deathfromabove
Sidekick
- Joined
- Apr 18, 2005
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i loved anton furst's design for gotham. the execution made everything seem like it was a stage play however. the sets looked like sets and the "citizens" seemed like extras. even at fourteen my friends and i complained about how "canned" and fake everything seemed.
i actaully think the fact that chicago stood in for gotham worked perfectly in tdk. parts of the city seemed more industrial and run down but the finacial districts of any city are going to be clean and bright, no matter how corrupt it may be. i really enjoyed the juxtaposition. the downtown shots looked clean like a real city would but some of the other areas (the underground highway, the back alleys, etc) looked suitably dirty and urban.
like i said, making your corrupt city dark and teh gritty and rainsoaked in every shot is filmaking 101. i think nolan, crowley, and pfister have moved beyond such obvious set dressing and art direction. if gotham looked like blade runner in every shot or fursts gotham it would have ruined the grounded realism nolan established.
having said that i would have liked to see the narrows just once.
i actaully think the fact that chicago stood in for gotham worked perfectly in tdk. parts of the city seemed more industrial and run down but the finacial districts of any city are going to be clean and bright, no matter how corrupt it may be. i really enjoyed the juxtaposition. the downtown shots looked clean like a real city would but some of the other areas (the underground highway, the back alleys, etc) looked suitably dirty and urban.
like i said, making your corrupt city dark and teh gritty and rainsoaked in every shot is filmaking 101. i think nolan, crowley, and pfister have moved beyond such obvious set dressing and art direction. if gotham looked like blade runner in every shot or fursts gotham it would have ruined the grounded realism nolan established.
having said that i would have liked to see the narrows just once.