Well I cant blame anyone liking that plane scene better. I still find it amazing.
And I dont think it was a lets get in on this scene thing. It continued the notion that there is a special person in the world that does great feats to save people but only to dissapear and never heard from again. And as you see when he saved those people his was on the run again. Which also ties in with Jonathan Kents words to him. Pa Kent told Clark that the world was not ready for him. But Clark let his father die because of that advice. So that "happy" medium for Clark is to save people and run away.
just curious, but in Superman II and IV, did Superman save people while in the middle of battling Zod and co and Nuclear Man?
I mean who are you speaking for? Because it sounds like you are speaking for 100% of the audience. Do you think 100% of the audience feels this way?
That might be the route most other heroes go for. Not superman though he had to expunge all other options and be put in a corner before he did.
Pretty sure I don't. I certainly try not too. Try to include the term imo on statements like that whenever possible. I'll tell you what I don't do. I don't defend it if I do.Oh stop.
You are just as guilty of writing in that fashion as the rest of us are.
What other options did he expunge? He just stepped right up into a certified brawl.
I know,I know .... he's inexperienced ..... and he's going to know differently "in the sequel", which has become quite the catch phrase.
He sure does love his small town ihop.
how else can we explain this look of concern on his face?
That "look" is because he and the redheaded bully from high school had noticed each other.
That "look" is because he and the redheaded bully from high school had noticed each other.
I wonder if we'll see Pete inspired to stop working at IHop and become Vice President like he does in the comics. Probably not.
Superman fighting Zod IS how he was attempting to save lives. I dont understand why thats lost on so many people. I mean, SUPERMAN RETURNS returned featured Superman saving lives and a nice variety of usages of his superpowers all the while, and people whined about the action because there wasnt any punching in the movie. Now they get punching, and they whine because even though Superman was punching to save lives, he wasnt saving enough lives, even though he kind of was.
It boggles the mind, and its a complaint that just lacks any logic whatsoever. It's one thing to want to see something. It's quite another to label a movie that takes an entirely different approach "flawed" for lack of it.
I get it. It would have been nice to see Superman catching some falling rubble or whatnot (and let's not pretend we didn't see the man saving lives during this movie). But the point is that he cant do so, given whats happening in the film. Zod never gives him the chance. And the filmmakers WANTED that. They wanted to show you a villain who was so intent on destruction and mayhem that he wasnt going to let up. Which becomes a key theme by the end of their fight. Which is why the end of the movie works so well.
But...suggesting that the fights in Metropolis werent creative, that the action is somehow repetitive I just feel like some people didnt watch this movie very closely.
I agree with you to some extend. Now if you had remembered to throw in posters 1, 2, 4 and 8 on the other side of the fence, I would agree totally.
You're insinuating that every critic of this movie is making valid points and explaining why they see things the way they do, while "the defence" is just talking crap.
I think (hope) we can both agree that's not the case
But this movie was destined to create arguments, wasn't it? I don't believe it's possible to make a Superman movie that satisfies everyone, as the character means something different to every person.
And when you add in the fact that the creators wanted to mix it up a little, is was destined to piss some people off. And make others happy.
But I agree that there's no reason to compete about reaching the lowest possible level when discussing it.
Haha that was pete ross his best friend, i'm pretty sure they moved beyond the bully/victim role after he saved his life.
It boggles the mind, and its a complaint that just lacks any logic whatsoever. It's one thing to want to see something. It's quite another to label a movie that takes an entirely different approach "flawed" for lack of it.
However, the issue with their defenses is that their points are far more solid than the contrivances they're defending.
It's essentially sound logic to explain something when the truth is there was a lack of logic behind the filmmakers' intentions anyway. And it's not unexpected when sacrificing substance for spectacle.
The sad thing is, that if this was any other cbm, more people might have actually sat back and enjoyed the action for what it was.
Sadly not getting some more saves and greater look of concern on the man has literally ruined appreciation.
Pretty sure I don't. I certainly try not too. Try to include the term imo on statements like that whenever possible. I'll tell you what I don't do. I don't defend it if I do.
Look at that GIF again of Supes fighting in IHOP. That place had people all throughout it still sitting in their booths. You mean to tell me it's not logical for some of us to expect Supes to think to himself, "I better use my super strength to cannoball this ****insert Kryptonian word for biotch**** out of here away from everyone!" ....???????
For whatever reason, Goyer chose not to show any bit of flexibility in Supes approach. He wrote him into a corner. He became purely rock'em sock'em. We go from a guy who up until Smallville was a man as composed as any living entity in the galaxy and he suddenly morphs into some guy who balls his fists up alot and takes part in virtual kryptonian warrior madness. I wanted to see a real superpowered battle .... but not gratuitously done.
Now many on here will argue that he's rookie Supes, sort've in the guise of Batman Begins. I'm just not buying it because of all of the grandstanding done by Jor-El and Pa Kent about Clark. They were beating that drum all freakin' movie long. I can't personally sit there and listen to all of that and then actually "see" none of it once he dons the suit .... and again I didn't get to see it because of Goyer's inexplicable choice to write it into the movie once the fights start breaking out.
I think you are proving guards point. If he can't do it, that might be because he can't do it.
But I suppose that's just a writing decision.
he did in SII. and that's why Zod found out his weakness. it was very well done until this point.just curious, but in Superman II and IV, did Superman save people while in the middle of battling Zod and co and Nuclear Man?
He can't successfuly cannonball Faora out of IHOP ..... but he can snap Zod's neck like a twig, a man even more powerful than Faora. He can also ragdoll punch him over miles worth of distances while in the air.
One of these is trying to defeat a trained warrior who doesn't want to be thrown, knocked down, etc, when you yourself are not, in fact, a trained warrior.
One of the things is breaking a few bones.
There's a world of difference between the two, and no real "inconsistency" in what's portrayed in that regard.
^ Keep in mind, Zod essentially lost the will to live, so it would take less effort to kill him.
You guys keep bringing up this "trained" warrior vs. the rookie stuff and the more you do it the more you bring to light even more "inconsistencies because Supes should've never even been effective enough. If he can't outmuscle Faora .... and he's not experienced enough yet to strategize against the Kryptonians .... Sounds like he was just absurdly "written" to victory!
Breaking Zod's neck is not world's of difference between muscling Faora out of the IHOP. Did you forget the immovable object Zod became. How then could he so simply snap his neck? Must've taken some serious brute strength .... and if he can snap his neck like it's nothing, again I point back to the absurd nature of not being able to force Faora away from the public.
Didn't you just get done telling me that you never attempt to speak for masses of other people when conveying how a movie was executed?