I’m curious, who is everyone’s favorite Batman writer?
I have a clear top two: Mike W. Barr and Steve Englehart (although admittedly, Englehart is a relatively small sample size, it’s amazing quality)
Maybe it's because I did a massive re-read recently, but the Brubaker/Rucka duo (New Gotham, Officer Down, Murderer/Fugitive, Gotham Central, Catwoman) is probably my favorite. The level of synergy between the two major Bat-titles is something the line has been sorely missing since. It does the best exploration of "Is Bruce or Batman The Real Mask?" better than anyone before or since. There's a lot of great humanizing going on there, too. I don't think the world of Gotham has ever been that fully explored either, atleast by a consistent creative team.
I'd definitely put Tom King up there, too. Since I began collecting comics on a weekly basis, King's run on BATMAN has been the only run I've picked up beginning to end. Dropped Morrison. Dropped Snyder. Dropped Tynion. Dropped Williamson. Dropped Zdarsky. Dropped everyone in between. King's run held me from beginning to end. Part of it has to do with King's formalist approach to comic books as medium. His exploration of form, as well as the insanely talented artists he brought onto the title was a definite eye-catcher for me. The other part had to do with King's reconciliation between humanist drama and the inherent absurdity of the superheroes. He managed to peel away the thick and heavy UberGod layers that Batman has accumulated over the years and make Bruce, certainly more fallible, but also more human and relatable. The run as a whole didn't land 100%, but his failures were infinitely better, if not interesting, than anything, good or bad that came after. And his short stories, Pway For Me (Batman/Elmer Fudd), The Unjust Judge (from Black & White #2) and Riddler: One Bad Bay are all incredibly great comics, comics that are faraway some of the best this corner of the medium has produced in DECADES, that no one is going to talk about either because it's too intellectual and lacks stupid punching, or people can't get past their bizarre prejudice about the Catwoman marriage (or lack thereof). If anything, Tom King's run on Batman also helped me realize how much I can't stand fandom and that this fandom will never allow the medium to evolve and progress in any meaningful way.
I have a soft spot for the Alan Grant/Breyfogle stuff too. I think that team definitely gave Batman stable legs to stand on Post-Crisis. Batman felt pretty unmemorable and Barr's run after Alan Davis left felt pretty neutered. I also don't much care for Jim Starlin. Regardless of the historical importance, I found his approach and reasoning for wanting to kill Jason Todd pretty tasteless. It's not until Alan Grant and Norm Breyfogle (with John Wagner) were given Detective Comics that the line began to feel stable again. There's something very special about their time with the character that transcends simple nostalgia.
Mike W. Barr has written several bangers that don't get enough credit. His two-part Joker story with Alan Davis (and in fact, his whole brief run with Alan Davis) are some of the best superhero comics of the 80's. His Batman Annual #8 with Trevor Von Eeden is one of the greatest Batman stories no one talks about.