the sort of intense silences you probably only get in an exam room, I noticed a tall, slim figure in t-shirt and shorts coming through an archway. I thought he looked a bit familiar, but I wasn’t sure. As he moved from person to person, handing something out to each one, I didn’t think anything more until I, and my companion, were suddenly greeted by a friendly “Morning ladies, have a scratch card”. As I accepted it, Cameron Mackintosh’s MD, Nick Allott, called out, “Hey Vanessa, it’s not every day you get a lottery card from Hugh Jackman, is it?”

Er, no, it isn’t. And, still stuck in my handbag, is the card, which revealed a £2 win. I’ve yet to cash it in – there were some envious faces in my office – and it may be one for the memento box. Who knows, it might be the only time I get a lottery scratch card from a potential Oscar winner!’

Pre-order your book now – it’s out on the 28thFebruary.

Posted by Carlton Books Blog at 10:39 AM
http://www.prionbooks.co.uk/blog

Link to order:

http://www.prionbooks.co.uk/books/products/les-miserables-the-official-archives
 
Crowe interview:

http://entertainment.inquirer.net/78169/crowe-in-love-with-hathaway-admires-jackman

Crowe ‘in love’ with Hathaway, admires Jackman
By Ruben V. Napales
Philippine Daily Inquirer January 25, 2013 | 9:55 pm

CROWE. A profoundly enjoyable experience with “Les Miserables.”

LOS ANGELES—Russell Crowe was in a good mood in our latest interview with him. Smiling often, and engaging in joking banter, the actor was effusive in praising his “Les Miserables” co-stars.

While Russell stressed the heavy preparation that he and the cast did for director Tom Hooper’s adaptation of the popular musical, mentioning that lead star, Hugh Jackman, led a “monkish” lifestyle to preserve his voice, he also recounted fun times during the London shoot.

“With this group of people, it doesn’t take a second suggestion that we should have fun together,” said Russell who sipped coffee every now and then during our talk. “So, when it was allowable in everybody’s schedule, we would get together on Friday nights. We behaved like a group of actors in musical theater (laughs). We sang songs until the sun came up. It was during those sing-alongs that I fell deeply in love with Anne Hathaway.

Apart from what she was doing on the set, she’s a very entertaining young lady with a magnificent voice!”

The Aussie star admitted that he’s a fan of Sacha Baron Cohen. “Big time!,” he exclaimed with a laugh. “It’s probably to an embarrassing degree that I’ve seen everything he’s done—‘Da Ali G Show,’ ‘Borat,’ of course, and I’m one of the few people who think ‘Bruno’ is the pinnacle of his work.”

He rhapsodized about “the opportunity to witness Hugh’s performance, his leadership and artistry every day, the exquisiteness of Anne’s performance, and those of Samantha Barks, Eddie Redmayne, Aaron Tveit and the rest of the wonderful cast.”

Russell saved his highest praise for Hugh: “Working with Hugh was a joy,” he gushed. “We’ve been friends for quite a while—but, you never know what that’s going to be like on a set. It was fantastic! I was impressed by him every day—how he prepared himself physically, and how he prepared his voice.”

Critics

While many knew that Russell sang, recorded and toured with a band, some weren’t aware of his musical side until “Les Miz” came along. Since the film came out, critics generally loved it (and eventually won the Golden Globe Best Picture-Comedy or Musical award), but panned Russell’s singing prowess.

But, we understood Tom Hooper’s reason for casting Russell when he explained it to us in a separate interview: “This was my challenge—I had cast Hugh. To me, it’s all about storytelling. There’s a confrontation, rivalry story between Jean Valjean and Javert. You’ve got to believe that whoever you cast as Javert can get the better of Jean Valjean. You’ve got to believe that Javert can vanquish Valjean for the story to have any suspense at all. How many actors out there, if you put them head to head with Hugh, you think are going to win? I felt that if you’re going to put Wolverine in the ring with Gladiator, it’s a fair fight!”

Tom added, “So, the question then is, can Gladiator sing? I knew about his rock band. Russell came over to London. We talked about it. I discovered that he actually started in musical theater in Sydney. But, still, I said, ‘Russell, you’re going to have to prove it to us—you’re going to have to audition.’”

“In September 2011, he came to New York to a rather intimidating room with me, the creators of the show, Claude-Michel Schonberg and Cameron Mackintosh. In that room, Russell proved to us that he could do it. He sang ‘The Confrontation.’ He was concentrating so hard on his singing that his eyes were shut. I said, ‘You also have to act, as well as sing. You can’t just be so concentrated on your singing.’ He looked at me. Then, the next time he did it, his eyes opened and engaged the full Russell Crowe—and it was amazing!”

Russell admitted that it took a lot of hard work to prepare for the actual filming. “My last major tour was way back in 2006, although I have been doing shows,” he shared. “So, when this opportunity came up, I wasn’t really in a state of preparedness. There was a lot of work involved reclaiming a voice that I once had when I was a younger man.”

He explained how challenging and elaborate the setup was to implement Tom’s idea that the actors sing live, not lip-sync the musical’s beloved pieces: “It was a learning process because it was not only just learning to open up your voice—to increase your range and build the stamina you’re going to need to be on a film set singing,” Russell said. “I give as an example Fantine’s arrest. You have four principals singing in that—Jean Valjean, Fantine, Javert and the fourth guy is the fellow who comes looking for a prostitute. Then, you also have the pimp and the ****e, so you actually have six principals singing that piece of music!

Choice

“The nature of a film set is that you have to cover in wide, medium and close shot each aspect of what’s going on. The director may make a choice that he wants to group some characters together, so he might want two or three shots. So, if you do that multiplication, you end up singing a lot. In Fantine’s arrest scene, we sang about 48 times. So, that stamina aspect was one of the things that Tom Hooper was looking for in people when he started doing auditions.

“It appeared to be a difficulty in the beginning that everybody would be singing, but the first time everybody tried it, they realized that the lyrics of the songs that they were singing were simply their dialogue, and that they could be imbued with many meanings and shades, just the way any dialogue could. It was that realization that made everybody relax.”

Despite the hurdles, Russell seemed to savor his “Les Miz” experience. “I had such a profoundly enjoyable experience with ‘Les Miz’ that, for the rest of my career, whenever I start another movie, there will be some part of me wishing that I was starting ‘Les Miz’ again,” he remarked. “That’s how much I enjoyed being on this film set.”

So, if the singing part did not scare Russell, what scares him? “I’m not scared of spiders or snakes,” he said with a smile. But, he brings up a co-star’s name in “Noah,” his coming epic biblical drama with director Darren Aronofsky, whom he praised as “an auteur of the highest level,” and shot by Filipino-American Matthew Libatique.

Crowe recounted, “I did a fight sequence with Ray Winstone on ‘Noah.’ It was scheduled for one day. Five days later, I still hadn’t gotten around to killing him yet. He’s a tough man to get down. Usually, when it comes to my work, if there’s fear involved, that’s actually the fun of it. I get butterflies whenever I’m about to go onstage to perform, or when I’m walking toward the cameras. But, to me, that’s not a negative. It just means that I know within myself that I want to do my best!”
 
In my mind, Crowe is one of the strengths of the movie, not one of the weaknesses.
 
OSCARS: ‘Les Misérables’, ‘Dreamgirls’, ‘Chicago’ To Receive Special Tribute By THE DEADLINE TEAM |
Friday January 25, 2013 @ 7:19am PST

Along with a tribute to James Bond’s 50th anniversary, Oscar telecast producers Craig Zadan and Neil Meron announced today they’ll also pay homage to recent movie musicals during the ceremony on February 24. The pair know a thing or two about big screen tuners with credits that include Footloose, Hairspray and 2002′s Oscar winner Chicago. The latter is part of the showcase as is this year’s Best Picture nominee Les Misérables. Here’s the release:
BEVERLY HILLS, CA – The Oscars will include a special celebration of movie musicals of the last ten years, the telecast’s producers announced today.

“The musical as a motion picture genre has had a remarkable renaissance in the last decade,” said producers Craig Zadan and Neil Meron. “We are excited to showcase three musical films—‘Chicago,’ ‘Dreamgirls’ and ‘Les Misérables’— on our Oscar® show.”

Oscars for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24 at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.
http://www.deadline.com/2013/01/oscars-les-miserables-dreamgirls-chicago-to-receive-special-tribute/
 
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