Dragon
No Way as Way
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This is the beginning of a Hulk script I started some months back. I wanted to post it mostly as an example of an approach to dramatizing the story in a way that I think is more coherent and true to the source material than the Ang Lee film. I welcome comments from everyone, but especially fans of the movie.
The Incredible Hulk
FADE IN:
THE NEW MEXICO DESERT. RISING UP THE SIDE OF A HILL. PAST THE DIRT & ROCKS. PAST THE RANDOM LIZARD AND SNAKE. TO THE HILL'S SUMMIT- STILL RISING OVER THE TOP PAST ANOTHER LIZARD THAT TURNS TO GREET US LIKE A TV HOST.
LOOKING OVER THE SUMMIT OF THE HILL-
TO GROUND ZERO. A GIGANTIC CIRCULAR PIT. THE SCENE OF SOME GREAT CATACLYSM. A NUKE? NOT QUITE. NO SCORCHED EARTH, ONLY A LEVELED FIELD. BUT CLOSE.
THE OPPOSITE SIDE OF THE HILL HAS BEEN TORN AWAY, MAKING IT A CRESCENT OF ANCIENT ROCK.
AND AT THE CENTER OF THE PIT, AN IMPRESSION THAT ALMOST APPEARS IN THE SHAPE OF A HUMAN FORM. ALMOST. BUT AGAIN, NOT QUITE.
CUT TO:
FLYING OVER THE DESERT. THE SOUND AND SHADOW OF A MILITARY HELICOPTER. FLYING AWAY FROM GROUND ZERO. BUT AS WE FLY AWAY, THE SCENE GETS MORE HELLISH. MILITARY GROUND AND AIR WAR MACHINES. DOZENS OF THEM, SCATTERED AND SHATTERED. LITTERING THE LANDSCAPE. SMOLDERING. FLAMING. THE SITE APPEARS TO BE THE AFTERMATH OF THE FINAL, APOCALYPTIC WAR.
THE FLIGHT CONTINUES. MILES AHEAD MEDICAL CREWS ATTEND TO LEGIONS OF WOUNDED SOLDIERS.
FIRE CREWS ARE DOUSING THE BURNING TRUCKS, TANKS, CHOPPERS AND JETS.
ON THE HELICOPTER: Inside the Chinook; Awe, disbelief laying siege on her face, DR. ELIZABETH "BETTY" ROSS takes in the terrible sights- shakes from the horrible sounds below.
DISSOLVE TO:
EXT. MILITARY BASE: PROJECT GREENSKIN - AFTERNOON
The chopper touches down. Betty, and her military escorts disembark.
Another group of military personnel are there to greet them. Chief among them, MAJOR GLENN TALBOT. At a glance one might assume that Talbot wears his military uniform like a suit of armor. Closer examination might show that the uniform is the glue that holds Talbot together. He's developed a skill for keeping this hidden. But not from Betty. Not from the object of his desire. For her, his armor is the thinnest gossamer thread. And she can see the quaking shambles of a man beneath.
It is for this reason that Talbot only forms half a smile at the sight of her.
TALBOT
...Betty..
BETTY
Glenn..
His eyes run side to side gesturing toward the soldiers at attention in protest of Betty's informality.
BETTY
Major Talbot. Nice to see you.
He nods, granting a firmer smile at Betty.
TALBOT
..Your father is just finishing a briefing with the President.
He turns and walks toward a nearby building entrance. Betty and the others follow.
CUT TO:
INT. OFFICE - CONTINUING
Talbot and Betty walk toward the office door. As they approach, they are greeted by a blast of "FLIGHT OF THE VALKERIES". Betty smiles knowingly.
Talbot knocks on the door. A VOICE, EASILY AS POWERFUL AS THE SYMPHONIC ASSAULT RESPONDS.
VOICE
Enter..
Betty and Talbot follow orders. Everyone does. GENERAL THADDEUS "THUNDERBOLT" ROSS pours a glass of twenty year old scotch. The finest Cuban cigar dangling betwixt his right index and middle fingers. Dangling, and yet steady. 62, stout like an aged Greco-Roman wrestler, leathery skin, cottony hair and mustache. The army never built a tougher war wagon. An old time soldier.
His eyes flicker brightly taking in the sight of the single most beautiful thing in the world to him, this side of his horse Athena.
ROSS
Betty!
Ross rises from his chair and bearhugs his daughter.
BETTY
Hi, daddy!
She kisses his cheek.
ROSS
How's my girl?
BETTY
I'm-I'm good Daddy.
She examines her father.
ROSS
Well, darling- take a load off. After I've taken care of a few things we'll sit down to a proper dinner.
Betty is slightly aghast at her father's demeanor. She sinks into a chair. Talbot bends himself into one.
BETTY
Dinner? Dad- you don't have to take a jubilant tone with me. On my chopper flight we took the scenic route. I saw what happened-All the casualties.. The damage. I understand that this is something you'd need to recover from.
ROSS
Recover?
Ross is genuinely confused at first. Then he remembers who he's speaking to.
ROSS
(continuing; laughs)
Ah.. my sweet little girl. The psychiatrist. Ever concerned about the emotional side of things. How I love you honey. Comes from your mother. How I loved her, too.
Betty is taken aback by the patronizing, if genuinely loving tone.
Talbot observes the father-daughter exchange with a certain caginess.
ROSS
No honey.. this isn't a time to mourn.. This is a time for celebration! Do you realize what we've done today? This was a greater victory than any from the three wars I've fought.. God forgive me.. But I've found my Chimera.. My Hydra.. And I've beaten him. The loss of soldiers.. of tactical equipment are considered, accounted for and lamented during the planning of strategy.. And I'm not going to say that looking over the battlefield in the aftermath doesn't give me pause.. But damn it.. We've done something great today.
TALBOT
Indeed we have sir. Let me congratulate you..
Talbot rises to extend his hand. Ross accepts it with Pride.
ROSS
Thank you Major! The quality of men like you in my command make the victory inevitable and pleasurable.
Betty feigns a cough.
BETTY
You'll forgive me gentlemen, but all this back-patting is raising alot of dust in here.
TALBOT
-Betty- why would you want to wet blanket your father on such a momentous occasion?
ROSS
I don't understand what you were expecting, sweetheart..
BETTY
I came to support you dad, on what would have to be a challenging day to say the least..
Betty is suddenly angered. By the men in the room, and by the music.
BETTY
Dad.. could you bring the Valkeries in for a landing please?
Ross, stunned at his daughter's ire, after a pause, hits the mute on the remote control for the stereo, silencing the music.
BETTY
..A challenging day.. And let's not forget that the life of a fine man was destroyed..
TALBOT
..That's debatable.
ROSS
Calm down, sweetheart.
Ross sips his scotch and takes a pull of his cigar. He releases a satisfied cloud of smoke as the room becomes still.
ROSS
..The President made a personal call to me to thank me. The first time in my career I've been granted such an honor. You know, weeks ago, the Defense Secretary was thinking of having me stand down on this. They were considering bringing in the Avengers.. Or Reed Richard's crew. I told the secretary, the day the army couldn't handle a threat to this nation is the day we better throw in the towel.. Close the whole thing down and retreat to the caves. Make no mistake- this was essential. And as for Banner.. Well. His story was written and the book was closed long ago. A shame really. But no more so than every other man that was lost.
Betty takes in his words. And she's known her father too long and too well to think there's anymore to say on the subject.
She finds her calm.
BETTY
...I'd like to see him.
TALBOT
(Shocked, angry)
What??
ROSS
Really Betty- You can't be serious!
BETTY
I couldn't be more serious daddy.. I'm a psychiatrist.. He'll have to be examined to see if he's mentally fit for trial..
Talbot and Ross share a grim, dark glance and turn back to Betty.
BETTY
I've spoken with the Attorney General and Senator Tower.. They agree with me that Bruce needs an assessment before further action can be taken. I can go through proper channels if you like daddy..
The closing word brings a smile to Ross' hard face. He realizes that Betty is her father's daughter, and in a rare moment acquiesces.
ROSS
Fine. Good. Talbot.. Take her to see him.
TALBOT
(Disbelieving, disappointed)
Sir?
ROSS
And when you're done Betty, let's have that dinner.. Thick, tender steaks grilled to perfection..
He winks at her, and takes another sip of his scotch.
Betty smiles and nods.
Talbot rises, doing little to show his disapproval. Ross ignores it.
Betty stands and they exit. Ross leans back in his chair and unmutes the stereo as the valkeries take flight again.
CUT TO:
INT. MILITARY BUNKER - AFTERNOON
The bunker is both technically advanced and surprisingly simple in design. Hard gray metal and stone. Everything has a thickness and unbearable weight. Few places could be more unwelcoming.
A PLATOON OF SOLDIERS IN SPECIAL ARMOR AND CARRYING WEAPONS AKIN TO PERSONAL CANNONS POLICE THE BUNKER.
They salute as Talbot guides Betty past them to an elevator.
He and Betty enter. The heavy doors close and the elevator descends.
CUT TO:
INT. MILITARY BUNKER LEVEL C - CONTINUOUS
Talbot enters a code on a key pad.
WIDE ANGLE: Enormous metal doors - fifteen feet high, a foot thick, that seemingly were never meant to be re-opened once closed, clang and pound as if in protest as they unlock.
Talbot and Betty make the long, uncomfortable walk down the corridor. To their right and left, hellish devices that appear to be weapons stand on guard. Betty tries not to look at them.
TALBOT
I don't understand you, Betty. I don't understand what you're looking for.. Why are you putting yourself through this?
BETTY
I know you can't understand, Glenn. You tell yourself that you're sure about everything.. The sun rises and sets.. People live and die. The why, the wherefore doesn't matter to you.
TALBOT
I'm a soldier. The what and the how are my business. Not the why.
BETTY
The difference between you and I is that I'm not afraid to look into the abyss if it will lead to the truth.
TALBOT
I'm not afraid of anything.. I don't look into the abyss because I know what's there. I've been on the battlefield. I know what man is capable of.
BETTY
You know what man is capable of.. You don't know his full capability.
TALBOT
..And you think Banner will give you those answers?
BETTY
...I don't know. But I've got to try..
They reach a cell. Another huge and heavy set of doors. On the left door there's a tiny window.
TALBOT
..I've got a postcard from the real world for you Betty.. Banner, and threats like him are an unrelenting, abhorrent force that can't be studied or reasoned with. Only dealt with.
BETTY
I think you tell yourself that Glenn, because it's any easy way out. I think looking at the questions that Bruce creates makes you question your own actions. And that's too much for you to bear. So it's better.. It's easier, to lock him away.. To make him cease to exist. Then you can ignore your own failings..
TALBOT
(Shakes his head)
If only you'd come down from that lofty perch.
Betty and Talbot approach the tiny window.
TALBOT
And there he is. The greatest threat to humanity in modern history.
MOVING INTO THE WINDOW. There's a distance of ten feet between each end. At the other end, is BRUCE BANNER. The "greatest threat to humanity" is 5' 10", 160 lbs. Bespecled, unshaven. He seems more than a little disoriented as he struggles to see those standing before his cell. Upon recognizing Betty, a goofy smile comes over his face.
BETTY
Bruce? Can you hear me? Are you alright?
BRUCE
...H-hi Betty.. Yes. Yes I can hear you. Yes, I'm alright.
BETTY
Bruce I wanted to talk to you for a bit. Is that okay?
BRUCE
(Pause)
Sure. I'd like that.
Talbot shakes his head with chagrin. Betty turns to him. She's stern.
TALBOT
...I'll have a chair brought down for you. And a walkie to let us know when you're ready to leave.
She nods.
DISSOLVE TO:
Betty is sitting in front of the cell. She removes a tape recorder from her bag.
BETTY
Do you mind if I record our conversation, Bruce?
Bruce, in his cell sits on the floor. They can't see each other.
BRUCE
I don't mind.
Betty clicks the recorder on.
BETTY
..Okay. Could we start at the beginning?
BRUCE
..The beginning of.. You mean when this all started?
BETTY
No, Bruce.. I mean the very beginning..
BRUCE
You mean.. Like my childhood?
BETTY
Yes.
BRUCE
(Laughs ironically)
Okay, Dr. Freud.. Should I be lying down?
Betty laughs.
BETTY
I just think there's more to all of this than the physical issue. I think perhaps the answer lies in your psychological history.
BRUCE
Oh.. Way to make a guy feel good.. Not only am I a walking nuclear bomb.. I'm crazy too..
BETTY
You don't mind talking about it do you? We were starting to talk about it before.. You know, before all of this happened..
BRUCE
We were talking under different circumstances.. For different reasons.
BETTY
There's no denying the circumstances are different. But Not the reasons. This isn't... I'm doing this because I care about you Bruce.
BRUCE
Thank you. That means so much to me. Especially now. But you're gardening roses in a minefield.
BETTY
...Was it painful?
BRUCE
..Painful? I never thought about it until now. But I... Yes. I think it was painful..
BETTY
-You think?
In his cell, Bruce struggles within himself as memories long buried rush to the fore. And yet- they seem like they belong to someone else.
BRUCE
It's hard to say.. The drugs they keep me pumped with.. to keep me calm.. To keep me from.. Changing..
BETTY
-We want you to stay calm, Bruce. Let's take it slow. Is there a.. Is there a happy memory?
Bruce thinks back. Images flash in his mind.
BRUCE
...Blocks..
BETTY
You feel blocked?
BRUCE
N-no. Building blocks. Toys..
DISSOLVE TO:
INT. BANNER HOME, 1972 - AFTERNOON
A two year old boy lays blocks next to each other.
2 YEAR OLD BRUCE
C...A...T.. Cat!
Bruce's mother, REBECCA BANNER, possessed of an angelic beauty, leans over Bruce's playpen watching joyfully as toddler practices his spelling.
REBECCA
That's right honey!! Cat!
Young Bruce applauds himself. Rebecca kisses him lovingly on the cheek.
With his blocks, Bruce spells "MOM" and then "DAD".
At that moment, someone- something enters. In the cloudiness of Bruce's memory, it appears that the presence is dark. Shadowy and monstrous. It makes terrible growls. Young Bruce and Rebecca are frightened at its approach. THEN IT HITS THE LIGHT- IT'S A MAN. Bruce's father BRIAN BANNER. No longer monstrous, just angry. HIS GROWLS MORPH INTO YELLING.
BRIAN
-Rebecca! My schematics! They weren't in my briefcase! Where are they?
REBECCA
..Brian- how would I know where your schematics are?
Brian glances over at Bruce who sits frightened in his playpen.
BRIAN
Of course.. How could you know? You don't know what the hell is going on in the world, because you spend every waking moment with "the little prince"... I guess you've forgotten how to be a wife since you traded in the job for caretaker of that brat..
Rebecca, wounded scurries from the room.
Brian swaggers over to Bruce's playpen.
BRIAN
..And how's our little "treasure' today?
Brian grimaces at Bruce, who sits wide-eyed. Over top the blocks spelling "DAD", Bruce stacks an "M" block over the first "D", spelling "MAD".
Brian turns in the direction that Rebecca walked toward.
BRIAN
So what exactly do you and the urchin do all day aside from suck up every dollar I earn?
Bruce, still watching his father, stacks a "B" block atop the "M" spelling "BAD".
Brian notices the spelled out blocks.
BRIAN
What in God's name? Rebecca- you know he's too young to read- why are you spelling out words for him?
Rebecca walks back into the room. Under her arm is a stack of papers. She angrily thrusts them forward at Brian.
REBECCA
...Your schematics. They were on your desk.. If you paid a little more attention you'd wouldn't have left them... And maybe if you paid a little more attention, you know that your son can already read and spell..
Brian snatches the schematics from Rebecca's hand.
BRIAN
Pay attention? Pay attention your highness? When my work eats up nearly every fibre of my being- and the two of you gobble down the scraps? Why aren't YOU paying attention? If you could spare me just a little of your time, perhaps you'd be a partner to me- and not an anchor! Perhaps if you were paying attention, you'd realize just how wrong things are around here- Just how wrong it is for a 2 year old to be reading! I'm telling you Rebecca- that little freak is tearing our lives apart!
Rebecca, tears streaming Rebecca reaches over and lifts Bruce from the playpen, to protect him from Brian's insanity.
Brian storms toward her in a threatening manner. Rebecca turns away hoping to shield Bruce with her own body.
Brian ***** his arm, ready to hit her, then relents.
BRIAN
..No. That's all I need- to hurt you and lose what little freedom I have left..
He turns away, stuffing the schematics clumsily into his briefcase.
Rebecca, crying turns back to him.
REBECCA
..Brian.. Bruce and I.. we have to leave.. It would be best for all of us.. You don't want us here.. And we're not a family anymore..
Brian, close to the door turns back.
BRIAN
You don't leave.. After all I've invested in you.. You stay by my side. For better, for worse.. Till death do us part.
He swings the door open and leaves. Rebecca collapses to the floor crying, cradling Bruce.
CUT TO:
BACK IN THE MILITARY BUNKER
BETTY
..That's some amazing recall from a memory that happened when you were a toddler..
BRUCE
Are you kidding? Some of us child prodigies can remember the birth moment.. and let me tell you- that could make for a shelf's worth of books on sexuality issues..
Betty giggles.
BETTY
..That's strange..
BRUCE
What?
BETTY
..Well..You seem to have developed a sense of humor.. Prior to all of this you didn't.. You were kind of stiff..
Bruce laughs.
BRUCE
..Uh.. I guess you share your body with a the bane of existence, you start to appreciate the sunny side of life..
BETTY
(Intrigued, yet confused)
Uh-huh.. I see. So.. I looked up your mother's case. I understand she tried to leave your father. But because he was working for the government pressure was placed on her.
CUT TO:
INT. MILITARY ADMINISTRATION OFFICE 1972 - DAY
Rebecca sits at the desk of a MILITARY SOCIAL WORKER, 2 year old Bruce on her lap. She pleads with her for help, and is denied.
BETTY (V.O.)
Under the grounds of national security, because your father was involved with Top Secret military work and your family lived on a community under military jurisdiction, your mother was denied being able to leave for a minimum of a year.
CUT TO:
INT. MILITARY BUNKER LEVEL C/BRUCE'S CELL - CONTINUING
Bruce's head tilts to the floor.
BRUCE
..A minimum of a year..
CUT TO:
The Incredible Hulk
FADE IN:
THE NEW MEXICO DESERT. RISING UP THE SIDE OF A HILL. PAST THE DIRT & ROCKS. PAST THE RANDOM LIZARD AND SNAKE. TO THE HILL'S SUMMIT- STILL RISING OVER THE TOP PAST ANOTHER LIZARD THAT TURNS TO GREET US LIKE A TV HOST.
LOOKING OVER THE SUMMIT OF THE HILL-
TO GROUND ZERO. A GIGANTIC CIRCULAR PIT. THE SCENE OF SOME GREAT CATACLYSM. A NUKE? NOT QUITE. NO SCORCHED EARTH, ONLY A LEVELED FIELD. BUT CLOSE.
THE OPPOSITE SIDE OF THE HILL HAS BEEN TORN AWAY, MAKING IT A CRESCENT OF ANCIENT ROCK.
AND AT THE CENTER OF THE PIT, AN IMPRESSION THAT ALMOST APPEARS IN THE SHAPE OF A HUMAN FORM. ALMOST. BUT AGAIN, NOT QUITE.
CUT TO:
FLYING OVER THE DESERT. THE SOUND AND SHADOW OF A MILITARY HELICOPTER. FLYING AWAY FROM GROUND ZERO. BUT AS WE FLY AWAY, THE SCENE GETS MORE HELLISH. MILITARY GROUND AND AIR WAR MACHINES. DOZENS OF THEM, SCATTERED AND SHATTERED. LITTERING THE LANDSCAPE. SMOLDERING. FLAMING. THE SITE APPEARS TO BE THE AFTERMATH OF THE FINAL, APOCALYPTIC WAR.
THE FLIGHT CONTINUES. MILES AHEAD MEDICAL CREWS ATTEND TO LEGIONS OF WOUNDED SOLDIERS.
FIRE CREWS ARE DOUSING THE BURNING TRUCKS, TANKS, CHOPPERS AND JETS.
ON THE HELICOPTER: Inside the Chinook; Awe, disbelief laying siege on her face, DR. ELIZABETH "BETTY" ROSS takes in the terrible sights- shakes from the horrible sounds below.
DISSOLVE TO:
EXT. MILITARY BASE: PROJECT GREENSKIN - AFTERNOON
The chopper touches down. Betty, and her military escorts disembark.
Another group of military personnel are there to greet them. Chief among them, MAJOR GLENN TALBOT. At a glance one might assume that Talbot wears his military uniform like a suit of armor. Closer examination might show that the uniform is the glue that holds Talbot together. He's developed a skill for keeping this hidden. But not from Betty. Not from the object of his desire. For her, his armor is the thinnest gossamer thread. And she can see the quaking shambles of a man beneath.
It is for this reason that Talbot only forms half a smile at the sight of her.
TALBOT
...Betty..
BETTY
Glenn..
His eyes run side to side gesturing toward the soldiers at attention in protest of Betty's informality.
BETTY
Major Talbot. Nice to see you.
He nods, granting a firmer smile at Betty.
TALBOT
..Your father is just finishing a briefing with the President.
He turns and walks toward a nearby building entrance. Betty and the others follow.
CUT TO:
INT. OFFICE - CONTINUING
Talbot and Betty walk toward the office door. As they approach, they are greeted by a blast of "FLIGHT OF THE VALKERIES". Betty smiles knowingly.
Talbot knocks on the door. A VOICE, EASILY AS POWERFUL AS THE SYMPHONIC ASSAULT RESPONDS.
VOICE
Enter..
Betty and Talbot follow orders. Everyone does. GENERAL THADDEUS "THUNDERBOLT" ROSS pours a glass of twenty year old scotch. The finest Cuban cigar dangling betwixt his right index and middle fingers. Dangling, and yet steady. 62, stout like an aged Greco-Roman wrestler, leathery skin, cottony hair and mustache. The army never built a tougher war wagon. An old time soldier.
His eyes flicker brightly taking in the sight of the single most beautiful thing in the world to him, this side of his horse Athena.
ROSS
Betty!
Ross rises from his chair and bearhugs his daughter.
BETTY
Hi, daddy!
She kisses his cheek.
ROSS
How's my girl?
BETTY
I'm-I'm good Daddy.
She examines her father.
ROSS
Well, darling- take a load off. After I've taken care of a few things we'll sit down to a proper dinner.
Betty is slightly aghast at her father's demeanor. She sinks into a chair. Talbot bends himself into one.
BETTY
Dinner? Dad- you don't have to take a jubilant tone with me. On my chopper flight we took the scenic route. I saw what happened-All the casualties.. The damage. I understand that this is something you'd need to recover from.
ROSS
Recover?
Ross is genuinely confused at first. Then he remembers who he's speaking to.
ROSS
(continuing; laughs)
Ah.. my sweet little girl. The psychiatrist. Ever concerned about the emotional side of things. How I love you honey. Comes from your mother. How I loved her, too.
Betty is taken aback by the patronizing, if genuinely loving tone.
Talbot observes the father-daughter exchange with a certain caginess.
ROSS
No honey.. this isn't a time to mourn.. This is a time for celebration! Do you realize what we've done today? This was a greater victory than any from the three wars I've fought.. God forgive me.. But I've found my Chimera.. My Hydra.. And I've beaten him. The loss of soldiers.. of tactical equipment are considered, accounted for and lamented during the planning of strategy.. And I'm not going to say that looking over the battlefield in the aftermath doesn't give me pause.. But damn it.. We've done something great today.
TALBOT
Indeed we have sir. Let me congratulate you..
Talbot rises to extend his hand. Ross accepts it with Pride.
ROSS
Thank you Major! The quality of men like you in my command make the victory inevitable and pleasurable.
Betty feigns a cough.
BETTY
You'll forgive me gentlemen, but all this back-patting is raising alot of dust in here.
TALBOT
-Betty- why would you want to wet blanket your father on such a momentous occasion?
ROSS
I don't understand what you were expecting, sweetheart..
BETTY
I came to support you dad, on what would have to be a challenging day to say the least..
Betty is suddenly angered. By the men in the room, and by the music.
BETTY
Dad.. could you bring the Valkeries in for a landing please?
Ross, stunned at his daughter's ire, after a pause, hits the mute on the remote control for the stereo, silencing the music.
BETTY
..A challenging day.. And let's not forget that the life of a fine man was destroyed..
TALBOT
..That's debatable.
ROSS
Calm down, sweetheart.
Ross sips his scotch and takes a pull of his cigar. He releases a satisfied cloud of smoke as the room becomes still.
ROSS
..The President made a personal call to me to thank me. The first time in my career I've been granted such an honor. You know, weeks ago, the Defense Secretary was thinking of having me stand down on this. They were considering bringing in the Avengers.. Or Reed Richard's crew. I told the secretary, the day the army couldn't handle a threat to this nation is the day we better throw in the towel.. Close the whole thing down and retreat to the caves. Make no mistake- this was essential. And as for Banner.. Well. His story was written and the book was closed long ago. A shame really. But no more so than every other man that was lost.
Betty takes in his words. And she's known her father too long and too well to think there's anymore to say on the subject.
She finds her calm.
BETTY
...I'd like to see him.
TALBOT
(Shocked, angry)
What??
ROSS
Really Betty- You can't be serious!
BETTY
I couldn't be more serious daddy.. I'm a psychiatrist.. He'll have to be examined to see if he's mentally fit for trial..
Talbot and Ross share a grim, dark glance and turn back to Betty.
BETTY
I've spoken with the Attorney General and Senator Tower.. They agree with me that Bruce needs an assessment before further action can be taken. I can go through proper channels if you like daddy..
The closing word brings a smile to Ross' hard face. He realizes that Betty is her father's daughter, and in a rare moment acquiesces.
ROSS
Fine. Good. Talbot.. Take her to see him.
TALBOT
(Disbelieving, disappointed)
Sir?
ROSS
And when you're done Betty, let's have that dinner.. Thick, tender steaks grilled to perfection..
He winks at her, and takes another sip of his scotch.
Betty smiles and nods.
Talbot rises, doing little to show his disapproval. Ross ignores it.
Betty stands and they exit. Ross leans back in his chair and unmutes the stereo as the valkeries take flight again.
CUT TO:
INT. MILITARY BUNKER - AFTERNOON
The bunker is both technically advanced and surprisingly simple in design. Hard gray metal and stone. Everything has a thickness and unbearable weight. Few places could be more unwelcoming.
A PLATOON OF SOLDIERS IN SPECIAL ARMOR AND CARRYING WEAPONS AKIN TO PERSONAL CANNONS POLICE THE BUNKER.
They salute as Talbot guides Betty past them to an elevator.
He and Betty enter. The heavy doors close and the elevator descends.
CUT TO:
INT. MILITARY BUNKER LEVEL C - CONTINUOUS
Talbot enters a code on a key pad.
WIDE ANGLE: Enormous metal doors - fifteen feet high, a foot thick, that seemingly were never meant to be re-opened once closed, clang and pound as if in protest as they unlock.
Talbot and Betty make the long, uncomfortable walk down the corridor. To their right and left, hellish devices that appear to be weapons stand on guard. Betty tries not to look at them.
TALBOT
I don't understand you, Betty. I don't understand what you're looking for.. Why are you putting yourself through this?
BETTY
I know you can't understand, Glenn. You tell yourself that you're sure about everything.. The sun rises and sets.. People live and die. The why, the wherefore doesn't matter to you.
TALBOT
I'm a soldier. The what and the how are my business. Not the why.
BETTY
The difference between you and I is that I'm not afraid to look into the abyss if it will lead to the truth.
TALBOT
I'm not afraid of anything.. I don't look into the abyss because I know what's there. I've been on the battlefield. I know what man is capable of.
BETTY
You know what man is capable of.. You don't know his full capability.
TALBOT
..And you think Banner will give you those answers?
BETTY
...I don't know. But I've got to try..
They reach a cell. Another huge and heavy set of doors. On the left door there's a tiny window.
TALBOT
..I've got a postcard from the real world for you Betty.. Banner, and threats like him are an unrelenting, abhorrent force that can't be studied or reasoned with. Only dealt with.
BETTY
I think you tell yourself that Glenn, because it's any easy way out. I think looking at the questions that Bruce creates makes you question your own actions. And that's too much for you to bear. So it's better.. It's easier, to lock him away.. To make him cease to exist. Then you can ignore your own failings..
TALBOT
(Shakes his head)
If only you'd come down from that lofty perch.
Betty and Talbot approach the tiny window.
TALBOT
And there he is. The greatest threat to humanity in modern history.
MOVING INTO THE WINDOW. There's a distance of ten feet between each end. At the other end, is BRUCE BANNER. The "greatest threat to humanity" is 5' 10", 160 lbs. Bespecled, unshaven. He seems more than a little disoriented as he struggles to see those standing before his cell. Upon recognizing Betty, a goofy smile comes over his face.
BETTY
Bruce? Can you hear me? Are you alright?
BRUCE
...H-hi Betty.. Yes. Yes I can hear you. Yes, I'm alright.
BETTY
Bruce I wanted to talk to you for a bit. Is that okay?
BRUCE
(Pause)
Sure. I'd like that.
Talbot shakes his head with chagrin. Betty turns to him. She's stern.
TALBOT
...I'll have a chair brought down for you. And a walkie to let us know when you're ready to leave.
She nods.
DISSOLVE TO:
Betty is sitting in front of the cell. She removes a tape recorder from her bag.
BETTY
Do you mind if I record our conversation, Bruce?
Bruce, in his cell sits on the floor. They can't see each other.
BRUCE
I don't mind.
Betty clicks the recorder on.
BETTY
..Okay. Could we start at the beginning?
BRUCE
..The beginning of.. You mean when this all started?
BETTY
No, Bruce.. I mean the very beginning..
BRUCE
You mean.. Like my childhood?
BETTY
Yes.
BRUCE
(Laughs ironically)
Okay, Dr. Freud.. Should I be lying down?
Betty laughs.
BETTY
I just think there's more to all of this than the physical issue. I think perhaps the answer lies in your psychological history.
BRUCE
Oh.. Way to make a guy feel good.. Not only am I a walking nuclear bomb.. I'm crazy too..
BETTY
You don't mind talking about it do you? We were starting to talk about it before.. You know, before all of this happened..
BRUCE
We were talking under different circumstances.. For different reasons.
BETTY
There's no denying the circumstances are different. But Not the reasons. This isn't... I'm doing this because I care about you Bruce.
BRUCE
Thank you. That means so much to me. Especially now. But you're gardening roses in a minefield.
BETTY
...Was it painful?
BRUCE
..Painful? I never thought about it until now. But I... Yes. I think it was painful..
BETTY
-You think?
In his cell, Bruce struggles within himself as memories long buried rush to the fore. And yet- they seem like they belong to someone else.
BRUCE
It's hard to say.. The drugs they keep me pumped with.. to keep me calm.. To keep me from.. Changing..
BETTY
-We want you to stay calm, Bruce. Let's take it slow. Is there a.. Is there a happy memory?
Bruce thinks back. Images flash in his mind.
BRUCE
...Blocks..
BETTY
You feel blocked?
BRUCE
N-no. Building blocks. Toys..
DISSOLVE TO:
INT. BANNER HOME, 1972 - AFTERNOON
A two year old boy lays blocks next to each other.
2 YEAR OLD BRUCE
C...A...T.. Cat!
Bruce's mother, REBECCA BANNER, possessed of an angelic beauty, leans over Bruce's playpen watching joyfully as toddler practices his spelling.
REBECCA
That's right honey!! Cat!
Young Bruce applauds himself. Rebecca kisses him lovingly on the cheek.
With his blocks, Bruce spells "MOM" and then "DAD".
At that moment, someone- something enters. In the cloudiness of Bruce's memory, it appears that the presence is dark. Shadowy and monstrous. It makes terrible growls. Young Bruce and Rebecca are frightened at its approach. THEN IT HITS THE LIGHT- IT'S A MAN. Bruce's father BRIAN BANNER. No longer monstrous, just angry. HIS GROWLS MORPH INTO YELLING.
BRIAN
-Rebecca! My schematics! They weren't in my briefcase! Where are they?
REBECCA
..Brian- how would I know where your schematics are?
Brian glances over at Bruce who sits frightened in his playpen.
BRIAN
Of course.. How could you know? You don't know what the hell is going on in the world, because you spend every waking moment with "the little prince"... I guess you've forgotten how to be a wife since you traded in the job for caretaker of that brat..
Rebecca, wounded scurries from the room.
Brian swaggers over to Bruce's playpen.
BRIAN
..And how's our little "treasure' today?
Brian grimaces at Bruce, who sits wide-eyed. Over top the blocks spelling "DAD", Bruce stacks an "M" block over the first "D", spelling "MAD".
Brian turns in the direction that Rebecca walked toward.
BRIAN
So what exactly do you and the urchin do all day aside from suck up every dollar I earn?
Bruce, still watching his father, stacks a "B" block atop the "M" spelling "BAD".
Brian notices the spelled out blocks.
BRIAN
What in God's name? Rebecca- you know he's too young to read- why are you spelling out words for him?
Rebecca walks back into the room. Under her arm is a stack of papers. She angrily thrusts them forward at Brian.
REBECCA
...Your schematics. They were on your desk.. If you paid a little more attention you'd wouldn't have left them... And maybe if you paid a little more attention, you know that your son can already read and spell..
Brian snatches the schematics from Rebecca's hand.
BRIAN
Pay attention? Pay attention your highness? When my work eats up nearly every fibre of my being- and the two of you gobble down the scraps? Why aren't YOU paying attention? If you could spare me just a little of your time, perhaps you'd be a partner to me- and not an anchor! Perhaps if you were paying attention, you'd realize just how wrong things are around here- Just how wrong it is for a 2 year old to be reading! I'm telling you Rebecca- that little freak is tearing our lives apart!
Rebecca, tears streaming Rebecca reaches over and lifts Bruce from the playpen, to protect him from Brian's insanity.
Brian storms toward her in a threatening manner. Rebecca turns away hoping to shield Bruce with her own body.
Brian ***** his arm, ready to hit her, then relents.
BRIAN
..No. That's all I need- to hurt you and lose what little freedom I have left..
He turns away, stuffing the schematics clumsily into his briefcase.
Rebecca, crying turns back to him.
REBECCA
..Brian.. Bruce and I.. we have to leave.. It would be best for all of us.. You don't want us here.. And we're not a family anymore..
Brian, close to the door turns back.
BRIAN
You don't leave.. After all I've invested in you.. You stay by my side. For better, for worse.. Till death do us part.
He swings the door open and leaves. Rebecca collapses to the floor crying, cradling Bruce.
CUT TO:
BACK IN THE MILITARY BUNKER
BETTY
..That's some amazing recall from a memory that happened when you were a toddler..
BRUCE
Are you kidding? Some of us child prodigies can remember the birth moment.. and let me tell you- that could make for a shelf's worth of books on sexuality issues..
Betty giggles.
BETTY
..That's strange..
BRUCE
What?
BETTY
..Well..You seem to have developed a sense of humor.. Prior to all of this you didn't.. You were kind of stiff..
Bruce laughs.
BRUCE
..Uh.. I guess you share your body with a the bane of existence, you start to appreciate the sunny side of life..
BETTY
(Intrigued, yet confused)
Uh-huh.. I see. So.. I looked up your mother's case. I understand she tried to leave your father. But because he was working for the government pressure was placed on her.
CUT TO:
INT. MILITARY ADMINISTRATION OFFICE 1972 - DAY
Rebecca sits at the desk of a MILITARY SOCIAL WORKER, 2 year old Bruce on her lap. She pleads with her for help, and is denied.
BETTY (V.O.)
Under the grounds of national security, because your father was involved with Top Secret military work and your family lived on a community under military jurisdiction, your mother was denied being able to leave for a minimum of a year.
CUT TO:
INT. MILITARY BUNKER LEVEL C/BRUCE'S CELL - CONTINUING
Bruce's head tilts to the floor.
BRUCE
..A minimum of a year..
CUT TO: