I think what we are seeing is Tom King spreading his wings and writing some different genres. Gotham Year One is definitely a noir mystery, whereas Human Target is a more an homage to old school Cary Grant/Hitchcock debonair adventure mysteries. They are much more straight forward than Mister Miracle, which is a cerebral classic. But I love both of these books thus far. In fact, Human Target just might end up on the Tom King Mt Rushmore alongside Superman: Up in the Sky, Mister Miracle, and Omega Men.
To me, Strange Adventures is maybe the only King work that I consider a failure. Batman/Catwoman is a bit of a mess and Rorschach leaned too heavily on trying to emulate Alan Moore (not as badly or as blatant as Geoff Johns’ attempt with Doomsday Clock.) But his newer work is just different than Mr Miracle. Nevertheless, Human Target especially maintains King’s trademark unorthodox narrative style, with quirks and twists and turns fully intact.
On the subject of Tom King attempting different genres, I’d recommend Love Everlasting. It’s a substack book that King is self publishing and it’s a romance comic, with a Tom King twist.
As I said, most of his recent work feels more pastiche than progressive. I thought Strange Adventures had a through-line that was pretty profound when taken as it's own self-contained story. And I'll take Rorschach over Doomsday Clock any day of the week. That one is probably the masterwork no one will acknowledge, despite my issues with the very end of the story. But Gotham City: Year One and Human Target feel like "Tom King writes noir story" rather than "Tom King writes noir story that upends all the tropes". As I said, it's pastiche, and while there's certainly nothing wrong with it, sometimes it feels...obvious.
Regarding Love Everlasting. I signed up for the substack, bought the Image issues and just received the Substack edition of the first trade. It has a very interesting premise, but every consecutive issue just felt like the first issue. The same thing literally happens every issue. I'm hoping the story moves forward a bit more.
That said, Human Target #11 came out today. This is probably the emotional climax of the story and King handles it gracefully, as Christopher Chance and Ice try to come to terms with their relationship and the fact that Chance is dying was a complete accident. I'm sure the five fans of Ice will hate the book, but hell. This is has been a solid ride so far. Can't wait for the finale next month!
Justice Society Of America #2. Never thought I'd say this about Geoff Johns, but I am absolutely loving this book. I'm disturbed by the amount of delays this book is already getting slapped with, as I've found it pretty engrossing as a fan of Earth-2, whose lore Johns seems to be sticking with. There's definitely gonna be weird timeline shenannigans going on throughout the story, but half the excitement is seeing how they get resolved. Also, I'm ecstatic that Jerry Ordway is doing art throughout this series. The man has not lost a step and is just as good as he's ever been. Hopefully this goes for more than 12 issues.
Action Comics #1051: Basically the return of the "Superman Family" title from the 70s. The main story felt a little "eh" as once again Action Comics lands with a muffled pop than a victorious bang. The follow-up story by Dan Jurgens was a fun first chapter, and I adore Lee Weeks' art so any opportunity for more of that is fine by me. I glossed over the Power Girl short. It seems tied to the Lazarus Planet stuff that I'm not reading so I felt lost. Pretty decent issue over all. I hope the book improves.
Flash #791. Got the last copy of the variant cover for this one because I missed out last week and it seems the A-cover and this issue is the first appearance of a new character, hence the speculators managed to snag all the copies. Solid issue. It's great seeing the Flash family reunited. The only narrative snag is the deal with Iris. Everyone seems to think she's dead, while it's pretty clear to me that she's frozen in place(or really, just moving that much more slowly) just like all of the other non-speedster characters. I don't understand why the conclusion that she's dead was made so abruptly or why none of the other Flash family pointed out that she's just frozen. Does this mean that Animal Man and Mr. Terrific are also dead? I don't get it. This plot thread feels really forced, and because we all know no one ever stays dead in comics (ESPECIALLY Iris), this threatens to derail an otherwise really good story.
Nightwing #100. I think I'm out with this book. I can't explain any better than I have in the past, but I really cannot stand Taylor's writing. The whole thing about the prison industrial complex was so ridiculously heavy handed and lacked all of the weight needed to really sell that. I actually laughed out loud when Nightwing gave his speech to the prison-escapees about being held without trial. I previously said this about Taylor's Superman as I dropped that book that his tackling of social justice in his books borders on being, at best, profoundly disingenuous. Here, it was just absurd. For as long as the book was, page-wise, it felt pretty padded and not very special for a 100th issue. I dug the part about Nightwing leading the Justice League and Bruce and Dick's heart to heart, but there's nothing keeping me here anymore, and there's nothing keeping my interest in what will more than likely be a Taylor-penned Justice League revival. Taylor's writing is just blech.
World's Finest #11. This felt like a rushed conclusion. While I liked the revelations of last issue, this felt like the story just wanted to end and did nothing much to make it feel like a solid ending. I AM looking forward to next month's issue though: The date between Supergirl and Robin.
My shop didn't include my copy of Detective Comics so I'll be picking that up later this week and now i have to try to track down Stargirl #3, which also introduces a new character that is causing speculators to buy it up like crazy.