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The Last Jedi TFA vs TLJ

TFA vs TLJ

  • TFA

  • TLJ


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spiderman2

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So out of the 2 main star wars movies we have gotten from Disney witch one do you like more? I love both of them has they are my 2nd and 3erd favorite star wars movies. I give a little edge to TFA. I think I know what movie will win this poll to but figured this would be interesting.

TFA
Loved the interactions with Rey and Finn and the movie handles comedy better then any other star wars movie. The movie and its pacing is great.

TLJ has higher highs with the end luke part when he comes out to face Kylo, the light speed destroying ships in half, the thrown room fight. Those 3 all stand out and I like more then any thing in TFA. Love the Kylo Rey stuff with force communication and just how they are using Kylo is great.

How ever over all I like TFA a little more has I fell like it had better pacing, comedy, and not having Rey and Finn together I really missed in TLJ has I loved that so much in TFA. The first half of TLJ felt slow compared to TFA and its first half. TLJ while it has higher highs I also think its over all pacing wasn't has consistite has TFA and the movie its self is just not has consistite.
 
I didn't care for The Force Awakens, but after The Last Jedi it might as well be Empire.
 
Force Awakens easily. I like Last Jedi quite a bit, but large parts of that film bother me or feel like missed opportunities where something more interesting could have been done. I'm really glad Abrams is coming back for 9 now.
 
I forgot about The Force Awakens the next day. I'm still going over The Last Jedi in my mind when the mood strikes. The imagery and visceral highs far surpass JJ's comfort food. Hopefully he's inspired and surprises me with IX.
 
TLJ hands down. And I'm a big defender of TFA. But there's no comparison in terms of the big picture and what this offers, still feeling totally Star Wars the way TFA did but actually rolling the ball along too.
 
TFA is way too much of a rehash of ANH, and there's other issues like completely undercutting the new main villain (not head villain), but overall I think it's much more competently told than TLJ was.

The general story of TLJ has more potential, especially if you tie it better to what was previously established, but the details that were chosen and the way it was executed doesn't work for me.
 
The Last Jedi, easily. TFA was a fun popcorn nostalgia ride, but its charm wore off by the 6th or 7th viewing for me and I started having a real love/hate relationship with it. It is well-directed, and I will always maintain that introducing Rey and Kylo and JJ's impeccable casting is that film's greatest accomplishment. I also give them credit for putting together something as decent as they did, given all the script troubles they had and the tight timeframe. I know it's still a good movie, despite my frustrations with it.

TLJ just has more powerful emotional highs and lows, a more resonant theme, a better balance of old/new, a supremely satisfying arc for our old hero, and carries the Star Wars myth forward in a more exciting way. Yes, it has its stumbles, but if a film has me on the edge of my seat during the third act and emotionally spent when its over, I know it has done something very right.

I already think I'll enjoy TFA more on further viewings with more of an idea of where the characters end up, and I hope that trend continues after IX.

I'm rooting for JJ to bring it home, but I'm glad Rian got a chance to shake things up in the middle.
 
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There is no contest for me, The Last Jedi. Lingering in my mind much more. The Force Awakens is entertaining but rides entirely on nostalgia. The Last Jedi has more to say, takes more risks, and outside of Canto Bight, has much better visual work.
 
TFA - as much as I like 'aspects' of TLJ, as a complete 'fit', TFA for me gets the winning vote. I wholly appreciate that Last Jedi tried to be subversive and strayed off the 'template' of the SW series and I give credit for that, but plot development, and execution of that, for me, failed on many levels.

The Force Awakens did it's job very well, it was 'new enough' for those whose first experience of the saga was TFA and cleverly got 'old timers' like me, back on board.
 
There is no contest for me, The Last Jedi. Lingering in my mind much more. The Force Awakens is entertaining but rides entirely on nostalgia. The Last Jedi has more to say, takes more risks, and outside of Canto Bight, has much better visual work.
See, this is just not true. Because the film is held together by Rey, Kylo, Finn and Han. And only one of those is "nostalgia". Though of course, he isn't used like that. Han shows more character and growth in TFA then any other Star Wars film to date.

And in terms of visuals, I don't think there is any contest. TFA is in the argument with Empire for best looking Star Wars films imo. Cinematography, costume design and SFX are all better in TFA as opposed to TLJ.
 
I think visually they're pretty on par with each other, but the Battle of Crait takes it up a notch in terms of imagination and how striking it looks, so I give the edge to TLJ. I also think TLJ felt a bit more tied together visually with the red motif, whereas TFA felt a bit more all over the place.

That's a totally subjective thing on my end, but I appreciate when films work with a specific color palette. Just saw The Shape of Water and that's another great recent example.
 
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For me, visuals 'debate' TFA knocks TLJ into a cocked hat. J J's knows his onions in that respect.
 
I think visually they're pretty on par with each other, but the Battle of Crait takes it up a notch in terms of imagination and how striking it looks, so I give the edge to TLJ. I also think TLJ felt a bit more tied together visually with the red motif, whereas TFA felt a bit more all over the place.

That's a totally subjective thing on my end, but I appreciate when films work with a specific color palette. Just saw The Shape of Water and that's another great recent example.
Is there a battle of Crait?
 
I've overall liked all 3 of the new Star Wars films. I'd call them fine or maybe a level above that, but they haven't blown me away as much as I'd wanted.
 
Mostly reposting this from the other thread talking about TLJ and TFA:

I think TFA is simply a better overall movie with a stronger plot than TLJ.

That's not to say that TLJ is a bad movie; it's a good movie. It's also not to say TFA is a great movie; it has its flaws, and is highly derivative. I'd argue TFA simply has better pacing, more internal consistency, and a better usage of its overall cast, even as a stand alone movie. TLJ does have elements of greatness and a lot of ambition, but has serious flaws in plotting and doesn't really move beyond some of the flaws its predecessor had. And some of those elements seem self-inflicted.

The biggest issue structural-wise with TLJ are the subplots. As others have argued, they may serve to further drive home the "failure is the greatest teacher" theme. But if you're going to do that, than you have to makes sure your subplot don't become redundant, and you have to make sure they're well written. TLJ fails on that front: numerous people have pointed out several inadequacies with the logic and presentation behind the space chase, and Finn's subplot has openly been admitted as one that got chopped up over production. TFA, in contrast, has a very neat and tidy collection of subplots; while they may lack a theme, per se, they do all contribute to the overall narrative and follow logic much better than TLJ.

TFA also succeeds very well at maximizing its ensemble cast and writing characters consistently. I will praise TLJ for its handling of Kylo Ren and Luke as being more ambitious and successful enough to fulfill most god that ambition, but I feel there's issues with the rest. TFA gives us a fantastic new lead duo of Finn and Rey, both of whom have character arcs which, even giving some credit to the Force storyline in TLJ, are somewhat larger and more rewarding in TFA. Han is a treat in TFA, but we see he's still support for the new cast. In contrast, while I think Luke maybe deserved one more shot at the position of protagonist, he does end up kind of demoting a bunch of new characters to do so. Poe and Leia are also more supporting characters in TFA, but again, that's their role. TLJ also struggles a bit with characters like Holdo, who are schizophrenically written in order to pull off Poe's story.

Part of the reason for my judgment in the two previous paragraphs is because of my personal favorite character, and one who I think was a unique new addition to Star Wars, and with a better executed character arc and message than *anything* in TLJ: my boy FINN. We take a nameless and faceles Stormtrooper, the patron saint of nameless background henchmen, visually showcase him having a crisis of conscience with brilliant physical and facial acting from John Boyega, then begin his evolution into Finn. Over the course of the film, FN2187 makes incrementally more heroic choices: intitally, he simply displays human decency and a refusal to be party to murder, then he intelligently determines he has to leave so he takes a pragmatic risk in freeing a nominal foe to escape, and when separated from that man, makes a still pragmatic but compassionate and responsible choice to complete that man's mission and help both that man's droid and a stranger caught in the crossfire. He befriends them both, and while intitally willing to leave them afterwards to continue to run, is drawn back to help them, and ends up making a selfless choice to head right back into the First Order to save his friend, and ends up charging a superior opponent to protect said friend. As a result of these choices, Finn gains new friends, a new moral paradigm, a new sense of identity, and a name.

And then in TLJ, he gets screwed over in a poorly plotted subplot spinning off another poorly plotted subplot, ostensibly to experience a character arc 1/10th the size of the evolution he already went through, and accomplishes nothing and changes very little.

Oddly enough, the First Order is quite a bit more intimidating in TFA than in TLJ, even though we see more of their conventional forces, experience a more lopsided conflict, and have them technically win in TLJ. Now, I will have to admit some of this is likely attributable to me rolling my eyes at the attempt to immediately instate the OT's paradigm of overwhelming evil and miniscule, outmatched heroes... But I do think I can easily argue that element of OT Revanchism is stronger in TLJ than in TFA in regards to the First Order. And more importantly, TFA simply has a more energetic, logical, and competent depiction of the First Order; officers don't waste time smugly chuckling, they get #### done.

Hux doesn't just stand there acting like a cartoon villain; he's actually on point, quick to react, and arguably outperforms both Ren and Phasma in serving the First Order, all while being more terrifying because he seems like a fanatic instead of a comedic weasel. TLJ does give us the wonderful Captain Canady, leading his cool Dreadnaught into battle. But the film's attempt to contrast his professionalism with the other First Order officers exposes the issue; his temperament and activity only contrast in TLJ, and would just be par for the course in TFA. When the Resistance launches an attack on Starkiller Base, we see the First Order mount a solid, if failed defense: Hux immediately deploys all fighters, and it takes a lot of work to actually expose the base's weak spot, showing these guys did learn something from the Empire's idiocy. But in TLJ, everyone's suddenly an idiot. Canady has to launch his own fighters to defend his Dreadnaught, Hux can't see that two fighters almost destroy the Raddus, so go ahead and use the hundreds of fighters you must have to finish the job instead of just following them like idiots, and even though it seems like even an idiot would theorize about a hyperspace ramming tactic, nobody has any preparation for it.

I can totally understand loving TLJ. But I don't think you can argue that it's as consistent as TFA, and that feels like a major issue to me.
 
See, this is just not true. Because the film is held together by Rey, Kylo, Finn and Han. And only one of those is "nostalgia". Though of course, he isn't used like that. Han shows more character and growth in TFA then any other Star Wars film to date.

And in terms of visuals, I don't think there is any contest. TFA is in the argument with Empire for best looking Star Wars films imo. Cinematography, costume design and SFX are all better in TFA as opposed to TLJ.

Han grew most in ANH. He goes from uncaring scoundrel to the exact opposite. 100% disagree he grows more in TFA. As for how the film held together, the entire core-plot is a carbon copy of the original Star Wars. Further they name-drop other characters or events from other movies seemingly every few seconds. Yes Rey and Finn are clearly their own characters, but despite that they spent a fair amount of the movie salivating over the original trilogy elements.

As for the visuals, we probably will just have to disagree on those. Nothing in force awakens is as pretty to me as snoke's throne room or Holdo's lightspeed jump. It just has more visual Dynamics in my opinion
 
See, this is just not true. Because the film is held together by Rey, Kylo, Finn and Han. And only one of those is "nostalgia". Though of course, he isn't used like that. Han shows more character and growth in TFA then any other Star Wars film to date.

And in terms of visuals, I don't think there is any contest. TFA is in the argument with Empire for best looking Star Wars films imo. Cinematography, costume design and SFX are all better in TFA as opposed to TLJ.

I need to see TLJ again, but I was immediately struck by the visuals. I generally found them far superior to TFA's, at least in terms of cinematography. The late Kurosawa influence on TLJ's use of colour lent such beauty to the images. I found TFA's cinematography competent, but far from stunning. I generally find Abrams' camera movement hyperactive. No Empire competitor to me, but then again I have never been a fan of Dan Mindel's work.

As much as I enjoy TFA, I also hated the way that Abrams treated the Falcon as indestructible and the physics of its flight. The way it bounced around on Jakku or crash landed on Starkiller Base without any damage drove me nuts. It is so inconsistent with previous depictions, such as when Lando loses the radar dish and just misses the pipe when flying through the Second Death Star, and reduces the danger of tight flying situations. If it was Abrams directing ROTJ, the Falcon would just crash through the piping.
 
I need to see TLJ again, but I was immediately struck by the visuals. I generally found them far superior to TFA's, at least in terms of cinematography. The late Kurosawa influence on TLJ's use of colour lent such beauty to the images. I found TFA's cinematography competent, but far from stunning. I generally find Abrams' camera movement hyperactive. No Empire competitor to me, but then again I have never been a fan of Dan Mindel's work.

Agreed. There are some definite gorgeous shots in TFA (the Jakku stuff with the crashed Star Destroyer and AT-AT were nice), but on the whole I feel like TLJ was able to feel part of the same visual universe as TFA but make it more striking in a way that felt very "Star Wars" for me. There's still plenty of camera movement in TLJ, but it didn't feel like it was drawing attention to itself as much which I appreciated.

Part of the reason for my judgment in the two previous paragraphs is because of my personal favorite character, and one who I think was a unique new addition to Star Wars, and with a better executed character arc and message than *anything* in TLJ: my boy FINN. We take a nameless and faceles Stormtrooper, the patron saint of nameless background henchmen, visually showcase him having a crisis of conscience with brilliant physical and facial acting from John Boyega, then begin his evolution into Finn. Over the course of the film, FN2187 makes incrementally more heroic choices: intitally, he simply displays human decency and a refusal to be party to murder, then he intelligently determines he has to leave so he takes a pragmatic risk in freeing a nominal foe to escape, and when separated from that man, makes a still pragmatic but compassionate and responsible choice to complete that man's mission and help both that man's droid and a stranger caught in the crossfire. He befriends them both, and while intitally willing to leave them afterwards to continue to run, is drawn back to help them, and ends up making a selfless choice to head right back into the First Order to save his friend, and ends up charging a superior opponent to protect said friend. As a result of these choices, Finn gains new friends, a new moral paradigm, a new sense of identity, and a name.

It's interesting. For me, the concept of Finn was one of the best "ideas" in TFA, but in execution a lot of it felt a bit off and didn't ring true a lot of the time. Right off the bat, his goofy personality felt at odds with someone who was raised from birth to be a Stormtrooper. I think the his turn also happened too fast, just felt like we were instantly expected to believe he's the one Stormtrooper with a conscience and I didn't feel like there was enough of a setup/payoff for his decision to defect for it to have the proper weight. He didn't seem to have any trouble shaking off a lifetime's worth of brainwashing after the fact, either. I don't know, it just felt a bit too easy for me.

Even the amount that he seems to care for Rey (and vice versa) just seems way out of proportion for the amount of time they've known each other. It's like they're instantly best friends. I get that they're both coming from a place of feeling lonely and anonymous and have an instant connection, but it just happens way too quick for my taste. In the OT, there is much more tension between everyone which makes it way more satisfying when Han finally comes through in the end of ANH, and makes it more interesting when Han and Leia fall in love in Empire, etc.

So yeah, for me Finn was always a weak link in TFA even though I think the idea of a defecting Stormtrooper is one of the best ideas "on paper" that it brings to the table. And I like John Boyega a lot- he's got a great on-screen presence, but he deserves better writing.

After TLJ though, I at least feel like he's got more of a rounded out ideology to work with as a Rebel now, and hopefully will be able to justify a larger role in the main story. After the way TLJ ends, I'm not convinced we won't get to see him tap into the Force yet, which could be a cool development.
 
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Again rather easy for me. TFA share its spot with RotJ for me while TLJ sits at the very bottom of Star Wars movies.
 
I wish there was an “I don’t know” option. I am honestly torn between the two. I think I do like the central stories in both films — TFA’s Rey, Finn, Han story and TLJ’s Rey, Luke, Kylo story. But it’s everything else surrounding it that I just don’t like, and that is keeping me from making a decision. I lean more toward TFA simply because it had a better use of characters, and there is some clear character development, but TLJ isn't as much a do-over of the OT so I think it takes the prize for me. Luke’s arc in TLJ is the best thing about it, but none of the other characters really grow at all during the film (aside from, maybe, Poe). But the larger Resistance/First Order story leaves a lot to be desired in both films. Simply put, there was a much better story to tell than a functional reboot of the Original Trilogy story.
 
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I feel in the long run TLJ has more replay value than TFA as it dared to try a few new and different things, not always succesfully but was more bold.
 
Agreed. There are some definite gorgeous shots in TFA (the Jakku stuff with the crashed Star Destroyer and AT-AT were nice), but on the whole I feel like TLJ was able to feel part of the same visual universe as TFA but make it more striking in a way that felt very "Star Wars" for me. There's still plenty of camera movement in TLJ, but it didn't feel like it was drawing attention to itself as much which I appreciated.



It's interesting. For me, the concept of Finn was one of the best "ideas" in TFA, but in execution a lot of it felt a bit off and didn't ring true a lot of the time. Right off the bat, his goofy personality felt at odds with someone who was raised from birth to be a Stormtrooper. I think the his turn also happened too fast, just felt like we were instantly expected to believe he's the one Stormtrooper with a conscience and I didn't feel like there was enough of a setup/payoff for his decision to defect for it to have the proper weight. He didn't seem to have any trouble shaking off a lifetime's worth of brainwashing after the fact, either. I don't know, it just felt a bit too easy for me.

Even the amount that he seems to care for Rey (and vice versa) just seems way out of proportion for the amount of time they've known each other. It's like they're instantly best friends. I get that they're both coming from a place of feeling lonely and anonymous and have an instant connection, but it just happens way too quick for my taste. In the OT, there is much more tension between everyone which makes it way more satisfying when Han finally comes through in the end of ANH, and makes it more interesting when Han and Leia fall in love in Empire, etc.

So yeah, for me Finn was always a weak link in TFA even though I think the idea of a defecting Stormtrooper is one of the best ideas "on paper" that it brings to the table. And I like John Boyega a lot- he's got a great on-screen presence, but he deserves better writing.

After TLJ though, I at least feel like he's got more of a rounded out ideology to work with as a Rebel now, and hopefully will be able to justify a larger role in the main story. After the way TLJ ends, I'm not convinced we won't get to see him tap into the Force yet, which could be a cool development.

And I can understand some of the disappointment in Finn having goofy, affable moments by finding dissonance in that behavior with his background, but I sometimes (not specifically to you) feel that people talk themselves into a more critical view of Finn's goofy behavior than is warranted. Finn is actually a very serious character at all his plot important points: his opening scenes, his confessions at Maz's palace, his full face turn when Rey gets kidnapped, his charge towards Kylo. His humor is founded primarily in forging a bond with Rey, Poe, and Han, and is overall very John-McClane-in-Die-Hard: he's someone who knows he's in over his head, and is running on manic desperation. That's part of the reason why he gets a bit less comedic after Rey gets kidnapped; he's having to face his fear and control it, so it, and his corresponding mania, only pop-up occasionally.

Maybe he doesn't have the tortured psyche people expect from a brainwashed soldier, but I kind of feel that's the point. They're following the clone troopers in showing the faceless shock troops as still being tragically relatable and shockingly normal... when they're not trying to kill you.

And regardless, the TLJ subplot with Finn is incredibly sloppy, with the most important character moments both being underwhelming compared to even the first scene in TFA and founded largely in expositional dialogue.

To me, TFA made Finn the perfect entry character for old and new fans. And TLJ pissed it away.
 
The Last Jedi is easily better. A far more interesting and epic story, despite it's many flaws.

The Force Awakens is a paint by numbers nostalgia-fest without an original thought in its head. It's basically an inferior remake of the original.
 

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