Southland Tales

Super_Ludacris said:
She's normally into doing nude scenes (Although she's done some love scenes on Buffy) but she kinda retracted that policy in a recent magazine interview saying she wanted to do a full frontal nude scene if given the oppurtuinty.
She's still hot but it aint 1997-1999 Sarah Michelle Gellar.... :( ....she was Hawt :eek:
yeah she looked the best then
 
ImTheWombat said:
'


You know what was ****ing hilarious that he did? Was that damn MTV Movie Awards opening thing with Matrix Reloaded. Him and Seann William Scott and then with Andy Dick, Wanda Sykes, and Will Ferrell. Its SO ****ing hilarious. Its on the Matrix Reloaded DVD. ****ing funny as ****. They use actual clips from the movie. I ****ing love it.



Wanda Sykes (as the Oracle): "Come on man, show him your moves."
JT: Do I have to?
WS: I'm the Oracle, damnit!
<JT starts doing the robot>
Neo: If I had to guess, I'd say you're a program from the machine world.
JT: No man, I'm just doin the robot. You should try it.
WS: Come on Neo get in there. Do the robot.
Neo: Why?
WS: Come on man, you da one. You can do it all.
Neo: No.
WS: Come on! Dommo Arigato Mr. Roboto!
JT: "You can do the robot with JT."
Neo: "What if I can't? What happens if I fail?"
JT: "Alright dude, lighten up, its just the robot."
Neo: "No, I can't do that. I won't"
WS: Well hell, I will.
<Wanda gets up and starts doing the robot with JT>




Then later with Will Ferrell as the Architecht

Will Ferrel: I am the architecht. But please. Call me Larry
JT and Seann William Scott: Hey Larry
WF: I created the Matrix. And several popular videogames. Including Q-Bert and Dig Dug.
WF: I didnt create frogger. But I came up with the name for it. Can you believe that they wanted to call it highway crossing frog?
SWS: That is so lame.
WF: I know, its the lamest thing I've everheard of. Highway Crossing Frog.
Neo: Why am I here?
SWS: Yeah, why are we here?
WF: Is there an echo in here?
WF: The MTV movie awards are a systemic anomaly inherant to the programmming of the matrix. Although the transport process has altered your consciousness so you irrevocably remain human. Ergo, concordantly v sub v....you know what? I have no idea what the hell I'm saying. I just thought it would make me sound cool.
Neo: You haven''t answered my question
WF: Im feeling a little vulnerable right now. So you just need to chill out. I'd appreciate that. Thank you.



The guy who wrote the skit was the dude who wrote Not Another Teen Movie.

Yeah, that was preety good.

"Wet Willy, Mr. Timberlake." :D

The "Tankman Begins" skit was the best ever though. "Hey, I'm driving with Batman! I have his face all over my underpants!" :D:up:
 
DarkKnightJRK said:
Yeah, that was preety good.

"Wet Willy, Mr. Timberlake." :D

The "Tankman Begins" skit was the best ever though. "Hey, I'm driving with Batman! I have his face all over my underpants!" :D:up:

i didnt get a chance to see this years. but the 2003 matrix one is probably my favorite. I also really liked the mission impossible 2 spoof they did with ben stiller as tom crooze, tom cruises stuntman and body double. that was pretty funny too.
 
every show after 2003 sucked

you didn't miss much :( they need to start makin 2 hosts again!!
 
JoLiE_MeNdEz said:
every show after 2003 sucked

you didn't miss much :( they need to start makin 2 hosts again!!


they've only had 1 host recently? who were they in 2004 and 2005.

I remember one year (cant remember which) but it was jac black ad sarah michelle gellar and their opening thing was hilarious with the on stage song with contributions by stars in the audience. I remember it was really entertaining but wasnt their normal spoof thing they do (although I remember they did a spiderman spoof and a LOTR spoof during the show)
 
Quick update: New Pics from the Set

sarah44hf.jpg

sarah20py.jpg

sarah16pf.jpg

sarah35di.jpg
 
Geeezzz How much work has the Rock got done now and he's looking a bit thin

Nice find Luda.thanks:up:
 
The Rock looks skinny


edit:I see you see the same thing Hunter
 
darkdonnie said:
The Rock looks skinny


edit:I see you see the same thing Hunter

yeah and he has gone crazy with the tatoo's if there all real
 
darkdonnie said:
The Rock looks skinny


edit:I see you see the same thing Hunter


he ripped though
 
True indeed, I think Rock slimmed down for this role. I guess he's the Porn Star's Boyfriend in the movie. But I think him slimming is also because his Wrestling days are done (at least that's the way he sees it) and he wants to concentrate on being an actor. If you look like a bulky upper 200+LBS weighted guy you get Schwazengger/Diesel/Goldberg/Hogan roles (Bodygaurds/wrestlers) and maybe he wants to expand.
Just a thought
 
Here's an interview from Freezedriedmovies, there are some spoilers but there real confusing



Southland Tales: Star Dwayne "The Rock" Johnson
By: Mr Disgusting

FDM: You used to be even bigger when you wrestled?

The Rock: Yeah, I was a lot thicker.

FDM: You slimmed down&#8230;

The Rock: Yeah. Considerably, sure. I&#8217;m sure eventually I would have done that anyway, just getting a really good understanding of what I was eating and drinking and stuff like that.

FDM: Can you tell us what this movie is about?

The Rock: Yes I can. Why do you ask? (laughter) You guys haven&#8217;t had a chance to read the script?

FDM: No.

The Rock: It&#8217;s very secretive and kept under wraps. My interpretation of Southland Tales is this. Number one, I should preface it by saying that after reading it &#8211; I&#8217;ve been close to this now for over a year now. Before I went to shoot Doom last year was the first time I read the script. And read it and then re-read it and read it again and then re-read it again. And then I came to the conclusion that the best thing for me to do was stop trying to piece everything together and get extremely close to Richard Kelly. Because there are so many things in that script that only he can answer and only he can piece together. And a lot of it is left up to one&#8217;s interpretation. So that&#8217;s what I did. I stopped trying to piece everything together, got extremely close to Richard and made sure I understood what my interpretation of Boxer was. We&#8217;re on the same page together with Richard. And then I realized that Southland Tales is about myself. (laughter) That&#8217;s exactly what it is. I came to that conclusion. I sat back one night and I said &#8211; it took me about a week&#8217;s worth of (inaudible) &#8211; and I said, &#8220;Southland Tales is about Boxer Santaros.&#8221; So that&#8217;s my (inaudible).

FDM: You and Shawn have the luxury of getting close to Richard personally. So what will audiences who can&#8217;t get to know Richard Kelly be able to surmise when they see it?

The Rock: Number one, they&#8217;ll be challenged. I think they&#8217;ll be challenged in many, many ways. You don&#8217;t have to get close to Richard Kelly to understand what Southland Tales is. By the way, that&#8217;s the beauty of what I believe we&#8217;re filming, which is left up to interpretation. There are a lot of things that are going to be left up to one&#8217;s interpretation. And it will make sense. I&#8217;m sorry to be cryptic, if it seems like that.

FDM: Do you sing?

The Rock: Umm, no. I was going to and then&#8230;no.

FDM: Is it a musical?

The Rock: No no no. It&#8217;s not a musical at all. I think earlier comments were, it&#8217;s a (inaudible) musical, sci-fi and thriller mixed in with dark comedy. But no, I can honestly tell you it&#8217;s not a musical.

FDM: There&#8217;s no musical elements?

The Rock: Other than a great soundtrack, no.

FDM: No actors break out in song?

The Rock: No. But we do dance, though. There&#8217;s a great dance number at the end, with my wife and my girlfriend. (laughter)

FDM: Can you tell us who Boxer Santaros is?

The Rock: Sure. Boxer Santaros is a movie star who gets kidnapped, who has amnesia, doesn&#8217;t know he&#8217;s a movie star, who becomes a paranoid schizophrenic and also extremely neurotic. Of course, that&#8217;s the movie star part of it, which I based on a lot of people I know. That, and constantly searching for the truth. And the one very important element that I forgot to tell you is Boxer has a supernatural gift. He can see things and he can foresee the future. That&#8217;s about all I can tell you. He knows things are going to happen and he foresees the apocalypse.

FDM: And what&#8217;s his relationship with Seann William Scott&#8217;s and Sarah Michelle Gellar&#8217;s characters?

The Rock: His relationship with Seann is doing research for a role. So there&#8217;s a &#8211; this is where I start getting into details &#8211; but there&#8217;s a screenplay that Boxer writes, which he wants to direct as well, and he&#8217;s doing some film research. And Sean is a Los Angeles cop. And I go on a ride-along, essentially, with him. And then it&#8217;s easier from that point on, instead of talking about Seann and his character, for him to tell you how things start to develop. And my relationship with Sarah is, when I come through, Sarah is the one person in my life who I feel like I can trust. And when I come through out of my amnesia state, she&#8217;s there. And we develop this relationship. Sarah is my girlfriend and Mandy Moore is my wife.

FDM: What appealed to you about this project to begin with that got you to sign on?

The Rock: Well, when I first read the script &#8211; actually before I read the script &#8211; I was speaking to my agent and we talked about Richard Kelly. I was familiar Donnie Darko &#8211; and I really liked Donnie Darko, actually. And he said what do you think about working with Richard Kelly? And I said I would love to, sure. And he said there&#8217;s this project and it&#8217;s called Southland Tales. And I said great, I&#8217;d love to see it, send me the script. He said before that Richard had asked that he just meet with you first. So I met with Richard, I loved his ideas for Southland Tales, I loved his visuals. He had a couple of mockups of what we would look like and what he saw and this is what the mega-zeppelin looked like. And I was really really really impressed with his creative process and his urgency not only to be different and to be creative and to be edgy but have it make sense. The meeting went great and then he sent over the script. He said, &#8220;Now you can read the script.&#8221; I read the script and I loved the script and I loved the character. There are a lot of different levels.

FDM: Do you share this sort of pessimistic view of the future?

The Rock: Well, the truth of the matter is the movie&#8217;s set in 2008.

FDM: Not too far.

The Rock: No, not too far at all. And I think it&#8217;s a very feasible setting in 2008. Three years from now, this could very well be the case, where we&#8217;re at now. My interpretation is that it&#8217;s realistic and it&#8217;s a love letter to Los Angeles and it could be a *****-slap as well. Because culturally the entertainment industry and what we mean to the entertainment culture here in Los Angeles is very, very strong. And I think that&#8217;s putting it mildly. Then at the same time there is, as we all know, a very seedy underbelly side to Los Angeles as well. So I like to look at it, again, as a love letter to L.A. And there&#8217;s no greater place than L.A.

FDM: Were you looking to play somebody who was not coming in any way from a place of being somebody who hits people?

The Rock: Umm, those were the elements I think that you sit down and look at, &#8220;Oh wow, this is great.&#8221; And these are the great elements of Boxer. But I never thought to myself, &#8220;Well, I need to play someone who never gets physical with anybody. I never want to see another script again that has something physical.&#8221; That wasn&#8217;t the case. I just read the script, he happened to be this guy. And Boxer still, by the way, is a physically imposing guy. (points to his tattoos) This is Boxer. He has some tattoos. There&#8217;s a nod to a movie that was important to Rich Kelly and to me as well and it&#8217;s Kiss Me Deadly. There&#8217;s a big nod to that movie. The bravado and physicality of Ralph Meeker, from how he kisses women to how he deals with people. Boxer is still like that guy too, as well.

FDM: So the fact that he&#8217;s an actor doesn&#8217;t mean he&#8217;s shielded.

The Rock: Shielded?

FDM: That he&#8217;s somebody who looks tough but actually isn&#8217;t tough.

The Rock: That&#8217;s funny. Well, I think there&#8217;s like a lot of levels and layers to Boxer. What I based him on, I thought that he could be&#8230;part of Boxer is he&#8217;s neurotic, like a few movie stars I know. When you ask them, &#8220;Hey, how you doin&#8217;,&#8221; it&#8217;s like, &#8220;Good, good. Why? Why are you asking me?&#8221; It&#8217;s that neurosis that Boxer sometimes suffers from. And then he has the bravado of like a modern-day lothario, if that makes any sense.

FDM: Are those neurotic guys gonna recognize themselves when they see you in the film?

The Rock: If they are realistic, I think they will. Yeah, sure.

FDM: Do these tattoos mean anything?

The Rock: Yeah. Well, Boxer is half black and half Samoan, and he when he&#8217;s asked, he makes sure that people know, &#8220;I&#8217;m Blamoan. Black and Samoan.&#8221; (points to his shoulder) These are my real tattoos, which fit for Boxer. What happened was, before he was stricken with amnesia, Boxer &#8211; when we pick the story up, by the way, he&#8217;s been missing for two weeks and nobody knows where Boxer is, and he went off and he&#8217;s traveled the world on his own in this state of amnesia. And he discovered, or tried to discover, God or a higher being in many, many different ways, in many religions. He thought he&#8217;d try out being Jewish (points to Star of David on belly button) to Buddhist, which is the most meaningful tattoo. This one and one that I&#8217;ll show you guys. And what this means in Chinese is: &#8220;There is a path to end all suffering. You should take it.&#8221; And I do tell my wife that, Mandy, in this. Before I leave I&#8217;ll show you guys, there&#8217;s this beautiful picture of Jesus Christ on my back. There&#8217;s some Muslim her somewhere. So it&#8217;s all very meaningful. There was a lot of work and a lot of detail put into it. Even a year I was talking to Richard about Boxer having tattoos and the idea like he would try many, many different things. Always searching for the truth, again. I mean I could always go back to that. He&#8217;s rooted in that reality. It&#8217;s funny because when you guys see the movie, when you talk to some of the characters, there&#8217;s a lot of absurdity going on, where you go, &#8220;What the ****?&#8221; But for me, it&#8217;s nice that for Boxer there&#8217;s still a rooted reality, where he&#8217;s just always searching for the truth amidst some of the absurdity that&#8217;s going on.

FDM: A couple of months back you were quoted as saying you&#8217;d never wrestle again?

The Rock: Really? I never said that.

FDM: It was a misquote. But Wrestlemania?

The Rock: No, probably not. Maybe an appearance. As far as for wrestling, I love that and I love that live crowd interaction. But I got into movies to grow professionally and become good at what I was doing. And it&#8217;s all about that for me.

FDM: Would you have to bulk up again if you went back?

The Rock: No. Not at all. I&#8217;ve done everything that I&#8217;ve wanted to do in wrestling, with the help of&#8230;I&#8217;ve had the chance to work with a lot of good guys. And I&#8217;ve still got a lot of good relationships there. But for me the most important thing is moviemaking and becoming really good at what I do.

FDM: Can you talk about working with Seann again? You have really different roles this time.

The Rock: Seann&#8217;s great. I loved working with Seann in The Rundown. And you guys will be really surprised at what he&#8217;s doing and the work we&#8217;ve done so far I&#8217;ve really enjoyed with him, seeing this different side of Seann. He&#8217;ll tell you &#8211; they&#8217;re twins. So he&#8217;s got two people to play. I&#8217;m sure he&#8217;ll tell you more.

FDM: He said in a way your roles are flipped from the Rundown. You&#8217;re the talky one and he&#8217;s not.

The Rock: (laughs) That&#8217;s a good way to put it. Yeah.

FDM: He had mentioned that one of his characters is psychic in a way. Is that related to your character&#8217;s psychicness?

The Rock: His character &#8211; there&#8217;s a present self and then there&#8217;s a future self. With Boxer, there&#8217;s &#8211; I can&#8217;t give that away - Boxer legitimately knows the apocalypse is happening. The interesting thing is, can he stop it? Yes. Does he stop it? We&#8217;ll see. And why doesn&#8217;t he, or does he?

FDM: What are you working on today?

The Rock: Today is with Seann and Will Sasso and Sarah Michelle Gellar and I&#8217;m trying to explain to them&#8230;Boxer&#8217;s written a screenplay, it&#8217;s called The Power and this is what it&#8217;s about. And interestingly enough, the screenplay that Boxer has written basically unfolds. And he&#8217;s trying to explain to Seann &#8211; before we go on the ride-along &#8211; what this is. It&#8217;s about a crime saga in L.A. I play a cop who (inaudible) paranoid schizophrenic and he has a supernatural gift and he can do this and he can do that. So to Seann&#8217;s character, it&#8217;s so much for Seann. He&#8217;s like, &#8220;Oh neat. Cool.&#8221;

FDM: Just to clarify. He has amnesia but he remember having written the script.

The Rock: Ok. Well it&#8217;s almost like&#8230;he knows he&#8217;s written a script because the script has been so close to him. But there are some things, it&#8217;s like selective amnesia. There are a lot of things that he doesn&#8217;t remember. He doesn&#8217;t remember &#8211; and I will try to be as clear with you guys as I possibly can so it all makes sense when you write it &#8211; but he&#8217;s forgotten the past two year. The screenplay has been with him for many many many years. That&#8217;s how he&#8217;s able to remember that. He doesn&#8217;t remember that he&#8217;s married to the Senator&#8217;s wife. He doesn&#8217;t know that he is who he is, this big movie star.

FDM: Did you do any research other than the neuroses of your fellow actors?

The Rock: That and paranoid schizophrenia, sure. I didn&#8217;t go to a hospital, because for the longest time&#8230;this is the third movie I&#8217;ve been shooting and I had no time off this last year. So what I was able to do was get as much research, paperwork-wise, as I could on paranoid schizophrenia. I watched a lot of video tapes. I had (sounds like &#8220;the office&#8221;) send me a whole bunch of videotapes and things like that. So, within the movie there are many many times where his schizophrenia kicks in and he starts to hear voices. And the voices talk to Boxer. And all of that comes out. Of course, the neuroses of the movie star, that&#8217;s easy. (laughter) We can visit any set or turn on the TV and see that.

FDM: How different is this from what you&#8217;ve done before and what new challenge is it for you to play this character? He seems very complex.

The Rock: Well there &#8211; you just said it for me. That was always a goal for me, was to&#8230;number one was just to get good material. As you guys know, it&#8217;s tough to get good material. Things start off good and you think with the premise it&#8217;s good and then it winds up being really ****ty. Nobody starts off to make a ****ty movie, but&#8230;

FDM: Is Doom a horror movie?

The Rock: Buddy, Doom is&#8230;

FDM: People are nervous; no one knows.

The Rock: No, Doom &#8211; I&#8217;ve seen it. It is an unapologetic, straight-up horror movie that is&#8230;it&#8217;s as violent as they come.

FDM: And have you finished Gridiron Gang?

The Rock: Finished Gridiron, wrapped Gridiron Gang, yeah. That&#8217;ll be out September 15th of next year.

FDM: Do you get to take a break after this or what?

The Rock: After this I&#8217;m gonna go promote Doom. After seeing it &#8211; I saw it a couple of times &#8211; I&#8217;ll see it one time, the finished cut. And then I&#8217;ll go out in a big campaign and promote it.

FDM: Are you watching it recreationally?

The Rock: Well, I&#8217;ve seen that movie about ten times. You know, you keep watching it, and then you pick up a lot of things. Like the last time I picked up a couple things, well, if this happened then I think we should get a voiceover of this guy saying this and like, oh, that makes sense. (inaudible) Because you can get so involved in a process and you get little things that, because you&#8217;re so close to the movie. So by this time I&#8217;ll watch it one more time to get it in my head before I go out and start talking about it. I need that, yeah.

FDM: So you have creative input into that as well?

The Rock: Sure, yeah.

FDM: What about this one?

The Rock: Well, it was important to me to get really close to Richard and to understand his way of thinking and that process. Because I think the character is so complex with Boxer, it&#8217;s important to stay close to him and to continue to say ok, well, this is my interpretation. Every day, by the way, it&#8217;s something new, something different. There&#8217;s an alter-ego, by the way, I forgot to tell you guys, to Boxer. In the screenplay his name is Jericho Kane. And there are moments that Jericho Kane comes out in Boxer. And on the day, with Richard, I think this would be a good moment here. We&#8217;ve already talked about it. We thought maybe not, but I think maybe so. And it&#8217;s yay or nay, a constant creative process. Especially when you have a script like this, you have to be; you have no choice.

FDM: So what kind of guy is Jericho Kane?

The Rock: So Boxer &#8211; it&#8217;s funny &#8211; Boxer is that guy who (inaudible) crazy. He hears voices and things like that. Jericho Kane (chuckles) is a very confident guy. Jericho Kane is the movie star and he knows who he is. I want to tell you the scene we shot yesterday, but (inaudible). He&#8217;s a lot more confident than Boxer is. And Jericho Kane doesn&#8217;t hear voices or anything like that.

FDM: Is like and action star type guy or is he more of like a detective?

The Rock: He&#8217;s Ralph Meeker.
 
there is interviews with Shawn William Scott, Richard Kelly, and SMG if you want!
 
Judging from that interview.........this is gonna be another enigmatic Rich Kelly flick. That's probably a good thing but the mainstream audiences will be confused again.
 
Southland Tales: Writer/Director Richard Kelly
By: Mr Disgusting

FDM: What the hell is this movie about?

RK: This movie is about the end of the world. Many other influences, but more than anything it&#8217;s a comedy.

FDM: But generally your view of the end of the world is that it&#8217;s going to be funny?

RK: Unfortunately not. It&#8217;s probably going to be anything but, if and when it does end. But I think the point is that we wanted to make a film that&#8217;s sort of conveying the feeling of frustration and unease that, I guess, a lot of my friends are feeling about a lot of things that are happening in the world. And to try to tell it in the most entertaining, fun way possible.

FDM: Could you elaborate on your story?

RK: It&#8217;s really, really, really complicated in a way that&#8217;s sort of intentional. It&#8217;s a metaphor, I guess, for the situation that our country is in right now. (Pause.) It&#8217;s really complictated. (Laughs) So, to make a movie about that and to try to oversimplify it or try to say it&#8217;s about one thing would be the wrong way to go about it. I mean, you&#8217;re trying to make a piece of social satire; you want it to not draw everything down to a simple conclusion. I think we&#8217;ve been very careful with this film to try to create a really elaborate tapestry. It&#8217;s much bigger than Darko; it&#8217;s much more elaborate. But at the same time it&#8217;s different in that this is much more of a comedy.

FDM: Is this the same apocalypse?

RK: There could be many ways in which the end of the world could occur, and I think this is another variation. Ultimately, I think Darko dealt with it more from the vantage point of a single person and some observers. This is more from the vantage point of many characters. We have three leads. This is a three-actor above-the-title movie, and then about a twenty-actor below-the-title movie as well.

FDM: How does the time travel in Southland Tales differentiate from Donnie Darko&#8217;s time travel?

RK: Who said there was time travel in this script?

FDM: The Rock did.

RK: I didn&#8217;t realize that there was. Did you read that on the internet?

FDM: We also read that it was a musical.

RK: Listen, there are a lot of influences. There definitely are musical influences in it. I think the whole musical thing got blown out of proportion in the sense that people were like, &#8220;Please, god, no! Don&#8217;t let him do that!&#8221; But it&#8217;s really nothing to be worried about. In my opinion, I like to say it&#8217;s a musical because I don&#8217;t like the way people put films into one category. It drives me nuts. I hate it because I think it stifles the creative process. It&#8217;s all about corporations wanting to put everything in one category so they can package it and sell it and put it into their little computer programs, and say &#8220;This is what 18-24 year-olds want to buy&#8221;.

FDM: Is that why you&#8217;ve turned down so many opportunities to work on other projects?

RK: Oh, yeah. With my second film&#8230; I&#8217;ve got to try one more on my own wavelength, on my own terms, completely for me, written by me. If this one doesn&#8217;t work, if it completely bombs and doesn&#8217;t make any money, at that point I&#8217;ve got to seriously consider maybe doing something a lot more mainstream, or taking a studio assignment or something like that.

FDM: Can you tell us why Los Angeles? Why was [Southland Tales] set here?

RK: We&#8217;ve always been throwing around this quote; I don&#8217;t know who said it, but people always talk about it. &#8220;If the world&#8217;s going to end, it&#8217;s going to happen in L.A. first.&#8221; I&#8217;ve lived here for, like, twelve years now. I went to college here, and I definitely have a lot of stories to tell in and about Los Angeles, but this is the first. I think it&#8217;s a great town, I think it&#8217;s my favorite place to live, and I think it is kind of the epicenter of culture, media and entertainment. The business here is the obsession not only of the country &#8211; US Magazine culture sort of emerges from this city ultimately, or the convergence of the obsessions of what goes on in this city in terms of newstainment &#8211; but also globally. It&#8217;s a sort of global melting pot. There is no more diverse city on the planet &#8211; correct me if there is. I don&#8217;t know; maybe there is. Trends are started here, things tend to happen here first. And it&#8217;s a much-derided place; a lot of people bag on L.A. The movie is definitely a love letter to L.A., but it&#8217;s also a bit of a&#8230; people who dislike this town will also enjoy this movie because of what we do to it.

FDM: The Rock referred to it as a love letter and a ***** slap.

RK: A ***** slap, yeah. I love that. Quote him, not me. That&#8217;s better.

FDM: Will this movie still play in 2009?

RK: I don&#8217;t know. It&#8217;s a time capsule. Some of the big influences, clearly, are Philip K. Dick, film noir, certain musicals. But really Philip K. Dick, and maybe a bit of Vonnegut, too; these guys who create near futures that don&#8217;t exist. You create a speculative alternative future as a way of speculating on where we&#8217;re going. It&#8217;s clearly been exaggerated, our future, on some levels, but it&#8217;s still grounded in reality. We&#8217;re shooting on all real locations for what they are. The beach cities and the geography of the streets that the characters travel on, the camera angles are all presented so that if you live in this town, you&#8217;ll be like, &#8220;I know where that is!&#8221; We aren&#8217;t cheating anything. You won&#8217;t see someone driving down Sunset Boulevard, and all of a sudden they take a right turn and they&#8217;re in Venice Beach. We&#8217;re being accurate to the geography of this town. Meticulously.

FDM: Is there an attempt to make this timeless in a sense?

RK: Yeah. There are a lot of influences from the past in terms of wardrobe and costume. A lot of influences from the fifties: the cold war paranoia and film noir of the fifties. Influences from other past cultures, some German kind of stuff. Bauhaus stuff.

FDM: Like German Expressionism?

RK: A bit. But also in the technological designs that Ron Kopp(?) has done. It has a bit of a theatrical quality to it as well, a bit of a pop quality. You can think of Andy Warhol as an influence. These influences sound all over the map and everything, but that&#8217;s kind of what I&#8217;m trying to do is siphon a lot of things and then spew out something that doesn&#8217;t feel like a patchwork. It actually feels like it&#8217;s from me.

FDM: You&#8217;ve brought in all of these 80&#8217;s pop cultural icons: Zelda Rubenstein, Jon Lovitz, Curtis Armstrong. Is that just something you like to do, or is there some greater significance to it?

RK: No, you think of them as 80&#8217;s, and definitely Better Off Dead and Porky&#8217;s and&#8212;Revenge of the Nerds! How dare I get that wrong! I corrected myself instantaneously. I think that they were right for the part. It&#8217;s not about 80&#8217;s because I&#8217;m done with the 80&#8217;s. After Darko, I have no interest in ever revisiting the 80&#8217;s ever again. But I wanted to cast this film with a certain pop value. I wanted to make a big art film with actors you don&#8217;t normally associate with art films, because I think that&#8217;s interesting to all of a sudden see these faces in a different light. It&#8217;s exciting for me &#8211; and for them, too &#8211; because I&#8217;m asking them to do things that they&#8217;ve never done before. I&#8217;m altering their appearances so that they&#8217;re significantly&#8230; I&#8217;m taking people who you wouldn&#8217;t expect to act or perform in a certain way, and I&#8217;m pushing them in that direction. I hope that every actor surprises you.

FDM: You have this whole invented universe, too &#8211; the website, the comic book, etc.. What&#8217;s that about?

RK: It&#8217;s all about the story being bigger than the film, and me just wanting to tell the whole thing and just get it out of my system. And the graphic novels and the website serves as a great way for me to have that outlet. The film noir exists on its own; you don&#8217;t need those things to enjoy it. They might deepen your understanding of it, and they might expand your understanding of it, but they are mutually exclusive if you want them to be. You don&#8217;t have to look on the website, you don&#8217;t have to read the graphic novels, and you can still enjoy the film. Vice versa, if you read them, it doesn&#8217;t mean the whole film will be ruined. We&#8217;re trying to make that balance.

FDM: What are you shooting here today? You said you&#8217;re shooting real locations for real locations.

RK: What are we shooting today? Oh, yeah. It&#8217;s been a tough shoot. Not a tough shoot in terms of [bad]; it&#8217;s been wonderful, but it&#8217;s been long hours. We&#8217;re shooting Hermosa Beach. We&#8217;re shooting at a beach house which is owned by the character called Fortunio Balducci played by Will Sasso. [To Dee Robertson, who&#8217;s shooting footage for the DVD:] Are we actually in Hermosa or Manhattan Beach?

FDM: Manhattan.

RK: And we are shooting scenes that take place in his luxury beach house.

FDM: When you were trying to raise financing for this movie, was there ever someone saying, &#8220;It would be better if we shot in Canada&#8221;?

RK: Oh, yeah! You get that suggestion: &#8220;Have you thought about doing it in Canada?&#8221; And my response was, &#8220;There&#8217;s just no way&#8221;. That would be so depressing. You also get the suggestion, &#8220;Just do the interiors in Canada.&#8221; Or, &#8220;Do the interiors in Louisiana or Alabama or Texas or somewhere, shoot your exterior shots and go fly everyone to&#8230;&#8221; It&#8217;s just depressing, because it is very expensive to shoot here. They need to do something about that because runaway production&#8212;Oh, god, I don&#8217;t want to go into a rant about that. That&#8217;s part of the reason why we only have thirteen days to shoot this movie is because of the expense of all these locations. We&#8217;re doing things in some locations that no one&#8217;s ever been allowed to do before.

FDM: Like what?

RK: Fire off some very loud, dangerous weapons. (Laughs) Things like that.

FDM: Domino&#8217;s coming out soon; was that not a mainstream writing assignment?

RK: It was a model turned bounty hunter. That was the one-liner. Based on real transcripts and real people. Tony pitched it to me, and I just jumped at the chance; I was thrilled to get to write something for him. I think we took a mainstream idea and presented it in a really unconventional, punk rock, non-linear way as a way of representing how chaotic her life was. Do it as sort of a fever dream biopic. I don&#8217;t call it a biopic &#8211; I guess, technically, it is a biopic &#8211; but a fever dream. You get the experience of kind of the essence of what she was all about, and her view of America, and sort of the tragedy of her life. I don&#8217;t know if that&#8217;s mainstream or not. I have no idea if that movie&#8217;s going to make money; I have no idea how it&#8217;s going to be received. I&#8217;m really proud of it, I&#8217;m really proud of Tony, and I hope it&#8217;s a big hit. But if, for whatever reason, it doesn&#8217;t do well, I hope it will age well. I can&#8217;t get worked up about box office and stuff.

FDM: Are you saying that you don&#8217;t consider Donnie Darko a success in that way?

RK: Here&#8217;s the thing about Darko: everyone said &#8220;bomb&#8221;, &#8220;failure&#8221;, &#8220;bomb&#8221;, &#8220;failure&#8221; in any description of it. And then finally they start to put it in the context of being a hit. Finally, with DVD and&#8230; in London it was a big hit. That sort of had an uphill battle in reversing [its] perception. That&#8217;s one thing: films do get tagged. After that opening weekend, it&#8217;s always &#8220;bomb&#8221;, &#8220;failure&#8221;, &#8220;box office failure&#8221;. You get that sort of stigma attached to it. It&#8217;s been tough to raise money for this because they run your numbers. It&#8217;s like your credit rating. It&#8217;s literally like that. They plug your name into the foreign financing equation: they plug in the cast and they plug in the director. And my numbers are cruddy because Donnie Darko, in its initial release, made $500,000 at the domestic North American box office.

FDM: But that&#8217;s the film that made actors like The Rock want to&#8212;

RK: That doesn&#8217;t matter. They have their formula. Their formula is perfect. They know everything. Don&#8217;t doubt them.

FDM: Is anything happening with The Box?

RK: We&#8217;re still trying to get the script right. I hope we make it early next year. I think [Eli Roth] wants to do it next. We&#8217;re dying to do it; it&#8217;s just us getting the script just right. I mean, I have the option for the short story, I&#8217;ve had it for many years, and I just have so much respect for [Richard] Matheson&#8217;s work. There are so many horror movies that just get churned through, and we don&#8217;t want it to be in any way like a conventional horror film. We really want it to be something special. But it&#8217;s definitely very high on the priority list.

FDM: What&#8217;s The Box?

RK: It&#8217;s a film based on a Richard Matheson short story called &#8220;Button Button&#8221;. It was the basis for a Twilight Zone episode in the Night Gallery years. &#8217;86, I think, it came out.

FDM: You had said that Donnie Darko was the apocalypse from the point of view of observers. From what we&#8217;ve heard about the three main characters in this, they seem unlikely to be people who could bring about the apocalypse, so this is the apocalypse from the point of view of&#8230;?

RK: I think Darko was maybe a single person&#8217;s projection of it, whereas this is more a communal, global experience. Darko is about this enclave of Middlesex, this fictional enclave; this is the enclave of Los Angeles. Both films are kind of fairy tales, but this is placed in a literal, geographically accurate Los Angeles, but it&#8217;s a fairy tale because it&#8217;s 2008 in quotation marks. You&#8217;re going in with the subjectivity of several characters, if that makes sense.

FDM: But do any of the main characters catalytic to the apocalypse?

RK: Every character is. That&#8217;s why it&#8217;s so complicated: everyone is responsible on some level in the end. Some are much more responsible than others, but, in the end, everyone has a little something to do with it. It&#8217;s like the Ray Bradbury story about the butterfly fluttering causing something else, causing something else&#8230;

FDM: Is there something top secret going on today that they wouldn&#8217;t let us go on set to check it out?

RK: I don&#8217;t know anything about that. That might have had something more to do with the fact that we have, like, thirty-two setups to do, and it&#8217;s a small [space]. I didn&#8217;t know about that. But top secret, I don&#8217;t know.

FDM: What&#8217;s your favorite aspect of making this movie?

RK: The best thing about it is&#8230; (pause) god, that&#8217;s a tough question. It&#8217;s all been really great. The best thing about it is looking at dailies, I guess. Which is then the result of having gotten to work with a lot of people I really love and care about on this film. That sounds very sappy, but I got to employ a lot of my friends and family. I feel like it was worth the wait. It took a ****ing long time to get this off the ground. I just cussed in a church. Sorry, lord.

FDM: But you didn&#8217;t blaspheme.

RK: I did not blaspheme, but maybe this film will be blasphemous. Getting to do it the way that I wanted was worth the wait, because it all came together in the best possible way. There&#8217;s not a simple answer, but the dailies, because, in the end, all the work, you&#8217;ve got this book of DVDs that you pop in, and at the end of the night you&#8217;re looking at all your takes. All from that little book of DVDs.
 
Damn,The Rock has Mandy Moore for his wife and SMG for his bit of ass:D :up:
 
www.Richard-Kelly.net always has the pictures and interviews before everyone else.

I keep thinking Muholland Drive when I was reading the interviews :confused:
 
hunter rider said:
Damn,The Rock has Mandy Moore for his wife and SMG for his bit of ass:D :up:


lucky b***h!!!
 
haha, skinny? he's bigger than every one of you! the man is still a beast
 
Compared to what he was he is skinny. Should I have used skinnier?
 

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