I can see the first half as more of a comedy. What I like about it is that both parts feel like a different film. But all throughout it's pretty twisted. I can actually see both parts be percieved as a comedy and twisted.
Well, maybe not exactly a straight comedy obviously, but a lot of it's so bizarre and detached that it can work either way for the viewer, especially the narration. imo, this, Barry Lyndon and Badlands have some of the greatest uses of narration because they're so devoid of emotion and superficial so they question the audience's cognitive skills and above all work with the main elements of the film.
A lot of the brainwashed and dehumanizing aspects might be a bit overplayed for me, like when one of the soldiers at the end is seen as a silhouette and he straddles his M14 to make it look like he's shaking his dick, which is obviously what Kubrick's going for, but I don't know...maybe a bit forced for me, but I think it works better if you look at it as maybe a subtle Bill Hicks joke. Not as if the film's
very obvious or apparent in its humor; I've seen the movie many times with a number of different reactionary moods.
I wouldn't say the first half is that much different than the first, though. The Vietnam setting definitely stands in contrast to the first half, suggesting the breakdown of social disorder and training they recieved at the base camp, but it's all in the same tone and structure parallels (both parts start with a popular song and end with protracted, dramatic scene of violent death). There are contrasts, for sure, but I think the similarities weigh over.
Regardless, I think Kubrick makes a much better argument on the effects of war in his take on Vietnam than banal crap like Jarhead. Like any Kubrick movie, so many details I haven't wrapped my head around yet. (eg: the bathroom's referred to as the head and many soldiers make references to it...flush your head, clean your skull, etc. I'm sure this is just part of his dehumanizing argument, but Joker notes Jungian philosophy so I'll have to check into that)
The Darjeeling Limited - 9/10
Imo, this movie's misinterpreted. Like all of Anderson's work, it's not the hipster kitsch all of it people stick it as.
In Bruges - 10/10