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This is a continuation thread, the old thread is [split]469745[/split]
Just for the sake of it? Just because some whiny fanboy doesn't know why a change was made doesn't make it an arbitrary change, it just means that they weren't included in production meetings. You see that crap all the time around here, endless complaints about costume materials, reshoots, why was this person cast, why didn't they use that villain, etc. all from clueless people who delude themselves into thinking they're expert filmmakers, like they know more than the professionals who have been doing this for years and have good reasons for doing things the way they do.
Like that guy upthread. Who appointed him All Seeing Keeper of Spider-Man Lore? He's perfectly free to dislike the film all he wants but going on ridiculous, sneering tirades about how today's comics have murdered and buried his childhood and how Marvel "doesn't respect their characters" because they no longer fit into his tidy little definition of what that character is? It's nonsense.
Nothing beats the original. That's just how it is.
What about when bread was first sliced? It ruined everything. Bread was meant to come in loaves dammit, full untouched loaves. Not some ridiculous slices arbitrarily cut by some knife-wielding hipster who doesn't respect the vision of the original bakers.
I remember when bread was first sliced. It ruined everything. Bread was meant to come in loaves dammit, full untouched loaves. Not some ridiculous slices arbitrarily cut by some knife-wielding hipster who doesn't respect the original bakers.
Perhaps a more apt comparison is something like Romeo and Juliet. Contemporary adaptations/iterations come and go, and they keep the story alive for generations to come, etc... but Bill's original text is what we will always return to.![]()
art gets distorted and twisted solely for the purpose of profit
Nothing beats the original. That's just how it is.
1.) The sound is pretty cool when Electro shoots lightning, but wouldn't it make more sense if it sounded more like thunder?
I don't understand what the issue is here. New interpretations are always welcome, in my eyes. The original 616 Spidey universe will always exist for us to read. Nearly everything beyond that can be considered a new interpretation. This includes the Ultimate comics and all film adaptations.
The medium of comic books, in general, is not a medium that welcomes direct page-to-screen adaptations in that way that something like the LOTR trilogy does (unless we're talking about a singular one-shot series like Watchmen or V for Vendetta). Spidey's 616 universe simply has too much to draw from at this point to directly translate its stories to the screen. It doesn't have what we'd consider to be a beginning, middle, and end. Therefore, I'd prefer for screenwriters to continue to pull from different factions of the Spidey mythos in order to come up with original stories for films. That way, we get to see things we've always wanted to see from the comics but in ways we truly haven't seen before.
Say what you want about Nolan's Batman films, but what I love about them is how he used the source material but still delivered original stories to us. His trilogy is essentially one complete story with a beginning, middle, and definite end, but we still saw so many things inspired by different comics -- Year One, The Man Who Falls, The Long Halloween, The Killing Joke, Knightfall, Dark Knight Returns, etc. I'll gladly take a mythos-spanning trilogy like that over 3 films based on only one specific run of comics. Thankfully, Webb seems to be doing something similar.
I have two nitpicks about Electro's lightning:
1.) The sound is pretty cool when Electro shoots lightning, but wouldn't it make more sense if it sounded more like thunder?
2.) To me, it looks like the lightning isn't traveling fast enough, I feel like I shouldn't be able to see it travel at all. I know it doesn't travel at the speed of light, but there doesn't seem to be much distance between spidey and Electro in the last shot.
Also, did anyone notice how the electricity left that red streak at 1:54? I remember seeing that on some iPod thing or some website thing.
Couldn't have said it any better. I prefer it when directors and writers adapt a story by interpreting the material in creative ways. Comic books lend themselves to varied creative interpretations more than other types of sources simply because there is so much to draw from.
Not sure what the electricity should sound like (I thought it sounded cool in the trailer), but I doubt the sound effects in the trailer will be completely the same as what we'll hear in the film itself. There's no way the sound editing and mixing is complete. Teasers and trailers will often use placeholder sound effects.
I don't understand what the issue is here. New interpretations are always welcome, in my eyes. The original 616 Spidey universe will always exist for us to read. Nearly everything beyond that can be considered a new interpretation. This includes the Ultimate comics and all film adaptations.
The medium of comic books, in general, is not a medium that welcomes direct page-to-screen adaptations in that way that something like the LOTR trilogy does (unless we're talking about a singular one-shot series like Watchmen or V for Vendetta). Spidey's 616 universe simply has too much to draw from at this point to directly translate its stories to the screen. It doesn't have what we'd consider to be a beginning, middle, and end. Therefore, I'd prefer for screenwriters to continue to pull from different factions of the Spidey mythos in order to come up with original stories for films. That way, we get to see things we've always wanted to see from the comics but in ways we truly haven't seen before.
Say what you want about Nolan's Batman films, but what I love about them is how he used the source material but still delivered original stories to us. His trilogy is essentially one complete story with a beginning, middle, and definite end, but we still saw so many things inspired by different comics -- Year One, The Man Who Falls, The Long Halloween, The Killing Joke, Knightfall, Dark Knight Returns, etc. I'll gladly take a mythos-spanning trilogy like that over 3 films based on only one specific run of comics. Thankfully, Webb seems to be doing something similar.
Not sure what the electricity should sound like (I thought it sounded cool in the trailer), but I doubt the sound effects in the trailer will be completely the same as what we'll hear in the film itself. There's no way the sound editing and mixing is complete. Teasers and trailers will often use placeholder sound effects.
I will always love 616 the most, I've never been a fan of Ultimate to be honest. But I feel Webb takes inspiration from both, and TSSM.
I think there is plenty of inspiration from the Ultimate Spider-Man series. Only some hardcore fans who hate anything other than the 616 disapprove of it.
Ultimate Spider-Man #1-39 are the best (collected in volumes 1-6, or USM Omnibus). There are a number of similarities off the top of my head:I read Ult X-Men but not USM. I heard very good things about it, especially the first few volumes. What similarities are their to the movies?