The latest Underworld adventure, Rise of the Lycans, hits screens January 23rd. Sony and Screen Gems have been rather secretive about the release thus far, opting not to pre-screen for critics. The trailer looks okay, but it certainly doesnt tell you a lot about the movie, which is a prequel to the first two Underworlds. Rhona Mitra stars as Sonja and Bill Nighy and Michael Sheen return as Viktor and Lucian, respectively.
In hopes of shedding some light on what Rise of the Lycans is all about, Bloody-Disgusting recently attended a small press gathering with director Patrick Tatopoulos and producer James McQuaide where a few action and effect scenes were screened and the duo participated in a short Q & A session. BD later had the chance to speak exclusively with star Rhona Mitra about the movie.
Well start off with a quick rundown of what we saw at the presentation.
There were two short action-based sequences, which looked like something of a mixture between the first two Underworld movies and maybe Lord of the Rings. During battleground sequences pitting the Lycans (werewolves) against the Death Dealers (vampires) plenty of swordplay was at work, with lots of hacking and slashing sound effects thrown in for good measure. If these scenes make the final cut as is, Lycans will certainly be bloodier than the first two movies. Blood spurts as swords and arrows pierce werewolves and werewolves tear up the vamps like rabid dogs. In one clip, two werewolves attack a bloodsucker from either side and literally rip him in two.
In the coolest scene we viewed, hundreds of Lycans storm the castle of the Death Dealers. Some are already in wolf form when the scene starts and some transform in mid-run. The action transformations look cool, but are almost too quick to really get a good look at the transformation process. One Lycans pants fly off behind him as he goes from man to beast.
Mitra looks the part as the warrior vampiress Sonja. Her outfit is a little less skin-tight and a little more armored than Kate Beckinsales. Shes much tougher, Mitra tells BD. Shes a death dealer and she sword fights and rides horses. Shes just a more aggressive character.
During another scene, Mitra is temporarily disabled on the battlefield as a Lycan charges through a maze of tree brances to attack her. Lucian leaps into the air and plunges a sword into his fellow Lycans skull, resulting in stream of blood spurting from the beasts head.
We are also shown some brief scenes of the werewolf transitions. They are smoother and less glitchy than the previous movies, but still a bit too slick for my tastes. Im a tough critic, though. I still cant help but prefer the classic practical transformations of The Howling and American Werewolf in London to any of the computer work Ive seen.
The coolest thing we can tell about Lycans in comparison to the other movies is the sheer number of werewolves. While the first movies featured only a few on screen at once, battlefield sequences have hundreds of werewolves in action at the same time. Due to the scope of the epic prequel, Tatopoulos and crew have had to move away from the practical effects of the previous entries in favor of more CG work.
I was obviously forced to go towards CGI [on this movie], says Tatopoulos. There is no way I could bring in 300 people in suits. I knew from the beginning, this movie would have more CGI, but obviously whenever we could, practical would come into play. Despite the increased scope, Tatopolous is working with the same budget Len Wiseman had on the other movies.
The project is the directorial debut for Tatopoulos, who previously did creature design work on the first two Underworld movies in addition to the Godzilla remake, Pitch Black, I, Robot and Silent Hill, amongst others.
At first things went a little rough for the first-timer when he first watched the shot footage. The first time I saw the first cut I ****ing freaked out, said the enthusiastic director. I was kind of comfortable, and then suddenly I look at the movie and say This is unbearable. I called Len, I called Roland Emmerich and people Ive worked with and they tell me, Thats normal man. But I knew that was not really normal. But there was a couple of things that had happened, without getting into too much detail. There were issues bigger than the first cut not being right on the money.
To be frank, it wasnt that good, says producer James McQuide. It needed the changes that had to happen [and] they made a huge difference.
Tatopoulos was able to calm down a bit when he got a look at the work being done in post-production. That was the biggest learning curve for me, laughs Tatopoulos. Dont panic. This is going to be horrible, but this is where the real work starts. Once I got through that phase, then it was a question of schedule and being ready on time. I knew it was getting there, but its very scary. The first movie is very scary, because at that point you think this is the worst piece of **** youve ever seen.
Now that hes gotten to the finish line and is happier with the final product, Tatopoulos says he plans to direct again, but probably not on another Underworld movie. Ive done three. I think Id like to move on. I think its a cool franchise and there are many more stories to do, but I think I need to get back into something else. When Len [Wiseman] did Die Hard, I said that is very cool, but I need to do stuff with creatures and ****. There are a few projects in the works right now and one in particular that I am keen on doing.
The star of Rise of the Lycans, the sexy warrior Rhona Mitra, joined BD for an exclusive interview about the project. Tatopoulos had positive things to say about the actress, who was initially chosen by the studio. I thought [she] was a great choice because in one of the earlier Underworlds, Bill says to Seline, You remind me so much of my own daughter. So Rhona was perfect. She is very different than Kate because she is much more of the warrior. Kate is very sophisticated. Rhona is more primevil, more rough, which fits the movie because this movie is more brutal and more about the werewolves and that kind of energy.
The trick to convincing Mitra about the role was letting her know that she wasnt just going to be a Beckinsale lookalike. She was conscious of the fact that she was going to be the next [Kate], said Tatopoulos. I quickly took it somewhere else and said, 'Look, this is very simple. The character of Selene was created from your character, so dont try to match it. Youre the origin of everything. I had to tell her that every day.' That made her feel good.