Rank 2006's Movies!

Movies205

Corporate Money
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The Short and Skinny Version:

(Listed in a somewhat Chronological order)
1. Hostel - 1/5
2. Glory Road - 3/5
3. Underwold Evolution - 2/5
4. Firewall - 3/5
5. Final Destination 3 - 3/5
6. Eight Below - 3/5
7. 16 Blocks 3.5/5
8. The Hills Have Eyes - 4/5
9. Shaggy Dog - 2/5
10. Thank You For Smoking - 4/5
11. Find Me Guilty - 4/5
12. V For Vendetta - 3/5
13. Inside Man - 4.5/5
14. Lucky Number Sleven - 4.5/5
15. Scary Movie - 2/5
16. Silent Hill - 3/5
17. Mission Impossible 3 - 3/5
18. Davinci Code - 2/5
19. Over The HEdge - 4/5
20. X-men Last Stand - 2/5
21. Prarie Home Companion - 4/5
22. Fast and the Furious 3 - 3.5/5
23. Nacho Libre - 1.5/5
24. Superman Returns - 2/5
25. Scanner Darkly - 2/5
26. Clerks 2 - 4/5 - 73.5
27. Lady in the Water - 3/5
28. Miami Vice - 3.5/5
29. Scoop - 4/5
30. Talladega Nights: The Ballad of Ricky Bobby - 3/5
31. World Trade Center - 4/5
32. The Illusionist - 4/5
33. Snakes on a Plane - 3/5
34. Crank 4/5
35. Hollywoodland - 4/5
36. Departed - 4.5/5
37. Texas Chainsaw Massacre: The Beginning - 2/5
38. Flags of Our Fathers - 3.5/5
39. The Prestige - 4/5
40. Borat - 5/5
41. Stranger than Fiction - 3/5
42. Casino Royale - 4.5/5
43. Happy Feet - 3.5/5
44. Tenacious D - 2.5/5
45. Apocalpto - 1.5/5
46. Blood Diamond - 4/5
47. Rocky Balboa - 3.5/5
48. Eragon- 2.5/5
49. Devil Wears Prada - 4/5
50. Fearless - 4/5
51. Night at the Museum - 3.5/5
52. We Are Marshal - 3.5/5

Avg Rating: 3.1/5 - A decent year of movies for myself...

CCON'S LIST

1. The Departed - 5/5
2. Superman Returns - 4.5/5
3. Clerks 2 - 4/5
4. V For Vendetta - 4/5
5. Scoop - 3.5/5
6. Mission: Impossible 3 - 3.5/5
7. Talladega Nights: The Ballad of Ricky Bobby - 3.5/5
8. Pirates of the Caribbean - 3/5
9. X-Men: The Last Stand - 2/5

Mcclay
1. The Departed - 5/5
2. Children of Men - 5/5
3. V for Vendetta - 4.5/5
4. Superman Returns - 5/5 (it's a love it or hate it movie, that's why I ranked this fourth)
5. Mission Impossible 3 - 4/5
6. Happy Feet - 4/5
7. The Da Vinci Code - 3.5/5
8. Pirates of the Caribbean: Dead Man's Chest - 3/5
9. X-Men 3 - 3/5

BloodyWolverine

Da Vinci Code 6/10
X-Men 3 7.5/10
V For Vendetta 8/10
Underworld Evolution. 6/10
Dead Mans Chest 9/10
Rocky Balboa 7/10
Eragon 5/10
Casino Roayle 8/10
Babel 9/10
Blood Diamond 9.5/10
The Departed 8/10
Happy Feet 7/10
16 Blocks 6/10
World Trade Center 7/10
Over The Hedge 7/10
Shaggy Dog 5/10

Carmine Falcone's List
1. The Departed 10/10
2. Children of Men 10/10
3. Casino Royale 9/10
4. V for Vendetta 9/10
5. The Proposition 9/10
6. Revolver 9/10
7. Munich 8,5/10
8. The Three Burials of Melquiades Estrada 8/10
9. The World’s Fastest Indian 8/10
10. Pirates of the Caribbean: Dead Man’s Chest 8/10
11. Superman Returns 8/10

Union Jack's List
superman returns - 4/5
x-men the last stand - 3.5/5
casino royale - 5/5
v for vendetta - 3.5/5
silent hill - 2.5/5
pirates of the carribean 2 - 4.5/5
rocky balboa - 4.5/5
over the hedge - 2.5/5
 
1. Hostel - Sucks, plain and simple. For the first 30 minutes it's random nudity with cliche characters. There are some bits of torture thrown in, that just make you sick rather than scare you or at the very least entertain. In then your simply suppose to empathize with a character simply because he's on the screen. 1/5 (Simply because I lied, some of the torture was kidn of cool, most of it sucked)

2. Glory Road- Typical basketball movie, Josh Lucas is charasmatic and turns in a good performance. However it rolls exactly like every other movie out there which isn't bad since it's entertaining so if you like this sort of thing, it's worth a night out. 3/5

3. Underworld: Evolution - These movies suck, plain and simple. They mythos feels like it came out of a ****ty video game which ripped off some book which they didn't bother reading but got the basic plot twist off Amazon.com. My main beef with the movie is the fact that the only reason they have vampires fighting werewolfs is so they can have an excuse to do matrix fights and have Kate Beckinsale in shiny sexy leather. The vampires are standard cliche euro trash and everything in the movie is cliche as ****. However Lens Wiseman is a good action director so it's somewhat entertaining I'll admit but the script is just horrible. 2/5

4. Firewall - Another typical thriller movie that follows the same old formula. But it features HArrison Ford, Virginia Madison, and Paul Bettany so it's entertaining. To save a whole lot of time, any time I put two words, "FORMULA MOVIE" followed by a 3/5. It means you know exactly what's going happen but it's presented well and the performances are good so the movie is entertaining however it's nothing special.

5. Final Destination 3- If your a fan of fun horror movies than this is an awesome movie. If you like seeing interesting kills and rooting for people to die, again this is the movie for you. The kills are great, the characters don't make you cringe, and best of all it's speedy so it won't bore you. 3/5

6. Eight Below - FORMULA MOVIE - 3/5 - Paul Walker turns in a good performance, surprisingly, and the dogs are cute as hell.

7. 16 Blocks- Formula Movie - 3.5/5 - I got give this an extra .5 even if you see what's comign a mile away. Bruce Willis and Mos Def are very talented performers and Bruce really gives a good performance in this movie, and by the end your feeling for both characters so you'll be rooting for them. And Richard Donner's directing is very compentant.

8. The Hills Have Eyes - A very fun movies and somethign more original in the horror department. The film has good acting, decent characters, and scary ass mutants. The kills are fun, gruesome, and scary. The movie will ahve you rooting for the protagonist and you got love nililist endings. In the end I give this moviea 4/5.

9. Shaggy Dog- Formula Movie - 2/5 - Tim Allen and Robert Downy Jr., there's got be something memorable in it, if there in it!

10. Thank You For Smoking - 4/5 - One of the first good films of the year and hell it only took 3 months before it came! You got love the unbiased view of the film which leads to hilarious satire. One of the strongest points of the film is that it never loses sight of the fact that films are meant to tell a story and everything fits into the protagonist's story whcih leads to a very satisfying climax/ending. My problems with the film is that it's a bit too stylized, so I couldn't quite believe it, and I kept thinking it's just a movie, it didn't take me into it's world fully, so to speak. I also didn't like the way it was filmed, too damn bright.

11. Find Me Guilty - 4/5 - This movie changed my view of Vin Diesal, he actually has decent acting chops in him with the right director. Of course Sydney Pollack is noted for the performances he gets out of his actors. Vin Diesal will ahve you laughing the entire movie, he'll make laugh but he'll also make you really feel for him. However, the movie runs rather quickly, and feels a bit hollow due to the fact that the only character with any depth is Vin Diesal and everyone else feels like cardboard cutouts, so it's a bit of a tour de force, however in the end that's all the movie needs.

12. V for Vendetta - 3/5 - Far too much talking, too much exposition, too much pretencious bull****, and the fact that it was so obviously toned down. However it was a great cast and they really kept the movie going, and there was a bit of flair to the whole production so it's an entertainingly mediocre movie.

13. Inside Man - 4.5/5 - Inside Man is one of those just extremely well-made film, it's not great but it's better than good, it's the kind of movie that you can watch whenever because it's just a "fun" movie. Clive Owen turns in a great performance as the perfectly calm and planed out villain. Jodie Foster gives an excellent performance as the ***** in power. And well Denzel always kicks ass. Great cinematography and direction to boot. This my friends is a winner, plus it has a sweet ending

14. Lucky Number Slevin - 4.5/5 - (I wrote this review for my highschool paper) “Lucky Number Slevin” starring Josh Hartnett (Black Hawk Down), Morgan Freeman (Shawshank Redemption), Sir Ben Kingsley (Gandhi), Bruce Willis (Die Hard), Lucy Liu (Kill Bill), and Stanley Tucci (The Terminal). The movie sports an impressive cast, to say the least. “Lucky Number Slevin” script wise is heavy Noir influenced. Film Noir, a film style and mood primarily associated with crime films that existed during the 1940s through the 1960s. Primarily Film Noir was filmed in black and white and used shadows and darkness to create suspense. The plots of Film Noir were usually shrouded in mystery, until the end when everything comes to light. The world shown through the eye of Film Noir, is gritty and unhappy, the characters that occupied it are power-hungry or just looking out to save their own skins. The main character of most Noir Films seems to fit right in but has a mysterious past but somehow always saves the day. I bring this all to light because while watching Lucky Number Slevin I was deeply reminded of Film Noir. The movie shares none of the cinematic aspects of Film Noir as say “Sin City” (2005) but script wise it’s in many ways a child of Film Noir. The cinematic style of this movie is that of the contemporary pulp of our time such as “Pulp Fiction” (1994), “Snatch” (2000), “Layer Cake” (2004) with a dash of “Memento” on the side. This includes fast cuts, fast camera tracking shots, and the non-linear editing style. One of the reasons I love this movie is its use of editing. I like how the film-makers took great care and attention to showing you the point of view of all the characters. This is also why I’ve heard people complaining about the film being confusing and this is because there accustomed to linear story-telling. Where to get to point D, you go to point A, B, C, and then D all in a straight line. This film gives you the perspective of each character and it does this through editing. To go back to my points about Film Noir, it does not have the look of a Noir film but the way the story moves and it’s character it’s definitely been inspired by Noir. The story reminds me greatly of one of my favorite films and also Film Noir, “The Big Sleep” (1946), in “The Big Sleep” what starts off to be a very simple story evolves into this huge convoluted mess that seemingly all gets unraveled by the end and it’s a hell of a ride figuring it all out, and this movie seems to follow a very similar pattern. The characters themselves are all 2 dimensional caricatures in a very contained environment another very noir like attribute. For the actual emphasis of Noir has always been the mystery and all the character are merely pawns to pushing that agenda. The movie clocks in at a speedy one hour and fifty minutes. There is one very noteable attribute that this movie does not share with Film Noir which is that there is no femme fatal. Lucy Liu serves merely as romantic fodder and nothing else. As for the performances they were all just delightful, one in particular is Bruce Willis. In the words of AJ Salvatore, “Bruce Willis is like fine wine, he just gets better with age”. I like Bruce Willis because of his attention to detail, it’s the simply nuaces that he pays attention to that makes his work so delightful. I just saw Bruce Willis in “16 Blocks” and the way the characters move and talk is completely different, Bruce Willis rocks plain and simple. So if you wish to see a solid crime thriller that’ll keep you on your feet then check this out. If you enjoyed this movie I suggest watching “Pulp Fiction” (1994), “Snatch” (2000), “Layer Cake” (2004), “The Big Sleep” (1944), “The Man Who Knew Too Much” (1956), and “North by Northwest” (1959).

15. Scary Movie 4- 2/5 - What can I say it was lame and teh story sucked. There was two or three funny parts however where was the ****in King Kong that was in the poster

16. Silent Hill - 3/5 - This was a decent effort that sadly fell short. In the end the CGI looked a little too fake, the characters just a couple points shy from being truely genuine, and well it just was a little too stylized. However there are some truely cool scenes even if the ending is a little too out there.

17. Mission Impossible 3 - 3/5 - Another effort where it was close but no cigar. FIrst off this is probably the best of the series but that isn't saying much. First off I'm not buying Ethan Hunt's marriage, it just comes out of the blue. Second we have been following this character for two films and they pull most of teh **** out of there ass. SEcond we never actually know what the film is about, Phillip Seymour hoffman turns in a rather cliche performance, and the movie just goes all over the place. The movie fails to feel genuine, the way teh characters talk, waht happens, it doesn't feel authetic. Which is what really kills the movie in the end sicne it just feels like a bunch of random events strung together with no flow. However the action is good and hell the cast is entertaining.

18. Davinci Code - 2/5 -
The movie is okay, it's long and boring at parts but it's well made. The essential problem with the DaVinci code is that it's a straight adaptation of the book, it's exactly like the book except they cut out some things to get it down to a reasonable running time. The problem with that is, the only reason people even like the book is that it throws a bunch of psuedo-bull**** facts at you that you don't know if there real or not so it's exciting real, well in the transition of film talking heads reeling out facts doesn't exactly work quite as well. I give props to Ron Howard for trying to spice it up with flash-backs and illuminating letters and things but it doesn't quite cut it. The acting is laughable at times or perhaps that was the genius known as Tom Hanks. "THE GREATEST COVERUP IN HUMAN HISTORY" "OH NO IT CAN'T BE"... like so many different cliche lines found there way in but that's more of a testament to Dan Brown's pedestrian writing style. But my personal favorite was, "QUICK I NEED TO GET TO A LIBRARY!" But the cast none the less is pretty impressive, I mean any movie that contains Darth Sideous(Silas), Doc Oct (Bishop Dude), That guy from Godzilla(Reno), and Magneto (Trelib) is impressive... Also the original book as inferred before was not greatly written, as I said before it's greatest strength is the pseudo-bull**** it spurts out, it's charaters were 2d cutouts and still are. So the movie falls a bit flat since you could care less about most of the characters, at least in the book there was more backstory for this. The Bishop didn't come off as a complete prick and was just doing what he thought was his job, he was misguided, Silas you felt for cuz of his troubled past, Reno's character you felt for cuz it gives a reason why he so determined, etc... But in this it's just all about moving the plot along so it gets flat. The ending IS SO BORING! IT JUST WON'T END! And one last complaint there are things in this movie that simply happen and don't make sense. But in the end the movie was well directed and well made, and the story is entertaining too bad it was meant to be read as a book.

19. Over The Hedge - 4/5 - It might follow formula but the voice acting is great, the animation is beautiful, and best of all it's actually funny. So heart gives this movie a trump over the usual formula laden animated movies out there.
 
20. X-Men Last Stand 2/5 - I'm not going lie, I did enjoy parts of this movie. That's the thing there are some good parts but it feels so disconnected that it's nearly impossible to feel for the characters, and most of those parts are the action scenes. The SFX was really good but it's a shame not a lot of it was put to good use. I mean none of the scenes really top the awesomeness of the nightcrawler scene in the beginning or the tornado jet scene of X2. There are some nice mutant moments such as the Juggernaunt running through the walll scene or the bridge scene but all in all same old same old for me. The script is just bad, there are some great ideas but the execution is horrible. I think the problem is they took three established comic stories and then try to infuse them all together, and stray too far from the source material but didn't go far enough. What I mean is, these three stories were not written into one big story but as if they just took each of them and just threw them in and loosely tie them all together by using characters that were barely in teh script and just use at oppertune times to keep the script rolling. For example the Dark Pheonix story is completely changed except for the actual concept but the first forty-60 minutes really just focus on that and then all of a sudden she disappears really into the background till the very end. The cure story line is merely just an excuse to start the war and introduce angel, it barely impacts anything and they dont' even use it to touch the philosphical questions that X1 and X2 usually do. And then the war was so unbelievably pathetic it encompassed two scenes and then it was done. The writers were so unbelievably lazy, it'd be like there writing a scene and then instead of trying a creative way of getting to next part they just pull some mutant out of there ass use him for 5 minutes and forget about him. None of the characters have any character development what so ever, there pretty much exactly the same as they are in the beginning and end. But to give the actors/actresses credit, they somehow manage to get some mileage out of the script they were given and kelsy grammar was awesome.. The movie is mediocre with some enjoyable scenes, just wait for the rental...

21. Prairie Home Companion - 4/5 - This was a great, heart-warming film. Now I'm not very familiar with Altman's work outside of Mash (1970) and Dr. T and the Women (2000), Mash being great and Dr. T and the Women being all right. So on to the review... First off this is an ensemble piece and this is where it's most successful since every character introduced you care about. Every character is unique with there idiosyncrasies. The movie moves right along as you go through various character arcs, and learn all about there little world as you see it torn away from them. There are couple of things that for me kind of slow down the movie, first off was the angel, I just didn't dig the angel that much she just kind of did nothing but walk around and slow the movie down. Also the ending gets really slow since there was no focus on it till the end when they needed to wrap things up. But the ending is very heart-warming and nice. What cacn I say, it's a solid movie, that's very old school funny.

22. Fast and the Furious 3- 3.5/5 - I, truely believe any good action movie needs to have a great opening sequence Matrix, X2, and more have one and Fast and the Furious 3 delievars with a great race scene in the beginning. Let's not be mistaken folks, Fast and the Furious is trashy B-Movie cinema but it's entertaining and that's all that matters. From what I remember of FF2, it was disappointing and took itself far too seriously which made it laughable and if I remember there were homosexual undertones. So it was nice to see FF3 go in the completely opposite direction which is what the opening scene demonstrates. What I like about this movie is the complete over-the-top route this movie took with the races and scenes. The races are great, there balls to the wall fun, and completely ridiculous. Also the cinematography for this movie is great which makes the races really thrilling. But this movie has it share of flaws. I really like the film star Lucas Black I thought he was great in both Friday Night Lights and Jarhead but here he's given nothing more to do that look bad ass. One of the film's flaws is the story, though this movie is trashy cinema, the story in this feels so poor, and just forced. It's like it's just there to fill the remaining minutes in between the racing. Another is the racing itself, it so over-the-top by like halfway through the movie they kind of shot there wad and the racing gets somewhat boring. But through-out the movie they manage to keep that kinetic energy rolling so if your a man you'll enjoy the movie the whole way though and the cameo at the end was a nice touch. So if your bored on a saturday night and your in blockbuster and see this, give it a rental.

23. Nacho Libre - 1.5/5 - Crappy movie about absolutely nothing, the movie goes absolutely no where just like Napoleon Dynomite. I barely even remember it

24. Superman Returns - 2/5 - My worst fears were confirmed with this movie, it's the sequal that was 20 years too late. Don't get me wrong I absolutely love the original Richard Donner Superman and eagerly await his cut of the film with the new DVD release, but this movie kind of pissed on everything I love about film and art which is the constant emergence of new ideas and taking things to different places. Though I often will bring up my distain for things about Batman Begins, I believe I've always firmly said I enjoyed it and respected it because it was something new and went somewhere new. Superman Returns is just retreading water.

First off the entire look and style of the film goes completely hand in hand with the Richard Donner films right down to the beginning credits, music, and even Marlon Brando as Jor-El. Though it feels far too polished to the point of being highly stylized and fake, unlike the original Richard Donner Version. Then let's move on to characters, I'm not going lie I would rank Lois and Clark: The New Adventures of Superman over this, why? BEcause I actually gave a damn about the characters. This movie takes for granted the fact there dealing with characters that are so highly known and assumes we'll immediately care about them. One of the things that makes Superman appealing at all is the duality of Clark Kent and Superman, something that was actually covered if I remembered in the Donner version was that duality, that Kal-El uses the Clark KEnt persona to find his humanity, Clark Kent in this big screen adaption serves as nothing more than an excuse for comic relief and is there just for the hell of it. The super-man character has basically no character development at all, except for the scenes where he's creepily stalking Lois Lane and her kid. I find it funny that the only character I really could give a damn about was Cyclops, he has some dept to him, he seem to genuinely care about Lois and was caught in a ****-storm he couldn't of predicted. ANd then there's Lex Luthor, people ***** and moan about Hackman's Luthor but it went with Richard Donnor tone and what not, and was very enjoyable. LEt me first say Kevin Spacey Luthor is enjoyable but it feel so rehash of Hackman's Luthor, that the entire movie feels like been there and done that, and god... why are they still treating luthor like a moron. The litte kid was just hilarious in a bad way, it was so cheezy and predictable. And god, that whole ending drags so incredibly long... Another huge problem with the movie is how unbelieavably ****ing anti-climatic it is. Every scene has these long tension build ups which fail miserably because it was so predictable how superman was going come in and save htem, there was no tension cuz you knew superman would save the day, and you knew superman would never die by kryptonite. Part of what make superman interesting is his duality and the morality of others, none of which was touched on really which made it kind of boring actually. Also the FINALE SO WEAK! He lifts a ****ing land-mass at the end? Come on...

But on to the good and why I give it a 2, besides all those things, it really is well-made. It's unbelievably beautiful picture I must say, some of the shots are just like visual poetry. I also grew to dig the suit and the effects are top notch, along with music. Also the guy who played Perry was absolutely terrific. And the whole movie really is well made but saddly it feels like a rehash of Donner's sequal, and with the poor characterzation of Superman you really can't feel his plight with Lois Lane.

25. Scanner Darkly - 2/5- This is sad because I've been looking forward to this movie for a long time, it was suppose to be THE PHILLIP K. DICK MOVIE EVERYONE WAS WAITING FOR but intend Linklater just turned it into a a hour and half reflection on his drug experiences. It's like Linklater was looking for an excuse to make a movie about druggies and to try out his lovely rotoscoping techique. But on to the plot first...

The plot of this movie is in the future America has lost the war on drugs and there's a new highly addictive drug on the block called Substance D, so they've set up this Big Brother type organization with these agents called Scanners, who go deep undercover and spy on druggies to find the top dog. Keanu Reeves character is a scanner but he's also a druggie, which side is he on? This plot sounds awesome right? Too bad 3/4s of the movie is just episodic cliche druggie antics. Maybe it's because I have a couple of pot-head friends, and essentially this what they act like, it's like Linklater just went made another stoner film, and even if I didn't have friends, you immediately know who these characters are, they fit very specific stereotypical druggies, so there was no need for exposition, you could cut out I'd say 70 minutes of the 100 minute movie and still be able to perfectly understand the movie. That's the main problem with the movie is, it was advertised and even has the name of a sci-fi flick but it's more like a druggie film if anything. The coolest bits of the films are the sci-fi parts such as the opening speech, the climax, and the ending. Everything else is completely useless.

As for style and camera techique, the rotoscoping is completely useless here except for the one or two scenes of people having delusions, I have a strong suspicion that the reason they used rotoscoping was for the gimmick of it(but I hear waking life is great). I mean there's nothing more truthful than the eye of a camera to a script, I mean if this movie could of been filmed regularly and would not lose anythign the process, and it truely would be a forgetable flick.

The acting in the movie is solid enough, and it's the actors that keep this movie afloat, I mean I'd be lying if I said the druggie adventures in this movie weren't entertaining and funny, but by the time you get to the climax it's become old-hat, shallow, and down-right unsatisfying. Also the ending runs FAR too long, and it has to do with "changing-gears", you can not do this, I'm sure there are some movies that do it successfully but most movies, it throws the audience off guard, feels like the movie already ended and where seeing a really long epilogue that should end. After a movie of meaningless druggie episodes where treated to a great climatic sci-fi scene, and a 10-20 minute sci-fi/thriller ending, which just becomes really boring because by this time you now want leave because that's not what the movie was at all and this feels tacked on. But in the end, decent acting, good concepts/themes, along with some decent sci fi keep the flick a float enough to give it a 2.

26. Clerks 2 - 4/5 - I had my reservations about this movie but in the end it turned out great. It follows the "French Connection Sequal" formula as I call it. Which is the first movie was about the life of a Clerk, I mean we did get an insight into the characters but the focus was the life of a clerk, and it was very funny. The sequal on the other hand is a focus on the characters with the life of a clerk as the backdrop which is perfectly fine, it's this very subtle shift which makes Clerks so successful, it gives us something different while not betraying spirit of the movie, but with that said I hope there isn't anotehr one and I'll explain at the end why.

It'd be pointless to mention anything about visual style or things like that with a Kevin Smith film, he says it himself he's more into the writing side than anything else so this review will focus mostly on the plot. The story takes off 10 years after the first one, the clerks convience store has burn down and now there working at a fast-food restraunt, one, Randal, is perfectly content with life, the other, Dante, is not and is moving to Florida with his soon-to-be wife to live the life he always wanted or so the thought. It kind of a "25th Hour" type movie since it chronicles the last day of Dante Hicks last day as a Clerk. This is why I love the movie, it's a deep character study of what america would consider a failure of a man and how he dealing with that.

As for the comedy, it's HYSTERICAL! All the characters are in top-form and I love the evolution of a lot of the jokes especially with Jay and Silent Bob. Now my only real complaint with the movie is some of the acting is wooden and crappy, it's few and far between, and it might have to do with on-the-nose dialogue at some parts but it's enough to drag it down ot a 4 instead of an out-right 5.

So at the end of the movie your left with a character who's arc is completed and deeper insights into these character and a nice feel-good ending. So that's why I don't think I'd want a sequal becacuse even with the French Connection, you've covered all the ground can cover, you covered there profession and you cover who they are as people, and you have concluded there arc, to do another one would cheapen it.
 
27. Lady in the Water - 3/5 - M. Night Shyamalan is an arrogant bastard and now it's greatly affecting his work. This is by far one of the most self-indulgent movies I've ever seen. The plot of this movie is Paul Giamotti manages this apartment housing building called "The Cove" and one night he finds a girl who nearly drowns in the pool, apparently she's a magical mermaid who needs to get back home. First off the visual style of this movie is great, the atmosphere is just right, it's mystical enough for a fairy tale but real enough to keep up intrigued, and there's just enough fear to keep us on our toes.

The problem lies mainly in the script it feels like a first draft that was devoid of any critisms. For example the entire movie feels far too perfect and coincidental, along with lame plot-devices. For example the movie uses as a crutch, this asian family to keep telling bits and pieces of the fairy tale, it gets lame and trite fast. Hell there's a reviewer character in the movie that is like M. Night jerking himself off with his own opinions about film and things, when he dies, it's the most self-indulgent non-realistic human emotion I've ever seen committed to film. Most of the cast is quite annoying, especially the asian girl, Jeffery Wright is cool and Paul Giamatti is great. And the movie's climax is absolutely beautiful.

It's the movie self-indulgence that kills it because at every turn, it slaps you in the face and takes you out of the moment, this biggest killer for a movie is when your reminded your watching a movie. And what I mean by a first draft is nothing feels quite natural, and then there's M. Night putting himself in the movie, something about it irks me and I think it's because he's not an actor and it feels self-indulgent as well. M. Night's movie are bombing now because of this arrogance and I believe he's going hit rock bottom soon, and going come back with an amazing film like Sixth Sense once his arrogance is lost.

28. Miami Vice - 3.5/5 - Miami Vice isn't perfect primarially due to it's pacing and script structure. The film chronicles the lives of two undercover Miami PD undercover cops, Crockett and Tubbs. The film opens, depending on which version your watching, with Crockett and Tubbs handling a routine op which is completely interupted by a distressed informant from a previous case calling them. Apparently they had turn this over to FBI months prior and the FBI agents working the case were murdered, there's a leak in the division, since Miami PD wasn't involved, Crockett and Tubbs are sent in to find the leak, on there quest, they get in deeper than they ever imagine, but will they know when to pull out?

The over-all plot to the film isn't bad at all, the problem as I mentioned before is pacing. The film lacks any real tension, absolutely nothing goes wrong for Crockett and Tubbs till the last thirty minutes of the film. This creates a monotonous stream of visuals, also to add insult to injury the film is loaded with detail. It'll take you at least two viewings to pick up everything said in the film from OPs to drug trading. Editing is also indulgent, scenes run a bit longer than they should as if to force you to take in the beauty of the shots.

The bad is essentially the technical aspects of making a film in terms of how much you should edit something down, how the story should flow. But there some real passion in the film-making and it clearly shows. Also with a repeated viewing, you realize this isn't suppose to be a normal film, it harkens back to French Connection in which the film shows the nuts and bolts of police work. Jamie Fox and Colin Ferrel are just a joy to watch, since there the epitome of bad-ass, and they have excellent chemistry. Besides the main terrorist leader, I'd say everyone in this film completely owned there roles. Also the sheer detail detracts from pace but adds in replay value since if your drawn into the world of Miami Vice, it's really cool to see. The cinematography is excellent, it's used to further give a more documentary type feel than a film.

In the end, if your interested in crime thrillers and you have a high tolerance for slower-paced films, then you should check this out. But don't get in expecting a Collateral or Heat since this is more about police work and characters, then the story.

29. Scoop - 4/5 - Coming off of the critically acclaimed "Match Point" is a return to more familiar territory, comedy. The film is hysterical and had me laughing the entire film. The plot is a student newspaper jounalist(Scarlett Johansson) is visited by a spirit from the beyond with the scoop of the century, that a very rich lord in Britain is a serial killer, so it's up to her to get it, joined with a traveling nay-sayer magician(Woody Allen). First off Scarlett Johansson is ****ing HOT but that saddly doesn't change the fact, actually enforces it, that all her roles since "Lost in Translation" she is nothing more than sexual fodder. She gets by well in this role not because of her acting skills but because she is a hot, naive, young girl who over-plays her role, in some cases it heighten the jokes the bad acting, other times it's down-right annoying. In the end I think it plays to the movie strength. Woody Allen is great as always though he's playing the same character he's been playing since Annie Hall which is that loveable overly worried jew we all love. Hugh Jackman is instantly likeable and he plays his character so well, that the entire movie your rooting that he isn't the killer.
Back to the plot of the film, it's a good plot for a comedy, it has good characters that you care about but the plot isn't too thick that the jokes ever let up. But the ending has one of those very rushed, stuff just happens really fast, and other stuff just pops out of no where kind of quality, and there's a certain something that happens, that just feels more like a half-hearted attempt to just pack in another joke in before the ending. All in all a very funny light comedy from Woody Allen.

To those who've seen the movie I just watched "Place in the Sun" (1951) which has a very similar plot to Match Point, and it also features a woman who can't swim good and her demise in that movie well let's say is very close to that of the ending to Scoop, it's almost as if Woody Allen were intentionally putting this joke in for those who could pick it up...

30. Talladega Nights: The Ballad of Ricky Bobby - 3/5 - FORMULA MOVIE - However it's very funny, and the reason I like Will Ferrel movies is it has a character I Can feel for so I'm not laughing at indiviual skits but at the movie as a whole SHAKE AND BAKE!

31. World Trade Center - 4/5 - I thought the film was great for what it is, it does exactly what it was advertise as is, which is bring you into the after-math of 9/11. First let's get out of the way the issue on everyone's mind, does Stone use this movie to Soap Box? The question is no, and he even makes George Bush look kind of good. His use of camera angles, sound, and script are all working together to make a powerful piece of two men struggle under 9/11. But as for the movie outside of that it lacks much depth. I mean everything takes the precharted course as you'd predict, it simply about two men trapped underneigth the rubble. This isn't a bad thing mind you, but I doubt I'll go back and watch this again. But all in all it's a solid flick, that should be watched at least once in your life-time.

32. The Illusionist - 4/5 - Edward Norton and Paul Giamatti give stunning performances in this piece. Jessica Biel is limited to very few lines which is great because she sucks. The film has a wondeful sense of style that harkens back to the movie Dr. Caligarli*SP and other expressionist films. The story will keep you guessing. This is a must-see!

33. Snakes on a Plane - 3/5 - I was a big fan of Ellis' Final Destination 2, which I consider to be the best in the series. In fact, I might of been more incline to rush out to see this had I know he was behind the helm, but alas I did not find this out till I was sitting in the seat and saw his name up on the silver screen. First off this is not the end all be all of B films, sorry that goes to Evil Dead 2. But it's a flick that's earned it's place right beside Bruce Campbell and Vicent Price.

The plot if it isn't already known simply based on the title is as follows courtesy of IMDB.com:

Nelville Flynn escorts a witness onto a plane headed for Los Angeles. Problem is, an assassin who is bent on killing the witness has released a crate containing about 450 snakes onto the same plane. Nelville finds out and he's bent on doing his job and getting the snakes back where they belong; on land. Or in snake heaven, where they'd be harmless. But can he get the snakes off the plane before it's too late?

---

Let me get to the main problem with Snakes on a Plane which I can't pin-point is the film's fault or the hype the company created around it. Which is it feels forced at times, or I'd rate it higher. Part of the problem is the script is dull and lack any energy what so ever. All the thrill and excitement is brought to the screen by cast and crew. Because I can pretty much guarantee that if you read the script it'd be boring as hell. Because it's pretty obvious some crappy screen-writers were writing a serious script(the guy who wrote the Big Bounce wrote this), and it wasn't till Jackson got hold of it, it took off. So what does this lead to? Mix signals, there's a positive and a downside. The negative, I already said, is that it's kind of dull at points and the cheese is forced. The positive is that it's not stupid wink wink look at how cheezy we are, which I liked.

I liked how none of the actors hammed it up, and the only guy who induced cringe like moments was the guy in the witness protection program. There were lovely cheeze moments like the gratutious sex in the bathroom was hilarious. A lot of the Snake kills were great and I love the pilot. There was a good cast in place and the movie benefited from it. I like how Samuel played his character with respect and like any other role, and it showed. The snake cgi was great because it had the effect of what it'd be like if it was made in the 60s with rubber snakes which is crappy. I like the variety of snakes. I thought the sub-plot with the snake doctor was useless and drag the film down. Over-all the film is fun but it slow cuz of the script's lack of excitement.

34. Crank - 4/5 - This film was an awesome mindless acton flick! Balls to the wall action and excitement. I like how the movie gets to the point straight from the get-go with no exposition, since the director seem to have the sense to realize he wasn't crafting a hugely deep film and his character was the same character we all know and love, that gritty hitman with a heart, so there was no need for expoisiton we could just fill in the blanks. The pace is fast, and there's some action at least every five minutes. The short running time of 80 minutes was great, since the movie never gets too bog down. But don't worry there's still character development and you grow to love teh characters, thus making the action not worthless. There's plently of memorable scenes, and an ending that'll send you for a doozy. My only beefs are as follows. The movie strides a fine line between riduculeness and reality, it doesn't go head first in to ridiculouness/self-parody like Transporter 2, but at times it does trip over the line, these times does cause an eye-brow to be raised, and some of the gratuious nudity/violence wasn't needed, and felt un-natural, like it didn't seem very Statham like. Over-all I liked it more than Transporter 2 because while self-parodies are fun, when it can be done in a somewhat serious manner it's even better.

35. Hollywoodland - 4/5 - Ben Affleck gives the performance of his career with an excellent ensemble cast to boot. Adrien Brody does good with what he's given but it's pretty standard stuff. The movie has an excellent plot and the story will keep you guessing. It also has characters that are intruiging and keep you interested. However the direction is dull and slows the film down, and keeps it from being a smash hit
---
I'm lazy, I'll finish this later...
 
You saw 52 movies this year? :huh::dry:
I saw, like, 8. :o
 
The Short and Skinny Version:
1. Hostel - 1/5
2. Glory Road - 3/5
3. Underwold Evolution - 2/5
4. Firewall - 3/5
5. Final Destination 3 - 3/5
6. Eight Below - 3/5
7. 16 Blocks 3.5/5
8. The Hills Have Eyes - 4/5
9. Shaggy Dog - 2/5
10. Thank You For Smoking - 4/5
11. Find Me Guilty - 4/5
12. V For Vendetta - 3/5
13. Inside Man - 4.5/5
14. Lucky Number Sleven - 4.5/5
15. Scary Movie - 2/5
16. Silent Hill - 3/5
17. Mission Impossible 3 - 3/5
18. Davinci Code - 2/5
19. Over The HEdge - 4/5
20. X-men Last Stand - 2/5
21. Prarie Home Companion - 4/5
22. Fast and the Furious 3 - 3.5/5
23. Nacho Libre - 1.5/5
24. Superman Returns - 2/5
25. Scanner Darkly - 2/5
26. Clerks 2 - 4/5
27. Lady in the Water - 3/5
28. Miami Vice - 3.5/5
29. Scoop - 4/5
30. Talladega Nights: The Ballad of Ricky Bobby - 3/5
31. World Trade Center - 4/5
32. The Illusionist - 4/5
33. Snakes on a Plane - 3/5
34. Crank 4/5
35. Hollywoodland - 4/5
36. Departed - 4.5/5
37. Texas Chainsaw Massacre: The Beginning - 2/5
38. Flags of Our Fathers - 3.5/5
39. The Prestige - 4/5
40. Borat - 5/5
41. Stranger than Fiction - 3/5
42. Casino Royale - 4.5/5
43. Happy Feet - 3.5/5
44. Tenacious D - 2.5/5
45. Apocalpto - 1.5/5
46. Blood Diamond - 4/5
47. Rocky Balboa - 3.5/5
48. Eragon- 2.5/5
49. Devil Wears Prada - 4/5
50. Fearless - 4/5
51. Night at the Museum - 3.5/5
52. We Are Marshal - 3.5/5


what a terrible terrible rank
 
You rated Night at the Museum higher than V for Vendetta?

Goodbye credibility.
 
DAMMIT! I forget to put CLerks 2 on my best list! Motherf***er!
 
1. The Departed - 5/5
2. Superman Returns - 4.5/5
3. Clerks 2 - 4/5
4. V For Vendetta - 4/5
5. Scoop - 3.5/5
6. Mission: Impossible 3 - 3.5/5
7. Talladega Nights: The Ballad of Ricky Bobby - 3.5/5
8. Pirates of the Caribbean - 3/5
9. X-Men: The Last Stand - 2/5

Yeah, that's all I've seen so far. :down
 
Wow!

You saw a lot of bad movies in 2006. If you're going to continue being an elitist ******* toward other people and criticize their taste in movies (like you did to me in the thread I made in November regarding Peter Jackson), have at least some credibility to justify yourself and exemplify your "refined" taste in movies. Your list illustrates that you just saw manufactured, pop-culture Hollywood blockbusters—probably because they're the simplest and easiest to understand.

You're a pathetic phony whose taste in movies is terrible and unworthy of being labeled elitist.
You must have a chip on your shoulder the size of Mount McKinley.
 
Nacho Libre's fantastic, but it's just not for everyone. You'll love it or hate it.
 
1. Clerks 2 did not end on a happy note. If you notice when Dante says this is the first day of the rest of our lives. They go from happy to a kind of sudden realization. Of did I make the right decision.

2. Lady In The Water was only self indulgent because of all the negative publicity he received before the movie. I firmly believe that disney went on a witch hunt to tarnish his name, & some people bought into it. It also doesn't help that the critics are so insecure, that they couldn't stomach having there own crap thrown back at them.

Every one pisses, & moans about the lack of originality. Then along comes a good original film, & people piss all over it. I still don't get how Night is considered self indulgent, or Egotistical. I have not seen one shread of proof anywhere that shows this.

What I have always seen is a man that knows what he wants in a movie. Good, bad it doesn't matter. He knows what he wants, & he knows what he doesn't want. If you are going to fault him for that, then you have to fault great filmmakers like Kubrick, & Hitchcock.

If I based what I watch on personal feelings Roman "The Peder-Ass" Polanski would be dead to me.
 
1. The Departed - 5/5
2. Children of Men - 5/5
3. V for Vendetta - 4.5/5
4. Superman Returns - 5/5 (it's a love it or hate it movie, that's why I ranked this fourth)
5. Mission Impossible 3 - 4/5
6. Happy Feet - 4/5
7. The Da Vinci Code - 3.5/5
8. Pirates of the Caribbean: Dead Man's Chest - 3/5
9. X-Men 3 - 3/5
 
Lady In The Water was only self indulgent because of all the negative publicity he received before the movie. I firmly believe that disney went on a witch hunt to tarnish his name, & some people bought into it. It also doesn't help that the critics are so insecure, that they couldn't stomach having there own crap thrown back at them.

Every one pisses, & moans about the lack of originality. Then along comes a good original film, & people piss all over it. I still don't get how Night is considered self indulgent, or Egotistical. I have not seen one shread of proof anywhere that shows this.

What I have always seen is a man that knows what he wants in a movie. Good, bad it doesn't matter. He knows what he wants, & he knows what he doesn't want. If you are going to fault him for that, then you have to fault great filmmakers like Kubrick, & Hitchcock.

Thank you.
 
1. Clerks 2 did not end on a happy note. If you notice when Dante says this is the first day of the rest of our lives. They go from happy to a kind of sudden realization. Of did I make the right decision.

2. Lady In The Water was only self indulgent because of all the negative publicity he received before the movie. I firmly believe that disney went on a witch hunt to tarnish his name, & some people bought into it. It also doesn't help that the critics are so insecure, that they couldn't stomach having there own crap thrown back at them.

Every one pisses, & moans about the lack of originality. Then along comes a good original film, & people piss all over it. I still don't get how Night is considered self indulgent, or Egotistical. I have not seen one shread of proof anywhere that shows this.

What I have always seen is a man that knows what he wants in a movie. Good, bad it doesn't matter. He knows what he wants, & he knows what he doesn't want. If you are going to fault him for that, then you have to fault great filmmakers like Kubrick, & Hitchcock.

If I based what I watch on personal feelings Roman "The Peder-Ass" Polanski would be dead to me.

Did you not notice how M. Night cast himself as the author who writes a book that will allegedly inspire millions? That doesn't sound self-indulgent?
 
Gonking, so why is my ranking terrible?

Superman Returns?

24. Superman Returns - 2/5 - My worst fears were confirmed with this movie, it's the sequal that was 20 years too late. Don't get me wrong I absolutely love the original Richard Donner Superman and eagerly await his cut of the film with the new DVD release, but this movie kind of pissed on everything I love about film and art which is the constant emergence of new ideas and taking things to different places. Though I often will bring up my distain for things about Batman Begins, I believe I've always firmly said I enjoyed it and respected it because it was something new and went somewhere new. Superman Returns is just retreading water.

First off the entire look and style of the film goes completely hand in hand with the Richard Donner films right down to the beginning credits, music, and even Marlon Brando as Jor-El. Though it feels far too polished to the point of being highly stylized and fake, unlike the original Richard Donner Version. Then let's move on to characters, I'm not going lie I would rank Lois and Clark: The New Adventures of Superman over this, why? BEcause I actually gave a damn about the characters. This movie takes for granted the fact there dealing with characters that are so highly known and assumes we'll immediately care about them. One of the things that makes Superman appealing at all is the duality of Clark Kent and Superman, something that was actually covered if I remembered in the Donner version was that duality, that Kal-El uses the Clark KEnt persona to find his humanity, Clark Kent in this big screen adaption serves as nothing more than an excuse for comic relief and is there just for the hell of it. The super-man character has basically no character development at all, except for the scenes where he's creepily stalking Lois Lane and her kid. I find it funny that the only character I really could give a damn about was Cyclops, he has some dept to him, he seem to genuinely care about Lois and was caught in a ****-storm he couldn't of predicted. ANd then there's Lex Luthor, people ***** and moan about Hackman's Luthor but it went with Richard Donnor tone and what not, and was very enjoyable. LEt me first say Kevin Spacey Luthor is enjoyable but it feel so rehash of Hackman's Luthor, that the entire movie feels like been there and done that, and god... why are they still treating luthor like a moron. The litte kid was just hilarious in a bad way, it was so cheezy and predictable. And god, that whole ending drags so incredibly long... Another huge problem with the movie is how unbelieavably ****ing anti-climatic it is. Every scene has these long tension build ups which fail miserably because it was so predictable how superman was going come in and save htem, there was no tension cuz you knew superman would save the day, and you knew superman would never die by kryptonite. Part of what make superman interesting is his duality and the morality of others, none of which was touched on really which made it kind of boring actually. Also the FINALE SO WEAK! He lifts a ****ing land-mass at the end? Come on...

But on to the good and why I give it a 2, besides all those things, it really is well-made. It's unbelievably beautiful picture I must say, some of the shots are just like visual poetry. I also grew to dig the suit and the effects are top notch, along with music. Also the guy who played Perry was absolutely terrific. And the whole movie really is well made but saddly it feels like a rehash of Donner's sequal, and with the poor characterzation of Superman you really can't feel his plight with Lois Lane.

You rated Night at the Museum higher than V for Vendetta?

Goodbye credibility.

z0mg he rated Night at the Mueseum a full .5 higher than this pretencious movie that made me feel smarter than everyone else!!! A couple of things, I can respect people for having a difference in opinion especially if they liked V for Vendetta since it's all a matter of opinion. However to say one does not have credibility for liking Night at the Museum more is childish and quite ridiculous. Considering that I rank these movies against there genres and intent. All Night at the Museum was trying to was be a light movie that was entertaining and satisfying, it had some really cool special effects and had a great cast that makes it really entertaining. V for Vendetta found itself in the mold of an action movie while really at heart it was a political thriller, it ends up coming off pretencious with it's boring preaching.... That's my take on it... It's a fully justified take and anyone with an iota of sense would see that if anyone loses crediablity, it'd be you for making such an assine assumption.

Lady in the Water 3/5??

Second the goodbye credibilty part.


I stated perfectly valid reasons, it was a great idea but the movie had a terrible execution due to the film-makers indulgence. Please read my review...


:csad: I own Nacho Libre:csad: ...

I'm glad you enjoyed it, no shame in having a difference in opinion, I just didn't find it entertaining.

1. Clerks 2 did not end on a happy note. If you notice when Dante says this is the first day of the rest of our lives. They go from happy to a kind of sudden realization. Of did I make the right decision.

2. Lady In The Water was only self indulgent because of all the negative publicity he received before the movie. I firmly believe that disney went on a witch hunt to tarnish his name, & some people bought into it. It also doesn't help that the critics are so insecure, that they couldn't stomach having there own crap thrown back at them.

Every one pisses, & moans about the lack of originality. Then along comes a good original film, & people piss all over it. I still don't get how Night is considered self indulgent, or Egotistical. I have not seen one shread of proof anywhere that shows this.

What I have always seen is a man that knows what he wants in a movie. Good, bad it doesn't matter. He knows what he wants, & he knows what he doesn't want. If you are going to fault him for that, then you have to fault great filmmakers like Kubrick, & Hitchcock.

If I based what I watch on personal feelings Roman "The Peder-Ass" Polanski would be dead to me.

1. It's happy in the sense that Dante and Randal have finally found there place, I mean Randal is a pretty ****in happy guy running the video store and that's enough for him. It was a happy ending to me.

2. To each his own, obviously a comment like a film is self-indulgent is very subjective. Plus originality only goes as far as how well the execution is. There are plenty of unoriginal and cliche movies that are executed very well which is what makes up most of the 2006 movie list, and there all entertaining in there own way. Lady in the Water was original, but the script was garbage and needed another rewrite. The laziness in writing is very apparent, especially how easy everything was. But I did enjoy the climax, this is my opinion, to each his own.
 
The Short and Skinny Version:

(Listed in a somewhat Chronological order)
1. Hostel - 1/5:Agree
2. Glory Road - 3/5: Never saw it.
3. Underwold Evolution - 2/5: I'd give it 2.5 was entertaining
4. Firewall - 3/5: Didn't see it,it looked bad,like HFord,but /shrug
5. Final Destination 3 - 3/5: give this 1.5,it wasnt very good,wasn't a improvement over second.
6. Eight Below - 3/5:Never saw
7. 16 Blocks 3.5/5: Neve saw,had no interest,have to rent it I guess.
8. The Hills Have Eyes - 4/5:Never saw,not a big fan anymore of this genre
9. Shaggy Dog - 2/5: Never saw,nor heard of this movie?
10. Thank You For Smoking - 4/5: havent seen yet, rented it,but haven't watched it yet...
11. Find Me Guilty - 4/5: Never heard of it?
12. V For Vendetta - 3/5: Give this movie 4.5 had good story,action etc..
13. Inside Man - 4.5/5: Never saw,not a big danzel fan...
14. Lucky Number Sleven - 4.5/5:Had no interest in this?Might rent it.
15. Scary Movie - 2/5: was okay 2 is about right,tired of this series.
16. Silent Hill - 3/5: I'd give it 4 I thought visualy/cinemitography was outstanding.
17. Mission Impossible 3 - 3/5: heh, its okay so 3 is about right.
18. Davinci Code - 2/5: I'd give it 2.5 maybe 3,liked some of the visuals for backround parts..
19. Over The HEdge - 4/5:Not a big animation fan,but Ive heard it was good.
20. X-men Last Stand - 2/5: 2 is right,I'd rate it lower if it wasn't for Jean Grey's scenes..
21. Prarie Home Companion - 4/5:Never heard of it?
22. Fast and the Furious 3 - 3.5/5:Only good thing was music and first race scenes and cars(vin deisal cameo), so 2.5
23. Nacho Libre - 1.5/5: Hate jack black for some reason,didnt see this movie.
24. Superman Returns - 2/5: I'd give it 3.5,no real action,but loved the story overall(ya can't rate this lower than fast furious 3,lol)
25. Scanner Darkly - 2/5:Haven't seen it,not sure why,heard it was slow.
26. Clerks 2 - 4/5 - 73.5:Agree was a good entertaining movie,just Dante got on my Nerves alot..
27. Lady in the Water - 3/5:Never saw,the guy lost his touch..
28. Miami Vice - 3.5/5: I'd say 3 most,story was so so,but visually was very good.
29. Scoop - 4/5:Never saw it.
30. Talladega Nights: The Ballad of Ricky Bobby - 3/5: ehh, maybe 2 really didnt think it was funny.
31. World Trade Center - 4/5: Was so-so,maybe 3 overall.
32. The Illusionist - 4/5: never saw,keep meaning to rent it,but haven't yet.
33. Snakes on a Plane - 3/5: so-so,was somewhat entertaining so 2.5.
34. Crank 4/5: In ways better than Transporter series,more fun of a movie,stunts aren't as far fetched,but maybe 3.
35. Hollywoodland - 4/5:Never saw,but wanted to,liked the old superman show...
36. Departed - 4.5/5:Never saw,will rent it eventually..
37. Texas Chainsaw Massacre: The Beginning - 2/5: Not a big fan of Texas Chainsaw movies,so never saw it.
38. Flags of Our Fathers - 3.5/5:Sorely disappointed in this,book was good,movie was bad..2.5
39. The Prestige - 4/5:never got around to seeing it.
40. Borat - 5/5:Refused to see,and mainly not a big comedy fan.
41. Stranger than Fiction - 3/5: Never saw.
42. Casino Royale - 4.5/5:Like apocalpto; time I got around to wanting to see it, was on late shows only..
43. Happy Feet - 3.5/5:Never saw.
44. Tenacious D - 2.5/5:No thanks...
45. Apocalpto - 1.5/5:Never saw;by the time I wanted to see it,it was only on late at night..
46. Blood Diamond - 4/5:Never saw.
47. Rocky Balboa - 3.5/5:so-so,story was weak,dialog was actually the saving grace.Boxing match was bad.
48. Eragon- 2.5/5:Never saw,just a harry potter/lotr rip off imo..
49. Devil Wears Prada - 4/5:Never saw,not my thing.
50. Fearless - 4/5: Somewhat disappointed in this,so 3.
51. Night at the Museum - 3.5/5:Haven't seen yet,wait 'til it comes to video.
52. We Are Marshal - 3.5/5:Not a big fan of sports movies.

Avg Rating: 3.1/5 - A decent year of movies for myself...

Lot of these movies I haven't seen for one reason or another. Overall was'nt a bad year of movies,but not great neither...
 
I'm doing this the old fashiond way.

Da Vinci Code 6/10
X-Men 3 7.5/10
V For Vendetta 8/10
Underworld Evolution. 6/10
Dead Mans Chest 9/10
Rocky Balboa 7/10
Eragon 5/10
Casino Roayle 8/10
Babel 9/10
Blood Diamond 9.5/10
The Departed 8/10
Happy Feet 7/10
16 Blocks 6/10
World Trade Center 7/10
Over The Hedge 7/10
Shaggy Dog 5/10
 
The Short and Skinny Version:

(Listed in a somewhat Chronological order)
1. Hostel - 1/5
2. Glory Road - 3/5
3. Underwold Evolution - 2/5
4. Firewall - 3/5
5. Final Destination 3 - 3/5
6. Eight Below - 3/5
7. 16 Blocks 3.5/5
8. The Hills Have Eyes - 4/5
9. Shaggy Dog - 2/5
10. Thank You For Smoking - 4/5
11. Find Me Guilty - 4/5
12. V For Vendetta - 3/5
13. Inside Man - 4.5/5
14. Lucky Number Sleven - 4.5/5
15. Scary Movie - 2/5
16. Silent Hill - 3/5
17. Mission Impossible 3 - 3/5
18. Davinci Code - 2/5
19. Over The HEdge - 4/5
20. X-men Last Stand - 2/5
21. Prarie Home Companion - 4/5
22. Fast and the Furious 3 - 3.5/5
23. Nacho Libre - 1.5/5
24. Superman Returns - 2/5
25. Scanner Darkly - 2/5
26. Clerks 2 - 4/5 - 73.5
27. Lady in the Water - 3/5
28. Miami Vice - 3.5/5
29. Scoop - 4/5
30. Talladega Nights: The Ballad of Ricky Bobby - 3/5
31. World Trade Center - 4/5
32. The Illusionist - 4/5
33. Snakes on a Plane - 3/5
34. Crank 4/5
35. Hollywoodland - 4/5
36. Departed - 4.5/5
37. Texas Chainsaw Massacre: The Beginning - 2/5
38. Flags of Our Fathers - 3.5/5
39. The Prestige - 4/5
40. Borat - 5/5
41. Stranger than Fiction - 3/5
42. Casino Royale - 4.5/5
43. Happy Feet - 3.5/5
44. Tenacious D - 2.5/5
45. Apocalpto - 1.5/5
46. Blood Diamond - 4/5
47. Rocky Balboa - 3.5/5
48. Eragon- 2.5/5
49. Devil Wears Prada - 4/5
50. Fearless - 4/5
51. Night at the Museum - 3.5/5
52. We Are Marshal - 3.5/5

Avg Rating: 3.1/5 - A decent year of movies for myself...
Next year should be better. But no Dead Mans Chest. Why ?
 
1. The Departed 10/10
2. Children of Men 10/10
3. Casino Royale 9/10
4. V for Vendetta 9/10
5. The Proposition 9/10
6. Revolver 9/10
7. Munich 8,5/10
8. The Three Burials of Melquiades Estrada 8/10
9. The World’s Fastest Indian 8/10
10. Pirates of the Caribbean: Dead Man’s Chest 8/10
11. Superman Returns 8/10
 

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