Except he shot it on film....no pixels....
I think also because a real director did it and not a cookie cutter fill in director. He did HIS vision!! It wasn't a studio movie!!
Except he shot it on film....no pixels....
It's beloved because it's an amazing story that's well executed with great performances by all of the main players. I'm sure there's people who don't care about the movie that much and only remember it fondly for Ledger, but they're in the minority. It's beloved by so many because it's just a really good film. Do I think it's the best movie of the century or that particular decade? No I do not. But it's damn good, and a breath of fresh air today when most superhero movies are loaded with CGI and can't focus on telling one single good story but instead have to set up multiple sequels. The ones that will be remembered are the Nolan films, the good Raimi films, and Logan...because the heart is there, the characterization is well done, and it's not concerned with a shared universe like every other Hollywood action flick these days. Nor is it concerned with pleasing every man, woman and child that buys a ticket. THAT is why TDK is still beloved in 2017, while Avengers becomes more and more forgettable.
The political themes may well be an element, at least subconsciously-conservatives feel it supports their positions, liberals feel it challenges theirs but does so in a thought-provoking rather than offensive way and the quality makes it more acceptable.
I think a couple things that make it great are the performances all around, the music/soundtrack really enhances the film, it can either feel like it's moving the story along at a breakneck speed, or just really unsettling with the Joker's theme or the music when it's showing shots of the city.
The direction and cinematography is great. It takes its subject matter very seriously, and found a really clever way of continuing the great story and themes from the first one, while seamlessly incorporating The Joker, Harvey Dent, Gordon, and Rachel into Bruce's character arc, as well as giving Harvey Dent his own arc that fits perfectly with Joker's. It's all taken straight from the source material but framed in a way that it all fits perfectly into these emotional character arcs and the more serious themes and lessons of the entire trilogy.
One thing that could've really improved it would be if Nolan put more effort into choreographing and filming the action/fight sequences. If TDK had a few fights similar to the warehouse scene in BvS, that would have been amazing
I've been rewatching the first full trailer for this movie and I'm still in love with it. It's still amazing how little of story Nolan gives away, but completely sells the notion that the Joker here is merely, as he says, an agent of chaos. And the score just works so well with the trailer shots.
And that first reveal of the Joker in the trailer? Beautiful.
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Yeah. Take it seriously, and feel like it could be plausible. I don't really think you can take other superhero movies seriously since Nolan's Batman movies though, outside of Logan. I don't think Spider-man, Superman, the Avengers etc can really be taken seriously like Batman. Tonally, and the fact that most of them are not simply human. They tried and failed.
Nolan showed a larger audience that not EVERY comic book movie should be treated like it's all one big fun joke. And more specifically, the potential of Batman on screen. He did this by grounding the characters. Is Bladerunner realistic? No. But a lot of it feels plausible. And i think that was Nolan's approach. I would even compare it to what James Cameron did with his two Terminator movies.
"People are dying, what would you have me do?"
"Endure. You can be the outcast, you can make the choice no one else will face. The right choice; Gotham needs you."
I'll fully admit right now, that goddamn trailer is the greatest trailer for anything superhero related I've ever seen. The only thing that's probably come close to me is the trailer for the Punisher's Netflix series.
Here's my whole debate in the link. I'm known as Amadeus Arkham.I really don't get the immense praise that the Dark Knight always gets. Many people told me that they had problems with Nolan's third Batman, that 'lots of little things took them out of the movie'. But that was the case for Dark Knight for me. Things like the Joker and his henchmen being left at Wayne's party after he rescues Rachel. The whole 2 boats with detonators for each other thing going nowhere (just showed that people didn't sway to the chaos). Batman and the police constantly ignoring the clues and not being where they needed to be; being totally incompetent to go after the Joker. Two-Face's makeup being laughably over-the-top. The premise that Dent's good work would have gone undone if Batman would not take the blame for what the guy did after he went insane.
Sure, Heath Ledger was brilliant as the Joker. But that alone did not make for a good film. I've found the story really quite shaky.
BUT IN ORDER TO REALLY EXPRESS WHAT GOES WRONG WITH THE DARK KNIGHT RISES, HULK HAS TO ILLUSTRATE PRECISELY WHAT HE DOES SO WELL IN THE DARK KNIGHT. FOR STARTERS, THE FILM IS JUST PLAIN ENTHRALLING. ON THE SURFACE IT'S TECHNICALLY A GAME OF "CAT AND MOUSE" WHERE THE BAT CHASES THE CLOWN DOWN THE RABBIT HOLE IN A SERIES OF MACHINATIONS, INVERSIONS, PUZZLES AND FEINTS. SOME OF WHICH DON'T MAKE A HINT OF SENSE, BUT HAVE GREAT DRAMATIC EFFECT. HECK, THE PLOT MODEL IS BASICALLY JUST AN EPISODE TOM AND JERRY. BUT THE REASON TDK RESONATES BEYOND THOSE SIMPLE TRICKS IS BECAUSE IT TAKES A SINGULAR THEMATIC THROUGH-LINE AND FOLLOWS IT THE ENTIRE WAY THROUGH THE MOVIE. AND IN THE END THOSE THEMES OUTRIGHT MANIFEST THEMSELVES IN THE FINAL ARCS OF THE CHARACTERS. TO WIT: THE FILM IS EXPRESSLY ABOUT THE EFFECT THAT PLACING THE JOKER, IN THIS CASE A PERFECT REPRESENTATION OF TOTAL ANARCHY*, DIRECTLY AGAINST THE FABRIC OF SOCIETY AND WATCHING THE WAY THAT SOCIETY REACTS. AT TIMES IT'S AN ALLUSION TO 9/11 POLITICS. AT TIMES IT'S A TREATISE ON SOCIETAL VALUES, WHETHER THEY ARE THE ROUSSEAU-IAN SOCIAL CONTRACT OR A BASIC JUDEO-CHRISTIAN OUTLOOK. BUT NO MATTER HOW THE FILM EXPRESSES ITSELF, THESE IDEAS ARE STILL A TANGIBLE RESULT OF THE CENTRAL THEME'S DRIVING FORCE. THE NIHILISTIC ANARCHISM OF THE JOKER RESULTS IN THE CORRUPTION OF HARVEY DENT, THE SLIGHT-MORAL BENDING OF BATMAN (AS WELL AS ULTIMATELY CONFIRMING HIS VERY PURPOSE AND NEED), AND EVEN ILLUSTRATES THE WAY SOCIETY CONSTRUCTS THE "THE WHITE KNIGHT" IN THE WAKE OF TRAGEDY/THE FACE OF ADVERSITY. EVEN IF HULK PERSONALLY DISAGREES ABOUT SOME OF THOSE VIEWS, IT'S STILL A PERFECTLY CLEAR ARTICULATION OF HOW SOCIETY STANDS UP TO THE THREAT OF ANARCHY. IT IS A PERFECT MARRIAGE OF THEME, CHARACTER AND PLOTTING
Dark Knight was able to poise tough questions that were resonant and really identifiable in a real world context in a way no comic book movie before did.