In Unleashed, how the hell did Freeman and Li get out of there. Sure he knocked the guy out with a (vase? iirc), but weren't his goons still garrisoned all over? However, in the next scene we're at a piano concert.
Why are the police in the Saw movies so damn incompetent?
How were the Jedi killed by a bunch of storm troopers that couldn't shoot the broad side of Luke Skywalker while he was standing still?
What made the film crew of X3 think; "The Angel subplot! This MUST not be excluded from the film. It is relevant!"
Speaking of X3, if Magneto can lift a whole bridge, why couldn't he simply bring down the entire building on those military agents, puppeteer Wolverine's body to kill them, or crush them with the bridge, or crush them with all the cars on the bridge, or any number of metal objects which mass accumultes to or is already in proprtion to a bridge?
Why did Quill think porcupine needles would intimidate someone who can control fire?
Why did Multipleman position himself so close to the obvious diversion the military unit easily should have predicted? Why didn't he arrange it so he could escape in the chaos of ... himself, or hide somewhere else? Why didn't he even try?
Why does the lighlty philisophical narrative of the Matrix get extremely pseudo-philisophical during the sequels?
Why couldn't Tia Dalma save Jack Sparrow without going to World's End like she did with Barbosa? Why couldn't they save Elizabeths father? And why is Davy Jones Locker so empty if it's the place for resting souls? Why did the Black Pearl end up there?
Why the hell didn't Harry Osbournes butler speak up sooner?
Why did Halle Berry get an oscar for doing the job of a porn star? I think Sasha Grey or Aliana Love are a bit more deserving in that regard.
And well... there ya go. That's my load.
t:
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