adamcz said:
This seems to imply that it would be sensible to value telling the stories the right away (as they were in the comics) above making money.
No, I'm saying it's more sensible to
not fix things that aren't broken and that the Surfer stands a better chance of coming over properly if his character is introduced the way it was done in the comic. At one point there was a Venom movie under consideration, to have no reference to Spider-man. I think we're all glad
that didn't happen. Venom's origins are inextricably tied to Spider-man. It's not exactly the same situation with the Surfer, but...I think if the Surfer is not first introduced as an appearingly cold-hearted harbinger of Earth's imminent doom, it just ain't gonna work. His soul's redemption... his turning against Galactus to help save the "ant-like" beings of this planet...
that is the way we need to meet the Silver Surfer. Or it won't work. I really don't think it will.
adamcz said:
And trust me, there is a huge difference in profit potential between a liscensed Surfer movie that Fox produces and a completely in-house Marvel Studios production. If the Surfer is introduced through F4, it is likely (though not a gaurentee) it would draw better at the box office, but if done through Marvel studios the much higher % of retained profits could more than make up for it.
Except that Marvel hasn't actually shown they can
make a movie themselves, as far as I know. Consider that Avi Arad signed off on the bone-headed changes to Dr. Doom in
FF 1 and the depressing psychodrama that twisted
The Hulk into something it was never meant to be. This man thinks he understands these characters, but in my personal estimation,
from the man's own words, he doesn't have a clue much of the time.
I trust Fox over Marvel til the latter prove themselves.
I mean, right now, I don't think they even produce very good comics most of the time. I find 90% of their line unreadable. (And yes, I'd say the same about DC.) There are some wonderful exceptions, but not nearly enough given their output. Most of it is product with the primary purpose of making a buck. Why would their forays into movie-making be any different?