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This is a continuation thread, the old thread is [split]359541[/split]
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I have a love-hate thing with this film. It really depends on when I watch it. Sometimes, if I'm in the right mindset, I really enjoy the atmosphere, how strange it is, the craziness...but like tonight, when I rewatched it, all I saw was how cringe worthy some of the ideas were, how Batman was a side-character in his own film, and, most importantly, how weird it all was. It felt like things happened because it looked cool. It didn't really feel like a movie, but rather was a little...sloppy.
"You didn't invite me so I crashed" - Penguin.
"Rats with wings do your thing" - Penguin
"Bruce Wayne why are you dressed up as Batman?" - Max Shreck
"Becouse he is Batman you moron" - Selina
That's top of my head. I always like the quotes
"You didn't invite me so I crashed" - Penguin.
"Rats with wings do your thing" - Penguin
"Bruce Wayne why are you dressed up as Batman?" - Max Shreck
"Becouse he is Batman you moron" - Selina
That's top of my head. I always like the quotes
“We knew we wanted it to be black and sexy and tight and shiny. Latex is as black and sexy and tight as you can get. When Bob Ringwood and I first designed the costume, it was for another actress. She had to drop out and Michelle came in, at the last minute. Michelle moves beautifully, and she was just a perfect fit for that costume. Because you can see everything – and the latex makes it look very fluid, and Michelle just has a beautiful, fluid way of working – she’s very athletic, so she gave it a modern look. It was difficult to wear – we had to cover Michelle with baby powder before she got into the suit. We made a body cast of her, and the costume was made on the body cast. We were afraid that it would rip, because she had these cat claws, and because it’s latex, once it ripped it’s over, you can’t repair it. So we had to make about 40 cat-suits, but actually it never ripped, it was very strong.
Tim Burton came up with the idea for the stitches. He had this vision of the calico cat – with its stitches starting to come apart. Bob Ringwood and I were like, stitches? On latex? How do we do that? So we sculpted stitches in cast and glued them on. It looked terrible! So we decided to brush her in silicon, this thick liquid. After she had the costume on, we painted the silicon on her with big sponge brushes. So she’s dripping all over the place. But silicon, because it’s so shiny, when it was lit all you saw was the shine. And since she was moving around at night, it looked really fluid. That costume is all about the light – and of course, all about Michelle. At the end of the day, you’re helping the actor create the character. Whether they come from another planet or down the block, if it’s cavemen or contemporary, you have to go with what the actor’s personality is, they have to feel comfortable.”
I've seen it before but I love this one. DeVito did a magnificent job with his Penguin, transforming into that character. If I were Tim here I'd be afraid of standing there with him!