Miami Vice has Failed.... what about the 6 Million Dollar Man

Weadazoid

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I think this is the greatest old TV series that could be made into an awsome modern day movie out there.

Come on who doesn't remeber the 6 Million Dollar man? The Bionic Man... Of course as the years went on the price tag went up by the late 80's I think he was up to 100 Million.

In this day and age he would be the 6 Billion Dollar man
 
Knightrider should have been made instead of some cop show I never watched
 
I would love a Knightrider movie.:D

But Hasselhoff has to star or I will hate it.:o
 
Weadazoid said:
I think this is the greatest old TV series that could be made into an awsome modern day movie out there.

Come on who doesn't remeber the 6 Million Dollar man? The Bionic Man... Of course as the years went on the price tag went up by the late 80's I think he was up to 100 Million.

In this day and age he would be the 6 Billion Dollar man

Jim Carrey was supposed to be the star of a movie based on the 6 Million Dollar Man written and directed by Todd Phillips, but I believe that the idea was scrapped.
 
Miami Vice didnt fail!!! My avvy and sig speaks for itself!!!:cool:
 
Philly Phanboy said:
Jim Carrey was supposed to be the star of a movie based on the 6 Million Dollar Man written and directed by Todd Phillips, but I believe that the idea was scrapped.
I think it was in FHM, Stuff, Maxim or some other trashy mag that said Chris Rock was to star.
 
CrypticOne said:
So Miami Vice didn't sell?

60% drop in the 2nd weekend wtih 10 mil... even if it had a decent hold of 30-40% which in the NEAR IMPOSSIBLE scenario of having a 30% drop, it'd still be 7 mil and you'd be at probably 55-60 mil next week, with still another 60 to break even, no that ship is sunk...
 
6 Million Dollar Man? Isn't there that whole joke that nowadays anyone could be the bionic man, you know, 'cause 6 Million isn't that much anymore, everyone is richer...right.....guys......*bows head in shame*
 
Movies205 said:
60% drop in the 2nd weekend wtih 10 mil... even if it had a decent hold of 30-40% which in the NEAR IMPOSSIBLE scenario of having a 30% drop, it'd still be 7 mil and you'd be at probably 55-60 mil next week, with still another 60 to break even, no that ship is sunk...

That sucks. Have you seen the movie? Is it any good?
 
Movies205 said:
Miami Vice
Director: Micheal Mann
Rating: 7/10

First off I really liked Miami Vice, it's got a lot going for it but in the end it falls short on somethings. The plot is pretty straight-forward, undercover cops are trying to find an informant within the police department by infiltrating a drug cartel. Colin Ferral and Jamie Fox have good chemistry and are very charismatic on screen. Though Colin Ferral wierd accent takes a bit of getting use to but once you do, he becomes very entertaining to watch. This movie reminds me a lot of "French Connection" in the sense that this is about police work and not about the two main characters, here is where some friction begins.

The movie on a whole can become montonous at times since the entire movie goes without a conflict till the last third. Again at times it feels like a documentry into the lives of undercover cops, then all of sudden at the end, it feels like it shifts gears into being more about cops lives and who they are as people. What it did was bring about rather quick and forced resolved, and left you feeling a bit detached, and unfeeling, a couple of sex scenes don't really make you feel for characters, that's not true in terms of Colin Ferral's character because his love interest is worked and ingrained in the plot so you feel for that but Jamie Fox's character it felt disjointed, like they brought it up in the beginning and it just magically came back at the end. Also a lot of the scenes could of been trimmed especially the sex scenes, they might not of been long in actual length but they felt it and they were awkward too.

The action scenes were great and I dug the visual style for the movie. All in all, I was entertained, I thought it was decent story that could of used a couple more bumps along the road, and I dug the characters so I give it a solid 7.

http://www.superherohype.com/forums/showthread.php?p=9697365#post9697365
 
miami vice was all flash and no substance... possibly one of mann's worst (which isn't saying much, because he's made some amazing films, but still)

and i'd totally watch a 6 million dollar man comedy.
 
The idea for the Million Dollar Man movie starring Jim Carrey was that it was set in present time and they actually used a 6 million dollar budget to rebuild him so he ends up being a subpar bionic man.
 
meh...

but i suppose if your going to remake the six million dollar man, and call it something other than 'the six million dollar man' you might as well just make another movie entirely...
 
I think we look way too much into the BO. I mean, don't most films this day and age make most of they're money in DVD sales?

That's how films MOST people never heard of get sequels. The Transporter probably did horrible at the BO, and it got a sequel.......I'm guessing the DVD sales had to be pretty good.

As for remaking another show?

Knight Rider is the best one I think. Just please.....christ all mighty, no Paul Walker, and no ****ing Ashton Kutcher.

The Hoff can have a cameo, BUT only b/c he's Michael Knight.
 
I'd love to see a 6 Million Dollar Man movie if it was done straight. If it was a comedy I wouldn't waste my time or money seeing it.
 
He could still be the Bionic Man.

He'd have the most amazing big toe imaginable, but that's about it.
 
I'm glad Miami Vice is fading fast. I can't believe people thought this movie was going to be a huge hit. Neither Colin Farrell, nor Jamie Foxx have been a big box office draw, and Michael Mann is one of the most overrated directors in Hollywood. I can't believe he was so egotistical that he thought he could revive his dead TV show (which, I'm sorry, wasn't that good in the first place) and turn it into a modern blockbuster film. Cop movies are a dime a dozen anymore. Seriously, if it wasn't called "Miami Vice," it wouldn't have gotten much attention at all.
 
With DVD sales booming and home theater systems becoming more and more popular (and affordable), people just don't go to the movies as often. A big budget summer movie in the 80's and 90's had a much better chance of success than a similiar movie nowadays.

Hollywood needs to make some changes, and fast. First of all, no one and I mean NO ONE deserves to get 25, 20 15 million for a damn movie. Look at Harrison Ford, Adam Sandler, etc. Do they make movies that deserve for them to get more money in one film than some people will get all their lives? Hollywood needs to adapt a backend pay system, so actors get paid depending on how well the movie does.

I'm glad Miami Vice is fading fast. I can't believe people thought this movie was going to be a huge hit. Neither Colin Farrell, nor Jamie Foxx have been a big box office draw, and Michael Mann is one of the most overrated directors in Hollywood. I can't believe he was so egotistical that he thought he could revive his dead TV show (which, I'm sorry, wasn't that good in the first place) and turn it into a modern blockbuster film. Cop movies are a dime a dozen anymore. Seriously, if it wasn't called "Miami Vice," it wouldn't have gotten much attention at all.

So you did see the movie? I ask that because I didn't see any other comments by you about the film.

Well, if you get pleasures from movies failing, whatever floats your boat. Your comment about Farrell and Foxx not being box office draws was a little out of place and I don't understand what that has to do with your criticism of the film, nor do I agree at all that Mann is an overrated director. He's one of the most consistently good directors working, and although he doesn't make tons at the box office, anyone with half a brain knows that box office success and quality don't even have anything to do with each other. A lot of his movies take a while before they're appreciated, and I think MV will get that eventually.

He wasn't trying to "revive" his TV show as the movie had nothing to do with the show save for character names and the very basic premise, so I don't think your "egomaniac" comment is valid.

I'm watching the show now, and it is very good despite it's very dated atmosphere. Its shot well, written pretty consistently, and the two leads have a nice chemisty. Have you watched the show or are you basing your judgment off a few shows or its name alone?

I thought the movie was pretty good, not excellent, but more entertaining than stimulating. I thought Foxx was pretty bad in the film, like he wasn't even trying to act anymore since he's Mr. Oscar Winner Diva Man, and as a result Farrell easily outshinned him. The movie was gorgeous to look at, but the story lulled and the pacing was all over the place at times.
 
SolidSnakeMGS said:
So you did see the movie? I ask that because I didn't see any other comments by you about the film.

Well, if you get pleasures from movies failing, whatever floats your boat. Your comment about Farrell and Foxx not being box office draws was a little out of place and I don't understand what that has to do with your criticism of the film, nor do I agree at all that Mann is an overrated director. He's one of the most consistently good directors working, and although he doesn't make tons at the box office, anyone with half a brain knows that box office success and quality don't even have anything to do with each other. A lot of his movies take a while before they're appreciated, and I think MV will get that eventually.

He wasn't trying to "revive" his TV show as the movie had nothing to do with the show save for character names and the very basic premise, so I don't think your "egomaniac" comment is valid.

I'm watching the show now, and it is very good despite it's very dated atmosphere. Its shot well, written pretty consistently, and the two leads have a nice chemisty. Have you watched the show or are you basing your judgment off a few shows or its name alone?

I thought the movie was pretty good, not excellent, but more entertaining than stimulating. I thought Foxx was pretty bad in the film, like he wasn't even trying to act anymore since he's Mr. Oscar Winner Diva Man, and as a result Farrell easily outshinned him. The movie was gorgeous to look at, but the story lulled and the pacing was all over the place at times.

Okay, let me make my position here a little clearer. No, I haven’t seen the film, because yes, I have seen the show, and in my humble opinion, there is a reason why it was parodied so obviously in that recent Grand Theft Auto game. Yes, the style of the show is dated, sure… but the problems went beyond the 80’s feel of the show. The writing and acting were awful… Crockett and Tubbs’s method of getting information consisted of them simply screaming LOUDER at a given suspect. The various cases they investigated were your standard, run-of-the-mill cop show material… not particularly bad, but nothing fascinating either. And some of the blame (if not all of it) should fall on Mann because the show was his baby. The reason I call Mann overrated is because, while I won’t say that he’s a bad director, he’s certainly not the Stanley Kubrick or Martin Scorcese certain critics hail him as. Mann’s cinematography in all of his films is damn near identical… I can understand that it’s his style, but it almost looks as if he’s trying to make the same movie over and over again. And he’s made some good films, but he’s also made some implausible ones as well… Collateral always sticks out in my mind as being one movie that had an interesting concept but at the same time was so idiotic that it would never happen in a million years. The idea that some hitman would be stupid enough to hold a cabbie hostage as he drives around completing hits is ridiculous. And the way it’s explained is pathetic. Oh, he doesn’t know the area that well, so he gets someone who does. Yet they later state that he’s been in the area several times before and has done the exact same thing. You’d think that if you were going to make yearly trips to a city to kill five people in a single night, you’d at least take the time to learn the geography. But I digress.

Regardless of my personal feelings about Mann’s abilities as a director or Farrell’s and Foxx’s abilities to draw a crowd (Farrell, I do think, is a talented actor… Foxx on the other hand, hasn’t done anything worthwhile other than “Ray” and I think people are starting to wake up to that fact), the reason that I’m happy Miami Vice isn’t doing well at the box office has more to do with Hollywood in general at this point. With box-office numbers in general at a low, studios keep looking for that ONE film that will “save the summer.” We already had it in Pirates of the Caribbean, but they were also trying to hype this thing up like it was going to be huge. But the fact of the matter is, audiences are getting sick and tired of the damned remakes. Why didn’t Superman Returns fair very well? Because most of the story was a rehash of Superman ’78. And when something is done near perfect the first time, don’t try and refine it just because the original is dated. And in the case of Miami Vice, when something is done “okay” the first time, please, for the love of God… let it stay in the past.
 
That-Guy said:
No, I haven’t seen the film

It's unfortunate that you're treating the movie as some sort of sacrificial lamb to Hollywood as opposed to...I don't know...a MOVIE?? I've never understood why so many people on this board want movies they haven't even seen to fail! Same way with the whole Superman Returns thing.

I still haven't seen X3, but going by what I've read, I probably won't like it. Still, I never hoped the film would fail nor did I spend time talking about it like I had seen it.

That being said, it's hard to take anything you say seriously, since you're already biased against the movie without having seen it, and that is close-mindedness at its worst. Sorry, no disrespect, but that' s how I feel.

Mann’s cinematography in all of his films is damn near identical… I can understand that it’s his style, but it almost looks as if he’s trying to make the same movie over and over again.

Ali, The Insider, Collateral, Heat, Manhunter, Last of the Mohicans....those films are all very different looking, very different films period. Yes, there is a growing consistency in the cinematography, but that's called style. Kubrick's films have that look, certainly Scorsese does as well. Besides, similiar cinematography is hardly grounds for criticism. If its good -- and even you agree that it is -- then that's good for the movie.

Who compares Mann to Kubrick or Scorsese? I have never seen that comparison because frankly he isn't up to their level. It definitely could happen in 10 or so years, but not now. And I don't think anyone thinks he is up there with them.

Collateral always sticks out in my mind as being one movie that had an interesting concept but at the same time was so idiotic that it would never happen in a million years. The idea that some hitman would be stupid enough to hold a cabbie hostage as he drives around completing hits is ridiculous. And the way it’s explained is pathetic. Oh, he doesn’t know the area that well, so he gets someone who does. Yet they later state that he’s been in the area several times before and has done the exact same thing. You’d think that if you were going to make yearly trips to a city to kill five people in a single night, you’d at least take the time to learn the geography. But I digress.

Well, movies are escapist fare first and foremost. The idea that a movie couldn't happen in real life is rather flawed and useless, as we go to movies to see things we don't see in real life. It had more to do with the hitman needing a ride than not knowing the area, as he even told the cabbie where to go. Was the hitman supposed to rent a car or walk around in the city? Ride a bike?

As far as the show, yes, we're using to seeing NYPD Blue and The Shield, where the line is constantly blurred. Its still a great show, filled with some good action, stories, characters, and a lot of good cinematography. You really are taken to Miami, and its a seedy world. The show was extremely influential and groundbreaking, you have to admit. Don't let biasness blind you in that regard.
 
SolidSnakeMGS said:
Hollywood needs to make some changes, and fast. First of all, no one and I mean NO ONE deserves to get 25, 20 15 million for a damn movie. Look at Harrison Ford, Adam Sandler, etc. Do they make movies that deserve for them to get more money in one film than some people will get all their lives? Hollywood needs to adapt a backend pay system, so actors get paid depending on how well the movie does.

I think you're right. Perfect example of how bad Hollywood is running things is Chris Tucker getting $25 million for RH3.
 
Superman said:
I'd love to see a 6 Million Dollar Man movie if it was done straight.
that makes two of us
 
SolidSnakeMGS said:
It's unfortunate that you're treating the movie as some sort of sacrificial lamb to Hollywood as opposed to...I don't know...a MOVIE?? I've never understood why so many people on this board want movies they haven't even seen to fail! Same way with the whole Superman Returns thing.

I still haven't seen X3, but going by what I've read, I probably won't like it. Still, I never hoped the film would fail nor did I spend time talking about it like I had seen it.

That being said, it's hard to take anything you say seriously, since you're already biased against the movie without having seen it, and that is close-mindedness at its worst. Sorry, no disrespect, but that' s how I feel.



Ali, The Insider, Collateral, Heat, Manhunter, Last of the Mohicans....those films are all very different looking, very different films period. Yes, there is a growing consistency in the cinematography, but that's called style. Kubrick's films have that look, certainly Scorsese does as well. Besides, similiar cinematography is hardly grounds for criticism. If its good -- and even you agree that it is -- then that's good for the movie.

Who compares Mann to Kubrick or Scorsese? I have never seen that comparison because frankly he isn't up to their level. It definitely could happen in 10 or so years, but not now. And I don't think anyone thinks he is up there with them.



Well, movies are escapist fare first and foremost. The idea that a movie couldn't happen in real life is rather flawed and useless, as we go to movies to see things we don't see in real life. It had more to do with the hitman needing a ride than not knowing the area, as he even told the cabbie where to go. Was the hitman supposed to rent a car or walk around in the city? Ride a bike?

As far as the show, yes, we're using to seeing NYPD Blue and The Shield, where the line is constantly blurred. Its still a great show, filled with some good action, stories, characters, and a lot of good cinematography. You really are taken to Miami, and its a seedy world. The show was extremely influential and groundbreaking, you have to admit. Don't let biasness blind you in that regard.

Okay, just to set the record straight, I DON'T want Superman Returns to fail. Although I was ultimately disappointed by it, if it is deemed the monumental failure that some people are calling it right now, it could hurt the genre in general. It's also a decent movie despite the fact that it feels like a remake.

As for Miami Vice and Michael Mann... hey, if you think the show was great and the movie was good, that's cool. And if you view him as a great director, that's your choice. I just personally feel that he gets a lot of critical praise when often, its something else about the movie that made it worthwhile (acting, writing). The Insider is a great movie, but it's more for standout performances by Russel Crowe, Al Pacino and Christopher Plummer and the actual events the story was based on that made it so memorable. The direction honestly got on my nerves. The camerawork in that film was so shaky it looked like it could have been The Blair Witch Project. And don't get me wrong, shaky camera work can be effective depending on the film (Saving Private Ryan is a great example of good shaky camerawork) but in an intense human drama, I just found it distracting. I figure he was trying to give the movie that "documentary" feel, but sometimes those obscure concepts just don't work. For example, Ang Lee's comic book panel split-screen effect he used in "Hulk" was an innovative idea, but after a very brief time (IMO) it simply got distracting. Heat is a similar case. Here, I was fine with the cinematography, but I felt that what made the movie good were the performances. The story wasn't really anything that spectacular, but De Niro, Pacino and Sizemore made it great... Mann's direction though, again felt a little off. Certain scenes just felt a little too drawn out, while others seemed to move too quickly. Maybe that's just the way the script was written, though.
I think Mann is a good director, I just feel that he gets praised a little too much at times. And perhaps Miami Vice is a good movie after all... I'm sure I'll catch it on DVD at some point... but I still can't help but feel that this project was just another case of "this was popular once... let's update it and make it "cool" and people will flood the theaters."
 

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