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This is a continuation thread, the old thread is [split]531029[/split]
The music needs to go with the story they are trying to tell.Whedon is changing huge aspects if the story.Thus probably necessitatin change in the music.
You'd think WB should know by now, interference=bad, let directors do their thing=good.
Not true.They let Snyder do what he wanted with MOS and BVS look what happened.
Yea... he's made two masterpieces, that's what happened.
They interfered with Wonderwoman with Michelle mac claren and look what happened.
Yea... he's made two masterpieces, that's what happened.
Thanks.I'm excited to hear Elfman's music! I love his Batman and Spider-man scores.
And bringing Elfman into JL doesn't take away the previous themes. You can enjoy both you know.
Michelle Mclaren's project was never green-lighted, she left after initial talks and negotiations failed to take off due to "creative differences".
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Go to 18:40.
Jokes aside u get the point
It's end of the world huh?
And there's no epic score to accompany it.
Define epic. The finale of the first Batman score is really epic.
For it's time.
So by your logic epicness has an expiry date. So the force theme is not epic anymore I take it?
No, I'm saying some music fits a certain time. The force theme stands the test of time. Batman 89 score does not.
I disagree man. I think that theme is timeless. The Hans stuff is enjoyable but it can be replaced by any generic Blockbuster clone.