Max Comics
Dead Of Night: Werewolf By Night #1-4
The beginning of the year saw the final installment of the Dead Of Night minis. The first one, Man-Thing, was pretty good; but, the next two kind of killed this new franchise. In this, Jack Russell is accussed of the murder of his wife, and while being on the run from police, he must find out who is really behind the crime. I remember being pretty bored with this comic; but, I guess the true indicator on how good it was is that, for the life of me, I cannot remember hardly a thing about the story.
Destroyer #1-5
Keen Marlowe, The Destroyer, has been fighting bad guys for sixty years, and discovers that he's dying. Before he does, though, he wants to make the world a little bit safer for his family, and intends to not go quietly into the night. By this series end, though, he isn't dying, and he's passed on the mantle of The Destroyer to a close friend.
At least I can remember this mini. Most of the Max line-up is pretty forgetable, and the only thing many of these stories have to appeal to readers is the graphic violence, nudity, and use of course language. All that does not make a good story, though. I think what surprised me most of all about this series is that I'm a huge Robert Kirkman fan; but, this might be one of the worst stories I've read by him. It wasn't bad; but, it sure isn't a comic I'd recommend to anyone.
Terror, Inc.: Apocalypse Soon #1-5
A devastating biological weapon in the form of a young child has been unleashed in the Middle East, and it appears Terror, Inc. is the cause of it. Now, Mr. Terror must track down the cure to this virus, kill the child, and find out who is behind this latest assignment that went seriously wrong.
How disappointing, especially after I really enjoyed the first Terror, Inc. Max comic. This sequel pretty much drove the nail in this character...but, you never know. I mean, I didn't expect to see another 1602 comic; but, that returned this year. Not only was the story pretty dull, the art didn't help it any, either. (It's one of those cases where you have four beautiful covers, and the inside art cannot even compare.)
Dominic Fortune #1-4
Chaykin's last Max title, War Is Hell, wasn't that bad; and, the same is true for this story from the 30's. With the depression going strong, Dominic Fortune is hired to bodyguard three old Hollywood stars. He has his hands full, as this group is generally drunk and disorderly. Along the way, he meets two mysterious businesspeople, Malcom Upshaw and Delatriz Betancourt, who are bent upon the overthrow of the American government; and, very much in the belief that the Jewish community will lead to the destruction of our great nation. Oh, and it's revealed that Dominic Fortune is Jewish, too. (Not sure if that was ever stated before in Marvel history, or just used to make Chaykin's story more powerful.)
Like I said, it's not a bad story; but, it's also one I doubt people are jumping over others to read. Chaykin, it seems, has been relegated to telling stories from the 30's-40's, now; and, his contributions to Marvel really went down this year. In fact, his most recent work was in the DC Holiday special from last month; but, that was just a short 8-page story. (For those who don't know, Chaykin's been around Marvel for a very long, long time. He drew the original Marvel comic of Star Wars. One of my highlights from last year was getting him to sign my #1 copy of Star Wars at the Emerald City Comicon. It took me a while to grab him, though; as he much prefered to walk around the building talking to other writers and artists, than stay at his assigned seat. Before I got him to sign my five comics, he even went to take a leak first.)
Strange Tales #1-3
This is a collection of short, comical stories "showcasing Marvel's greatest characters re-imagined by the best and brightest talents working in independent comics today."
That's the Mighty Marvel spin on this comic. What it actually means is if you are going to a Comicon, and you see a grouping of artist/writers you've never heard of or met before, there is a chance they made a contribution to this comic. (Seriously, I'm already getting ready for the March Emerald City Comicon, and there are about 5 writers/artists whose only book I have by them is that they contributed to this series.) I hated this series. Out of all these short, comical stories, I only found maybe 3 or 4 that made me chuckle in all three issues. There is an audience for this kind of offbeat humor...it's just not me. Out of all the Max comics that came out this year, this is the one I disliked the most.
Starr The Slayer #1-4
Ok, so you can guess that I have not been too thrilled with the Max line-up this year. Here is where things change. Daniel Way's Starr The Slayer is a definite highlight. Making fun of the barbarian-style comics, Daniel Way brings us this very funny, page-turning adventure about the origin of Starr The Slayer. Even more fun, is we are told this tale from the perspective of Len Carson, a pulp novelist whose popular Starr character, he feels, has kept him away from literary greatness. By the end of the first issue, he'll be dragged into Starr's world...and, things only get more hilarious. Not only is it the best Max mini of the year, it's also the best barbarian story, too.
Punisher: Frank Castle #66-75, Punisher: War Zone #5-6, Punisher: Frank Castle - Naked Kill, PunisherMax #1-2
With Garth Ennis leaving Punisher the previous year, we got various storylines from separate writers. The worry was if this title would still remain good; and, thankfully, it did. At the beginning of the year, we had the conclusion to Ennis' last storyline with Punisher: War Zone, which featured the return of Ma Gnucci.
In the regular Punisher series, we had "Six Hours To Kill," by crime novelist Duane Swierczynski, featuring Frank getting a six hour time limit to his impending death. Franks solution to the problem? Kill as many bad guys before his time runs out. Next, we get the one-shot special, "Naked Kill." Written by multiple Bram Stoker Award-winning author, Jonathan Maberry, it involves Frank attempting to bust into a heavily secured snuff film studio with nary a weapon on him. After that, comes Victor Gischler's awesome story, "Welcome To The Bayou," my personal favorite of this bunch. Like a scene from Deliverence, Frank ends up in the bayou and discovers a family that is very much like the one we've all seen in Texas Chainsaw Massacre. Finally, this series came to it's conclusion with the double-sized 75th issue, featuring five stories looking back to the day that changed Frank Castle's life and ended up creating The Punisher.
The year ended with the start of the new Max Punisher title, simply named PunisherMax. Drawn by Steve Dillion and told by Jason Aaron, the first two issues have been fantastic. We finally get the first appearance of Wilson Fisk, The Kingpin, in the Max Universe; and, we get to see the origin of one of Marvel's biggest villians. I wouldn't call myself a huge fan of Dillion's art; but, it just works with these Punisher stories. I hope he keeps doing this book after this first story is done.