That's hard to say. I want to see The Thing perform feats of strength that we know only The Thing can do. I mean pulling the fire truck up, that was cool, but that's all he did. I just want to see more of The Thing, being The Thing. As for a scene ? I would love to see The Thing and Doom duke it out. Blow for blow. Strentgh against strentgh. Just a battle to the end.
There are aspects of the film that are already set in motion witch we have no control over...physical appearances of characters, The Thing's brow, Doom's armor, Sue's hair (which has never really been a huge concern to me) but anyway, things that are important to all of us which we'd all like to see.
However,...I 'd love to see the action portrayed in that out of this world, next level kind of way that none of have ever experienced. As in when Galactus summons The Punisher (and I know many of you know I don't mean Frank Castle) to whoop up on Ben and the rest of the group. Kirby had a way of drawing it so that you knew this was an extraordinary level of existence that these people were experiencing that normal man doesn't see. And they reacted and adjusted to it in an extraordinary level of existence . I feel that is something that these characters deserve to operate in and be portrayed in.
The first time I saw the opening shot of the Matrix with the girl running and diving, what seemed a mile, I knew the Wachovsky brothers understood motion in that way. I remember thinking, "Man! These guys could do a great Spider-Man movie. For the record I feel that's something the Spider-Man movies could have a bit more of but that's off the point.
Anyway, that's what I'd like to see. Less adherence to, or worrying so much about, the laws of physics. "Can this be done?" "Can a person really do that?" and so forth. I'd like to see extra-ordinary, super situations for these extra-ordinary, super people.
I know that this would never happen but James Earl Jones.
To me it would be the ultimate nod to the interconnectedness of the inspiration of Darth Vader and a tribute to his own transformation in that scene where he was transformed.
It would be what I call one of those weird movie phenomenons, like Kevin Bacon's 3 degrees of seperation thing.
I know that this would never happen but James Earl Jones.
To me it would be the ultimate nod to the interconnectedness of the inspiration of Darth Vader and a tribute to his own transformation in that scene where he was transformed.
It would be what I call one of those weird movie phenomenons, like Kevin Bacon's 3 degrees of seperation thing.
Wow. I can't think of a moment that would do it for me moreso that Galactus' uttering "Rise" to the newly born Silver Surfer. Damn, Highguard, that moment better be in the movie now or I"m gonna be disappointed!
And yeah, James Earl Jones would be perfect, as cliched as it sounds. I hope they at least asked him.
There was a scene described in one of the articles a few months back (I think it was connected to MTV's coverage) where a weakened Surfer says to Sue: "I was once called Norrin Radd."
I also remember reading that the Surfer has relatively few lines.
A few lines could easily tell the Surfer's origin (along with a few images as he speaks):
"I was once called Norrin Radd...
Galactus, destroyer of worlds came to mine...
I said... spare my world, and I will serve you..."
...and then that whole "Rise" thing. With a Galactus voice that shakes the walls of the theater.
Great scenario, Highguard.
And I could accept the approach of Galactus involving some cosmic cloud, if we'd already been given a glimpse of Galactus' actual form.
My guess is that
the FF's final battle with the cosmically charged Doom takes place against the backdrop of a nighttime sky that's filling with purple "approaching Galactus" cloud
The FF find some way to defeat Doom, sending his power surging back into the Surfer.
The Surfer hovers above everyone, unmoving as the End of the World appears imminent and certain.
Then at the last moment, the Surfer streaks toward Galactus and there is a really terrible kaboom...
The night sky is suddenly normal...
Doom skulks away...
Then the epilogue, with Reed & Sue's wedding completed, lots of celebration and probably some drive-by characterization with Ben and Alicia...
But the final shot is Doom, sitting on his throne in Latveria...
...holding a newspaper touting the FF's victory with a sidebar on Reed & Sue's wedding...
...and he begins to crush it.
Camera pulls in on his iron mask and the angry bloodshot eyes...
Then black screen with the "4" logo.
Roll credits.
Okay, maybe I was too wordy and philosophical in my first answer. Something that would make me at least think "Hell Yeah" would be to see some of those enormous crazy mechanized inventions in Reed's lab and see Ben picking them up with ease.
I'm thinking "Hell Yeah" just thinking about that.
Something that would make me at least think "Hell Yeah" would be to see some of those enormous crazy mechanized inventions in Reed's lab and see Ben picking them up with ease.
Yep. The presence of all that crazy techno stuff helped to define Reed's character through the years.
We gotta see more of that stuff.
A lot more than the "transformation chamber" set of FF1.
Of course that was still a cash-strapped Reed Richards.
The Reed of FF2 will presumably have greatly increased financial resources. If we see him looking like a kid in a candy store in his new lab, then all will be forgiven.
That would be a very cool gift to the comic fans...
The thing that is cool about your suggestion Agent is the fact that....most of our desires, if not already in the movie, won't be there....sad, but reality........yours however, could easily be put in right now during post production, and I think that would be a very cool idea....
Wow. I can't think of a moment that would do it for me moreso that Galactus' uttering "Rise" to the newly born Silver Surfer. Damn, Highguard, that moment better be in the movie now or I"m gonna be disappointed!
And yeah, James Earl Jones would be perfect, as cliched as it sounds. I hope they at least asked him.
There was a scene described in one of the articles a few months back (I think it was connected to MTV's coverage) where a weakened Surfer says to Sue: "I was once called Norrin Radd."
I also remember reading that the Surfer has relatively few lines.
A few lines could easily tell the Surfer's origin (along with a few images as he speaks):
"I was once called Norrin Radd...
Galactus, destroyer of worlds came to mine...
I said... spare my world, and I will serve you..."
...and then that whole "Rise" thing. With a Galactus voice that shakes the walls of the theater.
Great scenario, Highguard.
And I could accept the approach of Galactus involving some cosmic cloud, if we'd already been given a glimpse of Galactus' actual form.
My guess is that
the FF's final battle with the cosmically charged Doom takes place against the backdrop of a nighttime sky that's filling with purple "approaching Galactus" cloud
The FF find some way to defeat Doom, sending his power surging back into the Surfer.
The Surfer hovers above everyone, unmoving as the End of the World appears imminent and certain.
Then at the last moment, the Surfer streaks toward Galactus and there is a really terrible kaboom...
The night sky is suddenly normal...
Doom skulks away...
Then the epilogue, with Reed & Sue's wedding completed, lots of celebration and probably some drive-by characterization with Ben and Alicia...
But the final shot is Doom, sitting on his throne in Latveria...
...holding a newspaper touting the FF's victory with a sidebar on Reed & Sue's wedding...
...and he begins to crush it.
Camera pulls in on his iron mask and the angry bloodshot eyes...
Then black screen with the "4" logo.
Roll credits.
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